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A.U.R.A © Albert Mikolaj Williams
Debut, Music, PremieresFebruary 20, 2019<February 20, 2019

Premiere: Reverie, Rebirth & Reflection in A.U.R.A’s Enchanting “Immensely I”

by Mitch Mosk
Bruiser & Bicycle © Ariel Einbinder
Features, Music, PremieresFebruary 20, 2019<February 20, 2019

Album Premiere: Bruiser & Bicycle’s Delightfully Alternative ‘Woods Come Find Me’

by Mitch Mosk
American Football © Atiba Jefferson
Columns, Music, Today's SongFebruary 20, 2019<February 20, 2019

Today’s Song: Taking Off the Rose-Colored Glasses of Youth with American Football’s “Uncomfortably Numb”

by Adrian Vargas
Bendigo Fletcher © Josh Kranich
Features, Music, PremieresFebruary 19, 2019<February 19, 2019

EP Premiere: Bendigo Fletcher’s ‘Terminally Wild’ is an Immersive Tale of Hope and Hopelessness

by Frankie Rose
Dayna Ghiraldi-Travers of Big Picture Media
Features, Interviews, MusicFebruary 19, 2019<February 20, 2019

Full Circle Moments: An Interview with Big Picture Media’s Dayna Ghiraldi-Travers

by James Crowley
The Lovely Sparrows © Jamaica Cole
Music, Music Videos, PremieresFebruary 19, 2019<February 19, 2019

Premiere: The Lovely Sparrows’ Magically Abstract “Shake the Shadow”

by Mitch Mosk
Aron Blom 2019
Debut, Music, Music Videos, PremieresFebruary 19, 2019<February 19, 2019

Premiere: Aron Blom’s Breathtaking Live Performance of Intimate Debut “Low Low Low”

by Mitch Mosk
Shelley Segal © 2019
Music, PremieresFebruary 19, 2019<February 19, 2019

Premiere: Basking in the Presence of Love with Shelley Segal’s “Here”

by Mitch Mosk
The Weird Years © Shervin Lainez
Debut, Music, PremieresFebruary 19, 2019<February 19, 2019

Premiere: Indie Supergroup The Weird Years’ Haunting Debut “Stranger”

by Mitch Mosk
Bencoolen © Ari Strauss
Music, PremieresFebruary 19, 2019<February 19, 2019

Premiere: Savour the Burn with Bencoolen’s “When You Look Back”

by Ben Niesen
Allie Crow Buckley © Annabel Mehran
Features, Interviews, MusicFebruary 18, 2019<February 20, 2019

From Sea to Stage: A Conversation with Allie Crow Buckley

by Frankie Rose
Picture This © Katia Temkin
Features, Interviews, MusicFebruary 18, 2019<February 15, 2019

Tales of Modern Romance: An Interview with Picture This

by Luke Pettican
First & Foremost - Plested
Debut, Music, Reviews, Track-by-TrackFebruary 16, 2019<February 16, 2019

Plested’s First & Foremost: A Track-By-Track Review

by Luke Pettican
Atwood Magazine's Weekly Roundup 2-15-2019
Columns, Features, Music, Weekly RoundupFebruary 15, 2019<February 19, 2019

Atwood Magazine’s Weekly Roundup: February 15, 2019

by Atwood Magazine Staff
Sigrid © 2019
Columns, Music, Today's SongFebruary 15, 2019<February 15, 2019

Today’s Song: Sigrid Reinvents the Heartbreak Song with “Don’t Feel Like Crying”

by Alicia Bugallo
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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