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Meija © Ana Sierota
Columns, Music, Today's SongJune 26, 2019<June 26, 2019

Today’s Song: Meija is Pushing “Buttons” and Boundaries with Newest Single

by Adrian Vargas
Atwood Magazine Editor's Picks 16
Columns, Editor's Picks, Features, MusicJune 25, 2019<July 23, 2019

Editor’s Picks: June 24, 2019

by Mitch Mosk
Debut, Music, Our Take, ReviewsJune 25, 2019<June 26, 2019

Review: Emotional Oranges – A Spiel on the Toronto Sound of ‘The Juice, Vol 1’

by Ben Niesen
Tunes & Tumblers Banner © Pedro Isaac Chairez
Music, Podcast, Tunes & TumblersJune 25, 2019<April 30, 2023

Podcast: Tunes & Tumblers Drinks in Kacey Musgraves’ “Golden Hour”

by Anthony Kozlowski
Columns, Music, Today's SongJune 25, 2019<June 25, 2019

Today’s Song: Bad Books Provide a Return to Form with “I Love You, I’m Sorry, Please Help Me, Thank You”

by Oliver Crook
The Local Strangers © Kendall Rock
Music, Premieres, ReviewsJune 24, 2019<June 24, 2019

Album Premiere: The Local Strangers Dive into Their Arresting ‘When We Were Honest’

by Mitch Mosk
Victoria Victoria © Beth Fletcher
Music, Music Videos, PremieresJune 24, 2019<June 24, 2019

Premiere: Reclaim Yourself with Victoria Victoria’s “Sanctuary”

by Mitch Mosk
Atwood Magazine Pride 2019
Music, PlaylistsJune 24, 2019<June 24, 2019

Pride Playlist 2019!

by Atwood Magazine Staff
Hatchie - Keepsake
Debut, Music, Our Take, ReviewsJune 24, 2019<June 24, 2019

Our Take: Hatchie’s ‘Keepsake’ Brings Forth Something Old, and Something New

by Matthew Dunn
Bess Atwell © Jantina Talsma
Columns, Music, Today's SongJune 24, 2019<June 24, 2019

Today’s Song: Bess Atwell’s “Ventnor Villas” Radiates Summery Nostalgia

by Frankie Rose
Weekly Roundup 06/21/2019
Features, Music, Weekly RoundupJune 21, 2019<October 1, 2019

Atwood Magazine’s Weekly Roundup: June 21, 2019

by Atwood Magazine Staff
Charlotte OC © Sam Pyatt
Features, Interviews, MusicJune 21, 2019<June 21, 2019

Interview: Charlotte OC Dives into Her Honest Outpouring “Better Off on My Own”

by Mitch Mosk
Bushstock 2019
Festival, MusicJune 21, 2019<June 21, 2019

Review: The Lively & Unpredictible Bushstock Festival, June 2019

by Luke Pettican
Kim Petras © Spencer Byron
Columns, Music, Today's SongJune 21, 2019<June 21, 2019

Today’s Song: Sex as a Political Statement in Kim Petras’ “Do Me”

by Jesse Herb
Delilah Montagu © 2019
Features, Interviews, MusicJune 21, 2019<June 21, 2019

The Midas Touch: A Conversation with Delilah Montagu

by Nicole Almeida
Posts pagination
1 … 510 511 512 513 514 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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