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BENEE © Kelsey Fitzgerald
Concerts, Music, ReviewsJune 28, 2019<June 28, 2019

Live Review: BENEE Confirms She Belongs on Stage at New York’s Mercury Lounge

by Kelsey Fitzgerald
Best Albums of 2019 pt. 1
Features, Music, News, ReviewsJune 28, 2019<July 3, 2019

Atwood Magazine’s Best Albums of 2019… Part 1

by Atwood Magazine Staff
Columns, Music, Today's SongJune 28, 2019<June 28, 2019

Today’s Song: (Sandy) Alex G’s “Gretel” Offers an Artful Progression of Sound for Upcoming Album ‘House of Sugar’

by Harper Beattie
False Alarm - Two Door Cinema Club
Music, Our Take, ReviewsJune 27, 2019<December 15, 2020

Review: Two Door Cinema Club Reach New Heights on ‘False Alarm’

by Meredith Nardino
Delena © 2019
Music, PremieresJune 27, 2019<June 27, 2019

Premiere: No Rearview Mirror Needed as Delena Drives Off on “One Night”

by Josh Weiner
X - The Driver Era
Music, Our Take, ReviewsJune 27, 2019<December 15, 2020

Review: The Driver Era Enter a New Age with Debut Album, ‘X’

by Kelly McCafferty Dorogy
Music, Our Take, ReviewsJune 27, 2019<June 27, 2019

Our Take: Lust for Youth Have Found a Balance Between Their Muses with Their New Self-Titled Album

by Kareem Ghezawi
Bre Kennedy © Jason Lee Denton
Music, PremieresJune 27, 2019<June 27, 2019

Premiere: The Motivating Message of Bre Kennedy’s Strikingly Gripping “One Way”

by Luke Pettican
Swear 2 g-d © Sonny Santos
Columns, Music, Today's SongJune 27, 2019<July 24, 2019

Billie Marten and Sonny Santos Reinterpret “swear 2 g-d,” a Sweet Lullaby for the Not So Young

by Alicia Bugallo
Hayden Everett © Brandon Peterson
Debut, Music, PremieresJune 26, 2019<March 26, 2024

Premiere: Hayden Everett Marks His Turning Point in Hypnotic Debut “Color”

by Mitch Mosk
Julien Baker Red Door
Music, ReviewsJune 26, 2019<June 26, 2019

Review: Julien Baker’s Modern Gospel in “Red Door / Conversation Piece”

by James Meadows
Music, PremieresJune 26, 2019<June 26, 2019

Premiere: Hypnotized by Simple Pleasures with The Parlor’s “Dream”

by Frankie Rose
Kim Petras 2019 © Nicole Almeida
Concerts, Music, ReviewsJune 26, 2019<June 26, 2019

Live Review: Kim Petras Throws the Perfect Pride Party at Philadelphia’s TLA

by Nicole Almeida
Sywel Nyw © 2019
Debut, Music, PremieresJune 26, 2019<June 26, 2019

Premiere: Tackling the Barriers of Language with Sywel Nyw’s Debut Single “Jumping Fences”

by Matthew Dunn
Cosmic Thrill Seekers
Music, ReviewsJune 26, 2019<June 26, 2019

Review: Prince Daddy & The Hyena Explore the Galaxy and Existence in ‘Cosmic Thrill Seekers’

by James Crowley
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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