Columns, Music, Reviews, Today's SongSeptember 3, 2019<September 3, 2019 Today’s Song: Bea Miller Opens Up About Her Demons In “feel something” by Alicia Bugallo
Music, Podcast, Tunes & TumblersSeptember 3, 2019<April 30, 2023 Podcast: Tunes & Tumblers Get Steamy with Sade’s Classic ‘Lovers Rock’ by Anthony Kozlowski
Music, PremieresSeptember 3, 2019<September 3, 2019 Premiere: Lady Lazarus’ “I Recall July” Makes Us Ponder the One Who Got Away by Oliver Crook
Debut, Music, PremieresSeptember 3, 2019<September 3, 2019 Premiere: BERG Ponders Lost Potential Love with “What If” by Madison Vettorino
Features, Interviews, MusicSeptember 3, 2019<September 3, 2019 Why ‘Close It Quietly’ Is an Album like No Other: A Conversation with Frankie Cosmos by Adrian Vargas
Features, Music, Weekly RoundupAugust 30, 2019<August 30, 2019 Atwood Magazine’s Weekly Roundup: August 30, 2019 by Atwood Magazine Staff
Debut, Music, Music Videos, PremieresAugust 30, 2019<August 30, 2019 Premiere: Cortney Dixon Dramatises Post-Relationship Alone Time with “Summer’s Eyes” by Frankie Rose
Essays, MusicAugust 30, 2019<August 30, 2019 Editorial: Welcome to the New Era of Taylor Swift by Jack Mason-Brase
Music, ReviewsAugust 30, 2019<August 30, 2019 Review: Wylder Shine in ‘Golden Age Thinking’ with Cinematic Folk & Majestic Rock by Mitch Mosk
Columns, Music, Today's SongAugust 30, 2019<August 30, 2019 Lou Stone Defends Love Everywhere on New Track “Truth Toy” by Oliver Crook
Interviews, Music, ReviewsAugust 29, 2019<August 29, 2019 Acting Like a “Real Jerk”: A Conversation with Spooky Mansion by Adrian Vargas
Columns, Editor's Picks, Features, MusicAugust 29, 2019<August 29, 2019 Editor’s Picks: August 29, 2019 by Mitch Mosk
Music, Music Videos, PremieresAugust 29, 2019<August 29, 2019 Premiere: Sophie Colette Unravels Intimate Vulnerability in “Would You Like It?” by Mitch Mosk
Music, PremieresAugust 29, 2019<August 29, 2019 Premiere: Little Monarch Sings of Self-Discovery & Sacrifice in Wondrous “See You” by Mitch Mosk
Debut, Music, ReviewsAugust 29, 2019<August 29, 2019 Review: Kit Sebastian’s ‘Mantra Moderne’ Is a Postcard From Anatolia with Love by Ben Niesen
For the Love of Music
For the Love of Music
