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7.4
Debut, Music, Our Take, ReviewsAugust 29, 2019<December 15, 2020

Our Take: Red Hearse Debut Their Genre-Defying Self-Titled Record

by Meredith Nardino
Butter the band
Music, Premieres, ReviewsAugust 29, 2019<August 29, 2019

EP Premiere: Dance Away Your Troubles with Butter’s ‘Nicotine’

by Ditta Demeter
Columns, Music, Today's SongAugust 29, 2019<August 29, 2019

Today’s Song: Bon Iver Shifts Cryptic Toward Clarity in “RABi”

by Coco Rich
Litany
Features, Interviews, MusicAugust 29, 2019<September 19, 2019

Boppy, Poppy, and Sometimes Soppy: An Interview with Litany

by Mitch Mosk
the florets 2019 2
Music, PremieresAugust 28, 2019<August 29, 2019

EP Premiere: The Florets Light a Fire in Debut ‘Friction Made Fiction’

by Mitch Mosk
Swimming with Bears 2019
Interviews, Music, Music Videos, PremieresAugust 28, 2019<August 28, 2019

Premiere: Swimming with Bears Inspire & Excite in Dynamic Jam “Keep Smiling”

by Mitch Mosk
Meija © Ana Sierota
Interviews, Music, ReviewsAugust 28, 2019<August 28, 2019

Pounding Electronic Rhythms & Honest Lyricism Make Meija’s “Laugh It Off” a 2019 Standout

by Adrian Vargas
Jonah Ray
Columns, Music, Today's SongAugust 28, 2019<August 28, 2019

Today’s Song: Jonah Ray Parodies a Parody in “Welcome to (Amish) Paradise”

by James Crowley
Music, ReviewsAugust 27, 2019<August 27, 2019

Review: The Edgy Appeal of Jaden Smith’s New Album ‘ERYS’

by Urooj Ali Rizvi
Curly Hair - Gatlin © Sydney Whitten
Music, Music Videos, PremieresAugust 27, 2019<August 27, 2019

Premiere: The Ragged Intimacy of Gatlin’s Billowing “Curly Hair”

by Mitch Mosk
Emilia Martensson © Dave McKean
Music, PremieresAugust 27, 2019<August 27, 2019

Premiere: The Touching, Quiet Beauty of Emilia Mårtensson’s “Weariest River”

by Mitch Mosk
Madison Cunningham © Claire Marie Vogel
Features, Interviews, MusicAugust 27, 2019<August 27, 2019

Singing to Yourself: An Interview with Madison Cunningham

by Mariel Fechik
Columns, Debut, Music, Today's SongAugust 27, 2019<August 27, 2019

Today’s Song: Chiiild’s “Count Me Out” Is, to Put It Simply, Fiiire

by Oliver Crook
Sea Caves © Django Boletus
Music, PremieresAugust 26, 2019<August 26, 2019

Premiere: The Dreamy Kaleidoscope of Sea Caves’ New Single “Dart”

by Mitch Mosk
Ritt Momney © James Kowalski
Debut, Features, Interviews, MusicAugust 26, 2019<August 26, 2019

Accepting an ‘Okay’ Ending: A Conversation with Ritt Momney

by Harper Beattie
Posts pagination
1 … 494 495 496 497 498 … 737

Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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