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Truck Festival © Francisco Augusto
Festival, Interviews, Music, PreviewsFebruary 3, 2020<February 3, 2020

Preview: Truck Festival 2020 Features Indie Heavyweights & Fresh Faces

by Luke Pettican
Anima & Ennui © Mandy Rep
Music, PremieresFebruary 3, 2020<February 3, 2020

Copenhagen’s Anima & Ennui Glow with New Age Spirituality in “My Sun, My Moon”

by Mitch Mosk
PRIZM music 2020
Interviews, Music, PremieresFebruary 3, 2020<February 3, 2020

Interview: Dallas Duo PRIZM Keep Us Up “All Night” in Synthy, Seductive Euphoria

by Mitch Mosk
Feels Like Home - LEO © Caz Nowaczyk
Music, PremieresFebruary 3, 2020<February 3, 2020

Premiere: LEO’s Raw “Feels Like Home” Offers Love & Support Amidst Australia’s Bushfire Crisis

by Mitch Mosk
Features, Interviews, MusicFebruary 3, 2020<February 3, 2020

Interview: American Authors Are Using Their “Microphone” to Tell You Something You Need to Hear

by Chloe Robinson
Columns, Music, Today's SongFebruary 3, 2020<February 3, 2020

Today’s Song: FLOOR CRY Is Sure to Win Hearts with “1-800-LOVE”

by Madison Vettorino
Atwood Magazine's Weekly Roundup January 31 2020
Columns, Music, Weekly RoundupJanuary 31, 2020<February 3, 2020

Atwood Magazine’s Weekly Roundup: January 31, 2020

by Atwood Magazine Staff
Columns, Music, VideoJanuary 31, 2020<January 31, 2020

The LA Archives with Pablo Dylan: Episode 1 – The Book Store

by Adrian Vargas
Honest - San Holo & Broods © Dolly Ave
Music, ReviewsJanuary 31, 2020<January 31, 2020

Review: San Holo & Broods Team Up for an “Honest” Song of Intimate Connection

by Mitch Mosk
Alex Ebert music 2020
Features, Interviews, MusicJanuary 31, 2020<February 11, 2020

Uninhibited Instinct & Creative Freedom: Alex Ebert on His Unapologetic Album ‘I vs I’

by Mitch Mosk
Columns, Music, Today's SongJanuary 31, 2020<January 31, 2020

Today’s Song: Soccer Mommy Pulls Back the Curtain on “circle the drain”

by Nicole Almeida
Sløtface © Jonathan Vivaas Kise
Features, Interviews, MusicJanuary 30, 2020<January 30, 2020

Interview: Sløtface Want You to Know You’re Not Alone on ‘Sorry for the Late Reply’

by Oliver Crook
Tyson Motsenbocker
Music, PremieresJanuary 30, 2020<January 30, 2020

Premiere: Tyson Motsenbocker Wants You to “Come to California” in His Golden New Song

by Mitch Mosk
Jack Symes
Music, PremieresJanuary 30, 2020<January 30, 2020

Premiere: Feel the Love in Jack Symes’ Seductive, Sunny Song “Baby, My Baby”

by Mitch Mosk
Comme des Garçons - Rina Sawayama
Columns, Music, Today's SongJanuary 30, 2020<January 30, 2020

Rina Sawayama Channels Early 2000s Swagger in Her Drippingly Confident “Comme des Garçons”

by Danny Vagnoni
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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