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Gizmo Varillas © Sequoia Ziff
Music, PremieresJune 21, 2019<June 21, 2019

Premiere: Gizmo Varillas Rises Up “Out of the Darkness” with Inspiring Light

by Mitch Mosk
Columns, Music, Tunes & TumblersJune 20, 2019<April 30, 2023

Tunes & Tumblers: Sipping a Smooth Escape with Anderson .Paak’s “Ventura”

by Anthony Kozlowski
Fell Runner © Ellyn Jameson
Music, Premieres, ReviewsJune 20, 2019<June 20, 2019

Album Premiere: On ‘Talking,’ Fell Runner Weave a Kaleidoscopic Rock Tapestry

by Mitch Mosk
John Van Deusen
Music, PremieresJune 20, 2019<June 20, 2019

Premiere: John Van Deusen Channels ’90s Indie Rock on “Social Sucker”

by James Crowley
Lostboycrow © Samantha Sheldon
Features, Interviews, MusicJune 20, 2019<June 20, 2019

Interview: Creating Space with Lostboycrow on ‘Santa Fe’

by Audrey Steeves
Music, Music Videos, PremieresJune 20, 2019<June 20, 2019

Premiere: Will Fox Embraces What Matters Most on “A Good Friend’s Handshake”

by Anthony Kozlowski
Mark Diamond © Aleigh Michelle
Music, PremieresJune 20, 2019<June 20, 2019

Premiere: Mark Diamond Flirts with Temptation and Finds The One in “Hummingbird”

by Nicole Almeida
IDLES © Stewart Baxter
Columns, Music, Today's SongJune 20, 2019<June 20, 2019

Today’s Song: IDLES Marx the Spot with “Mercedes Marxist,” Taking on the System That Left Them Wasted

by Oliver Crook
Amahla © 2019
Music, PremieresJune 20, 2019<March 2, 2025

Premiere: Amahla Pulls Back the Curtain on Acoustic Version of “River”

by Nicole Almeida
Hayden Calnin © Emma McEvoy
Music, PremieresJune 19, 2019<May 12, 2021

Premiere: Hayden Calnin Finds Closure & a Fresh Start in “Fuck Collingwood”

by Mitch Mosk
Music, VariationsJune 19, 2019<June 19, 2019

Variations: Beethoven’s Sweet, Sunday Second Movement of Sonata No. 8 in C Minor

by Coco Rich
Fire Starter © Kit Castagne
Music, Premieres, ReviewsJune 19, 2019<June 21, 2019

Album Premiere: Folk Trio Honeysuckle Burn Bright on ‘Fire Starter’

by Mitch Mosk
Brett Altman © Phil Silverberg
Music, PremieresJune 19, 2019<June 19, 2019

Premiere: Brett Altman Basks in Romantic Bliss on “Full of You”

by Mitch Mosk
Are You OK? - Wasuremono
Features, Music, ReviewsJune 19, 2019<June 19, 2019

Review: Wasuremono’s Psychedelic Dream-Pop Success ‘Are You OK?’

by Hermione Kellow
Madison Cunningham © Robbie Jeffers
Columns, Music, Today's SongJune 19, 2019<June 19, 2019

Today’s Song: Madison Cunningham’s Twisty, Groovy “Pin It Down”

by Mariel Fechik
Posts pagination
1 … 511 512 513 514 515 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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