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Meg & Dia © Caitlin Ison
Features, Interviews, MusicOctober 7, 2019<October 7, 2019

Rekindling the Flame: Meg & Dia Make Their Comeback with ‘happysad’

by Caitlin Ison
Wallows Approved Press Photo #8
Columns, Music, Today's SongOctober 7, 2019<February 19, 2021

Today’s Song: Wallows Spin the Soundtrack to Restless Youth on “Just Like a Movie”

by Meredith Nardino
Features, Music, Weekly RoundupOctober 4, 2019<October 4, 2019

Atwood Magazine’s Weekly Roundup: October 4, 2019

by Atwood Magazine Staff
Blood Harmony- FINNEAS EP Cover Art
Debut, Music, ReviewsOctober 4, 2019<October 4, 2019

Review: Blood Harmony is FINNEAS’ Immaculate First Step into His Cinematic, Beautiful World

by Nicole Almeida
Tom Speight © Tom Leishman
Debut, Features, Interviews, MusicOctober 4, 2019<September 24, 2021

More Than a Little Love: Tom Speight Dives into His Stunning Debut Album ‘Collide’

by Mitch Mosk
Frances Luke Accord © Luke Jackson
Music, PremieresOctober 4, 2019<October 4, 2019

The Fresh Autumn Folk of Frances Luke Accord’s “Thank You, Derrick Watson”

by Mitch Mosk
Rosie O’Sullivan
Interviews, MusicOctober 4, 2019<October 4, 2019

Singing Soul and Striving for Acceptance: A Conversation with Rosie O’Sullivan

by Josh Weiner
Hello Exile - The Menzingers
Music, ReviewsOctober 4, 2019<October 4, 2019

Review: The Menzingers Take on Existential Worries in ‘Hello Exile’

by James Crowley
Jixi © 2019
Columns, Debut, Music, Today's SongOctober 4, 2019<October 4, 2019

Today’s Song: Jixi Delivers a Simply Great Song with Debut “Psycho Daydream”

by James Crowley
The Madness - Nicotine Dolls
Debut, Music, Music Videos, PremieresOctober 3, 2019<October 3, 2019

Nicotine Dolls’ Feverish “The Madness” Is an Alt-Rock Dream

by Mitch Mosk
Paper Beat Scissors © Stacy Lee
Music, ReviewsOctober 3, 2019<October 3, 2019

Fragility, Nuance, & Grace: A Review of Paper Beat Scissors’ Dazzling ‘Parallel Line’

by Mitch Mosk
KTG
Music, ReviewsOctober 3, 2019<October 3, 2019

Review: A Common Thread of Folk & Soul Make KTG’s ‘Searching for Magpies’

by Kelly McCafferty Dorogy
Anna Vogelzang © Carla Coffing
Features, Music, PremieresOctober 3, 2019<October 3, 2019

Album Premiere: Anna Vogelzang’s Delicate, Personal ‘Beacon’

by Mariel Fechik
Wolf & Moon © Dani Rguez
Columns, Music, Today's SongOctober 3, 2019<October 2, 2019

Today’s Song: Wolf & Moon Are Sonic Explorers on Hopeful New Song “Situations”

by Oliver Crook
Music, PremieresOctober 3, 2019<October 2, 2019

The Road to Scala: An Interview with Luna Bay

by Luke Pettican
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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