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Delilah Montagu © 2019
Features, Interviews, MusicJune 21, 2019<June 21, 2019

The Midas Touch: A Conversation with Delilah Montagu

by Nicole Almeida
Gizmo Varillas © Sequoia Ziff
Music, PremieresJune 21, 2019<June 21, 2019

Premiere: Gizmo Varillas Rises Up “Out of the Darkness” with Inspiring Light

by Mitch Mosk
Columns, Music, Tunes & TumblersJune 20, 2019<April 30, 2023

Tunes & Tumblers: Sipping a Smooth Escape with Anderson .Paak’s “Ventura”

by Anthony Kozlowski
Fell Runner © Ellyn Jameson
Music, Premieres, ReviewsJune 20, 2019<June 20, 2019

Album Premiere: On ‘Talking,’ Fell Runner Weave a Kaleidoscopic Rock Tapestry

by Mitch Mosk
John Van Deusen
Music, PremieresJune 20, 2019<June 20, 2019

Premiere: John Van Deusen Channels ’90s Indie Rock on “Social Sucker”

by James Crowley
Lostboycrow © Samantha Sheldon
Features, Interviews, MusicJune 20, 2019<June 20, 2019

Interview: Creating Space with Lostboycrow on ‘Santa Fe’

by Audrey Steeves
Music, Music Videos, PremieresJune 20, 2019<June 20, 2019

Premiere: Will Fox Embraces What Matters Most on “A Good Friend’s Handshake”

by Anthony Kozlowski
Mark Diamond © Aleigh Michelle
Music, PremieresJune 20, 2019<June 20, 2019

Premiere: Mark Diamond Flirts with Temptation and Finds The One in “Hummingbird”

by Nicole Almeida
IDLES © Stewart Baxter
Columns, Music, Today's SongJune 20, 2019<June 20, 2019

Today’s Song: IDLES Marx the Spot with “Mercedes Marxist,” Taking on the System That Left Them Wasted

by Oliver Crook
Amahla © 2019
Music, PremieresJune 20, 2019<March 2, 2025

Premiere: Amahla Pulls Back the Curtain on Acoustic Version of “River”

by Nicole Almeida
Hayden Calnin © Emma McEvoy
Music, PremieresJune 19, 2019<May 12, 2021

Premiere: Hayden Calnin Finds Closure & a Fresh Start in “Fuck Collingwood”

by Mitch Mosk
Music, VariationsJune 19, 2019<June 19, 2019

Variations: Beethoven’s Sweet, Sunday Second Movement of Sonata No. 8 in C Minor

by Coco Rich
Fire Starter © Kit Castagne
Music, Premieres, ReviewsJune 19, 2019<June 21, 2019

Album Premiere: Folk Trio Honeysuckle Burn Bright on ‘Fire Starter’

by Mitch Mosk
Brett Altman © Phil Silverberg
Music, PremieresJune 19, 2019<June 19, 2019

Premiere: Brett Altman Basks in Romantic Bliss on “Full of You”

by Mitch Mosk
Are You OK? - Wasuremono
Features, Music, ReviewsJune 19, 2019<June 19, 2019

Review: Wasuremono’s Psychedelic Dream-Pop Success ‘Are You OK?’

by Hermione Kellow
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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