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Atwood Magazine Editor's Picks 26
Columns, Editor's Picks, Features, MusicJanuary 14, 2020<January 14, 2020

Editor’s Picks: January 14, 2020

by Mitch Mosk
Bubba - Kaytranada 8.7
Music, Our Take, ReviewsJanuary 14, 2020<December 15, 2020

Our Take: Kaytranada Delivers the Last Great Dance Record of the 2010s

by Josh Weiner
Music, ReviewsJanuary 14, 2020<January 14, 2020

Review: Willie J Healey Creates Evocative Splendor with New EP ‘Hello Good Morning’

by Nina Schaarschmidt
Goldenbloom music 2020
Columns, Music, Today's SongJanuary 14, 2020<January 9, 2020

Today’s Song: London’s goldenbloom Taste the Sour Side of “LOVE”

by Robin Fulton
Tayla Parx 2020
Debut, Features, Interviews, MusicJanuary 13, 2020<January 13, 2020

We Need to Talk: Tayla Parx on Empathy, Energies, and Stories

by Mariel Fechik
Features, Interviews, MusicJanuary 13, 2020<January 13, 2020

Expansive Sounds from Intimate Moments: An Interview with Boniface

by Luke Pettican
Columns, Music, Today's SongJanuary 13, 2020<January 13, 2020

Today’s Song: Faye Enchants on Her Devastatingly Beautiful New Single “Heat”

by Adrian Vargas
Atwood Magazine's 2020 Artists to Watch
Features, MusicJanuary 10, 2020<May 15, 2020

Atwood Magazine’s 2020 Artists to Watch

by Atwood Magazine Staff
John Mayer
Columns, Music, Nostalgia TracksJanuary 10, 2020<January 9, 2020

Nostalgia Tracks: John Mayer’s “Vultures” Is a Truly Timeless Song

by Bethan Harper
Elisapie © Le Pigeon
Columns, Music, Today's SongJanuary 10, 2020<January 10, 2020

Today’s Song: Elisapie’s “Ton Vieux Nom” Is a Cultural Love Letter Amongst Many

by Frankie Rose
Stu Larsen © Nadia Meli
Music, PremieresJanuary 9, 2020<December 1, 2020

Premiere: Stu Larsen’s Heavy Heart Aches in Lovelorn “Phone Call From My Lover”

by Mitch Mosk
Mirei
Interviews, Music, PremieresJanuary 9, 2020<January 9, 2020

Premiere: MIREI Gets Honest in Latest Single “Lazy Boy”

by Erica Danielle Garcia
E Scott Lindner
Music, PremieresJanuary 9, 2020<January 9, 2020

Premiere: E Scott Lindner Balances Emotion and Math with “8”

by Coco Rich
Navy Blue © Supreme
Columns, Music, Today's SongJanuary 9, 2020<January 9, 2020

Today’s Song: Finding Self-Actualization with Navy Blue on “Higher Self”

by Ryan Feyre
Mouth Breather
Music, PremieresJanuary 8, 2020<January 8, 2020

Premiere: Mouth Breather Creates a Hazy, Swirling Anthem on True Love with “After All We’ve Been Through”

by Adrian Vargas
Posts pagination
1 … 468 469 470 471 472 … 737

Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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