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Saytr Play
Columns, Music, Today's SongMarch 9, 2020<March 6, 2020

Today’s Song: Saytr Play’s Invigorating Anthem for the Youth, the Planet, and Our “Future”

by Nina Schaarschmidt
Thrillhouse
Debut, Interviews, Music, Music Videos, PremieresMarch 6, 2020<March 6, 2020

Interview: For Brighton Indie Rock Band Thrillhouse, “Lesser” Is More

by Mitch Mosk
The Kids Are Coming EP art - Tones and I
Debut, Music, ReviewsMarch 6, 2020<March 6, 2020

Review: Tones and I Takes the World by Storm with Debut EP ‘The Kids Are Coming’

by Ben Beamish
Still Alive - Alexz Johnson
Interviews, Music, PremieresMarch 6, 2020<March 13, 2020

Premiere: Alexz Johnson’s Stirring Anthem of Hope “Still Alive” Previews an Intimate 4th Studio Album

by Mitch Mosk
Music, Reviews, This Just InMarch 6, 2020<March 6, 2020

This Just In: Healy Exquisitely Wrestles with the Swift Passage of Time in “Nikes On”

by Baylee Less
Columns, Music, Today's SongMarch 6, 2020<March 6, 2020

Today’s Song: Diners’ “Cup of Coffee” Is a Smooth, Full-Bodied Composition That Lingers Nicely in the Ear

by Nick Matthopoulos
Atwood Magazine Editor's Picks 30
Columns, Editor's Picks, Features, MusicMarch 6, 2020<May 15, 2020

Editor’s Picks: March 6, 2020

by Mitch Mosk
The Flavians 2020
Debut, Features, Interviews, MusicMarch 5, 2020<March 5, 2020

Artist-to-Watch: Berlin’s The Flavians Turn the ‘Ordinary’ Extraordinary with Soul-Stirring Sound

by Mitch Mosk
Good Luck Everybody - AJJ
Music, ReviewsMarch 5, 2020<March 5, 2020

Review: AJJ Balance the Outlandish with the Sincere on ‘Good Luck Everybody’

by Nick Matthopoulos
The Frights is Mikey Carnevale (vocals/guitar), Richard Dotson (bass), Marc Finn (drums). and Jordan Clark (guitar). © Rowan Daly
Features, Interviews, Music, PremieresMarch 5, 2020<July 17, 2020

Samples, Sonnets, and the Surf-Punk Scene: A Conversation with The Frights

by Lexi Lane
Breaking The Record 2020
Breaking the Record, Columns, MusicMarch 5, 2020<March 5, 2020

Breaking the Record with Roan Yellowthorn, Part 5: Mixing

by Guest Writer
Columns, Music, Today's SongMarch 5, 2020<March 5, 2020

Today’s Song: “Yellow Jacket” is a Brooding, Pounding Debut from Psych-Pop Londoners moa moa

by Tim Horwood
Roses & Revolutions © Krit Upra
Music, PremieresMarch 5, 2020<March 4, 2020

Premiere: Roses & Revolutions Are Stuck in New Single “i don’t have feelings anymore”

by Kelly McCafferty Dorogy
Grace Gillespie © Sophie Greenidge
Music, PremieresMarch 5, 2020<March 4, 2020

Premiere: Grace Gillespie Bewitches with Raw New Single “Goodbye”

by Luke Pettican
Tia Gostelow © Jeff Andersen Jr
Music, PremieresMarch 4, 2020<March 4, 2020

Premiere: Queensland’s Tia Gostelow Returns with a “RUSH” of Fun & Frisky Indie Pop

by Mitch Mosk
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Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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