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Dolly Valentine © Dolly Valentine
Debut, Music, PremieresOctober 15, 2019<February 14, 2025

Dolly Valentine Emerges with Breathtaking Indie Folk Lullaby “Flowers on the Highway”

by Mitch Mosk
Tunes & Tumblers 10
Music, Podcast, Tunes & TumblersOctober 15, 2019<April 30, 2023

Podcast: Tunes & Tumblers Floats in Memory with talker’s “Keep Me Safe”

by Anthony Kozlowski
NYSSA #1 Girl Press Photo
Columns, Music, Today's SongOctober 15, 2019<October 15, 2019

Today’s Song: NYSSA’s “#1 Girl” Will Remind You Why You Love Your Best Friend — and the ’80s

by Oliver Crook
Leah Capelle © Mackenzie Breeden
Interviews, Music, ReviewsOctober 14, 2019<July 1, 2020

Leah Capelle Dives into the Aching Pop Polish of “know me better”

by Mitch Mosk
Alter Nature - BATS
Features, Interviews, Music, ReviewsOctober 14, 2019<October 11, 2019

BATS’ ‘Alter Nature’ Is the Mind-Opening Record the World Needs Right Now

by Oliver Crook
N.Y.C.K. © 2019
Music, PremieresOctober 14, 2019<October 16, 2019

Premiere: N.Y.C.K.’s Wild N’ Wondrous Homecoming Song “Threes”

by Mitch Mosk
Yoke Lore © Jakob Wandel
Columns, Music, Today's SongOctober 14, 2019<October 11, 2019

Today’s Song: Yoke Lore Explores Deeper Truths on “Dead Ringer”

by Madison Vettorino
The Academic © Cian Duignan
Features, Interviews, MusicOctober 11, 2019<October 11, 2019

Full Throttle Towards the Future: An Interview with The Academic

by Luke Pettican
Pizzagirl © Neelam Khan Vela
Features, Interviews, MusicOctober 11, 2019<October 11, 2019

Just Sitting in His Room: A Conversation with Pizzagirl

by Nicole Almeida
Atwood Magazine's Favorite Albums of 2010
Albums of the Decade, Columns, Features, MusicOctober 11, 2019<December 5, 2019

Our Favorite Albums of the Decade: 2010

by Atwood Magazine Staff
Emily Blue © Morgan Paije
Interviews, Music, PremieresOctober 11, 2019<January 29, 2026

Premiere: Emily Blue Rewinds & Ignites in Stunning Power Ballad “17”

by Mitch Mosk
Left Vessel
Columns, Music, Today's SongOctober 11, 2019<October 10, 2019

Today’s Song: Left Vessel Latches on Love in “Please Don’t Stop”

by Mitch Mosk
Núria Graham
Music, Music Videos, PremieresOctober 10, 2019<October 10, 2019

Premiere: Núria Graham’s Vibrant “Smile on the Grass” Indulges in the Existential & Intimate

by Mitch Mosk
King Willow © Sakara Birdsong
Music, PremieresOctober 10, 2019<January 28, 2020

Premiere: King Willow Unveil Their Romantic Anxieties with “Talk Like That”

by Abby Jones
Alexander 23 © Julian Burgueño
Interviews, MusicOctober 10, 2019<October 10, 2019

Interview: Alexander 23 Contends with Long Goodbyes in Pop Ballad “See You Later”

by Nick Baron
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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