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Temptress
Features, Interviews, MusicJuly 29, 2019<July 29, 2019

Naked & Deep Pop: A Conversation with Temptress

by Kelsey Fitzgerald
Love + Fear - MARINA
Music, ReviewsJuly 29, 2019<July 29, 2019

Requiem for a Poor Mathô: A Review of MARINA’s ‘Love + Fear’

by Ben Niesen
Concerts, Festival, Music, ReviewsJuly 29, 2019<July 29, 2019

The Ultimate Matriarchal Experience: British Summertime Festival 2019

by Hermione Kellow
Taylor Swift
Columns, Music, Today's SongJuly 29, 2019<August 17, 2019

Taylor Swift’s “The Archer” Is an Emotionally Self-Reflective Preview for ‘Lover’

by Melanie Lustig
Atwood Magazine's Weekly Roundup
Columns, Features, Music, Weekly RoundupJuly 26, 2019<July 26, 2019

Atwood Magazine’s Weekly Roundup: July 26, 2019

by Atwood Magazine Staff
Bastille
Features, Interviews, MusicJuly 26, 2019<September 19, 2019

The Glimmering Light of Our ‘Doom Days’: A Conversation with Bastille

by Mitch Mosk
Relick 2019 1
Features, Interviews, MusicJuly 26, 2019<July 26, 2019

Premiere: Relick Inject Light & Raw Energy into New Song “Powder Pink”

by Mitch Mosk
Interviews, Music, ReviewsJuly 26, 2019<December 21, 2024

A Beautiful Marriage of Vintage and Modern: A Conversation with Weird Milk

by Adrian Vargas
Kid Froopy © 2017
Columns, Music, Today's SongJuly 26, 2019<July 26, 2019

Kid Froopy Puts His Spin on Lostboycrow’s “Orange Juice (Summer Squeeze Mix)”

by Alex Killian
Lauran Hibberd © Nathan Russell
Features, Interviews, Music, ReviewsJuly 25, 2019<July 26, 2019

Interview: Lauran Hibberd Lets Loose on “Frankie’s Girlfriend” with Raw Indie Rock Zeal

by Mitch Mosk
Music, PremieresJuly 25, 2019<July 25, 2019

Premiere: Somebody’s Child Goes the “Distance” in a Euphoric Coming-of-Age Song

by Mitch Mosk
Stone Irr © Anna Powell Teeter
Music, PremieresJuly 25, 2019<July 25, 2019

Premiere: Stone Irr Battles the Discomforts of a Mismatched Relationship on “Fine with Me”

by Adrian Vargas
Music, Music Videos, PremieresJuly 25, 2019<July 25, 2019

Premiere: Longing and Nostalgia in Kensington Moore’s “Slow”

by Ben Beamish
Terrible Sons © Stefan Roberts
Music, Premieres, ReviewsJuly 25, 2019<October 7, 2020

EP Premiere: The Honey & Salt of Terrible Sons’ ‘With Feathers’ Explores the Weight of the Soul

by Oliver Crook
Maggie Rogers 2019 © Olivia Bee
Columns, Music, Today's SongJuly 25, 2019<July 24, 2019

Today’s Song: Maggie Rogers Stuns with “Say It”

by Madison Vettorino
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Brand New

  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health”
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
  • “I Pride Myself on Healthily Hating”: Alemeda Asserts Her Worth on “Broken Record,” a Blistering Rejection of Cheap Love April 15, 2026
  • Devil’s in the Details: Inside Esme Rose’s Bewitching ‘x3’ EP April 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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