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Mother Pearl © Zoe Chait
Debut, Music, PremieresJuly 17, 2019<July 17, 2019

Premiere: Mother Pearl’s Epic, Vulnerable, and Therapeutic Debut “Father Figures”

by Mitch Mosk
Columns, Music, Music Videos, Today's SongJuly 17, 2019<July 17, 2019

Today’s Song: Lola Marsh’s “Echoes” is a Library Fantasy, Almost

by Ilana Kalish
Grizfolk © Andrew Ha
Features, Music, Premieres, ReviewsJuly 17, 2019<July 17, 2019

Album Premiere: In ‘Rarest of Birds’, Grizfolk Fight Personal Struggles with Visions of the Sun

by Frankie Rose
Zola Courtney
Debut, Music, ReviewsJuly 17, 2019<September 9, 2019

Review: London’s Zola Courtney Debuts with Breathtaking, Heartbroken “Untitled”

by Mitch Mosk
Billie Gale
Music, PremieresJuly 16, 2019<July 16, 2019

Premiere: Billie Gale’s “The Rules” Is a Slow Build with a Lot to Say

by Matthew Dunn
if i'm a bird - a. harlana
Music, Music Videos, PremieresJuly 16, 2019<July 16, 2019

Premiere: Love Twinkles in the Dream-Folk Glow of A. harlana’s “If I’m a Bird”

by Mitch Mosk
Feelings - John Newman
Features, Interviews, MusicJuly 16, 2019<August 22, 2019

Interview: Unravelling John Newman’s True Feelings

by Luke Pettican
Secret Shame
Columns, Debut, MusicJuly 16, 2019<July 11, 2019

Today’s Song: The Distorted World in Secret Shame’s “Dark”

by Danielle Chelosky
Bad Child © Paul Mérelle
Columns, Music, Today's SongJuly 15, 2019<July 15, 2019

Today’s Song: BAD CHILD’s “Desert Island Lover” Is a Blooming Great Summer Single

by Hermione Kellow
roundup 12072019
Features, Music, Weekly RoundupJuly 12, 2019<July 12, 2019

Atwood Magazine’s Weekly Roundup: July 12, 2019

by Atwood Magazine Staff
Flamagra - Flying Lotus 9.1
Music, Our Take, ReviewsJuly 12, 2019<December 15, 2020

Our Take: Flying Lotus’ Sprawling ‘Flamagra’ Embodies His Prolificacy and Variety

by Danny Vagnoni
Matthew Frederick
Music, ReviewsJuly 12, 2019<July 11, 2019

Review: Matthew Frederick’s “Tell Me” Truly Wants to Know

by Ilana Kalish
Macy Gray © Guiliano Bekor
Features, Interviews, MusicJuly 12, 2019<July 23, 2019

Interview: Learning to be Open with Macy Gray

by Mariel Fechik
Columns, Music, Today's SongJuly 12, 2019<July 12, 2019

Today’s Song: Dance Away the Night with Surf Curse’s Aptly Titled “Disco”

by Adrian Vargas
Tash Sultana - Matt Corby // Shoreditch, London. Photo: Dara Munnis. @daramunnis
Music, Reviews, This Just InJuly 12, 2019<July 11, 2019

This Just In: Matt Corby and Tash Sultana “Talk It Out” in Effervescent New Single

by Kelly McCafferty Dorogy
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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