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Sleeping at Last © Sleeping at Last 2019
Features, Interviews, MusicJune 5, 2019<January 2, 2020

Feature: Sleeping At Last Reflects Upon ‘Atlas II’, Innate Human Characteristics, and Personality Types

by Guest Writer
Columns, Music, Today's SongJune 5, 2019<June 5, 2019

Today’s Song: Sorcha Richardson’s “Don’t Talk About It” Is a Sunny, Insightful Anthem of Personal Strength

by Adrian Vargas
Donna Missal © Muriel Margaret
Columns, Music, Today's SongJune 4, 2019<June 5, 2019

Today’s Song: “Get Well” Is Donna Missal’s Anti-Valentine’s Day Anthem

by Alicia Bugallo
The Maine © 2017
Columns, Music, Tunes & TumblersJune 3, 2019<April 30, 2023

Tunes & Tumblers: Lost in Reverie with The Maine

by Anthony Kozlowski
Debut, Music, PremieresJune 3, 2019<June 3, 2019

Premiere: Jack M. Senff Ruminates Gorgeously on Life’s Ripples with Latest Single “Old Days”

by Adrian Vargas
Royal Canoe © Sam Katz
Features, Interviews, MusicJune 3, 2019<June 3, 2019

Music and Art as a Coping Mechanism for Mental Health: A Conversation with Royal Canoe

by Jesse Herb
Tove Lo © Moni Haworth
Columns, Music, Today's SongJune 3, 2019<June 5, 2019

Today’s Song: In “Glad He’s Gone” Tove Lo is the Perfect BFF

by Nicole Almeida
Columns, Features, Music, Weekly RoundupMay 31, 2019<May 31, 2019

Atwood Magazine’s Weekly Roundup: May 31, 2019

by Atwood Magazine Staff
Tommy Ashby © Fraser Taylor
Features, MusicMay 31, 2019<May 30, 2019

Interview: Tommy Ashby Stuns with his Illuminating Golden Arrow EP

by Luke Pettican
Great Good Fine Ok © Shervin Lainez
Features, Interviews, Music, PremieresMay 31, 2019<May 31, 2019

First Look: Great Good Fine Ok and Transviolet are Transcendent with “Gone”

by Caitlin Ison
Alec Chambers © Phil Silverberg
Music, PremieresMay 30, 2019<May 30, 2019

Premiere: Alec Chambers’ “Boston” Finds Bittersweet Beauty in Closure

by Mitch Mosk
Sub-Radio © Sub-Radio 2019
Music, PremieresMay 30, 2019<May 30, 2019

Premiere: Sub-Radio Let Memories Rush in with “Room For You”

by James Crowley
CatB The Balance Artwork
Music, ReviewsMay 30, 2019<May 30, 2019

Our Take: Catfish and the Bottlemen Have Found Their Success Formula, and Stick to It on ‘The Balance’

by Alicia Bugallo
Nora Rothman © Emily Knecht
Music, PremieresMay 30, 2019<May 31, 2019

Premiere: Nora Rothman Shines in the Rain with Dreamy Folk-Pop Single “fifteen / feet”

by Nick Baron
Disintegration - The Cure Album Art
Features, Music, ReviewsMay 30, 2019<May 30, 2019

Ruminations in the Abyss: A Look Back On The Cure’s ‘Disintegration’ Thirty Years On

by Kareem Ghezawi
Posts pagination
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Brand New

  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers

:: discover something new ::

Recent Posts

  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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