• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Bishat © Julius Hayes
Music, Music Videos, PremieresApril 16, 2019<April 16, 2019

Premiere: Embracing Surrender & Control in Bishat’s Cinematic “ctrl+m”

by Mitch Mosk
American Football © Atiba Jefferson
Features, Interviews, MusicApril 16, 2019<April 30, 2019

Muscle Memory: An Interview with American Football

by James Crowley
Mia Schuster "Land" © 2019
Debut, Music, PremieresApril 15, 2019<April 15, 2019

Premiere: Mia Schuster Takes Flight in Debut “Land”

by Mitch Mosk
Nick Cianci © CJ Moy
Music, PremieresApril 15, 2019<April 15, 2019

Premiere: Moving On with Nick Cianci’s Driving “The Night We Crashed Your Dad’s Car”

by Mitch Mosk
Fieh © Jonathan Vivaas Kise
Columns, Debut, Music, Today's SongApril 15, 2019<April 12, 2019

Today’s Song: Fieh Bewitch with the Ingeniously Inventive “25”

by Luke Pettican
Atwood Magazine's Weekly Roundup 2019-04-12
Columns, Features, Music, Weekly RoundupApril 12, 2019<April 30, 2019

Atwood Magazine’s Weekly Roundup: April 12, 2019

by Atwood Magazine Staff
Modest Mouse © James Joiner
Music, ReviewsApril 12, 2019<April 12, 2019

Modest Mouse’s “Poison the Well” Is Laser-Focused Venom at the Powerful and Cruel

by Danny Vagnoni
when we all fall asleep where do we go
Debut, Features, Music, Reviews, RoundtableApril 12, 2019<March 2, 2025

Roundtable Discussion: A Review of Billie Eilish’s ‘When We All Fall Asleep, Where Do We Go?’

by Atwood Magazine Staff
Clock Work - Bedouin Soundclash
Music, Music Videos, PremieresApril 12, 2019<April 12, 2019

Premiere: Basking in Bedouin Soundclash’s Infectious, Sunny “Clock Work”

by Mitch Mosk
The "Don't Hate Me" video finds Corey Harper set against a blank canvas, leaning on his music as the primary driver of self-expression.
Music, Music Videos, PremieresApril 12, 2019<April 30, 2019

Premiere: Corey Harper’s Catchy “Don’t Hate Me” Radiates Heartache & Passion

by Mitch Mosk
Elliah Heifetz © Marcus Maddox
Music, PremieresApril 11, 2019<April 11, 2019

Premiere: Welcoming Change with Elliah Heifetz’s Majestic “I’m Over Now”

by Mitch Mosk
Dog Whistle - Show Me the Body
Music, Our Take, ReviewsApril 11, 2019<April 11, 2019

Our Take: Show Me the Body’s ‘Dog Whistle’ Is an Exhilarated Call for Community

by Matthew Dunn
Tirzah © Clare Shilland
Columns, Music, Today's SongApril 11, 2019<August 5, 2021

Today’s Song: Tirzah’s “Do You Know” Assembles Textures into an Amorphous Mantra

by Atwood Magazine Staff
Hayley Taylor © Shervin Lainez
Music, PremieresApril 10, 2019<April 10, 2019

Premiere: Hayley Taylor Shines in Vulnerable Return “Falling Hard”

by Mitch Mosk
Fontaines D.C. © Daniel Topete
Debut, Features, Interviews, MusicApril 10, 2019<April 30, 2019

Feature: Fontaines D.C. Channel Past Poets to Ponder Ireland’s Future in Debut ‘Dogrel’

by Oliver Crook
Posts pagination
1 … 515 516 517 518 519 … 727

Brand New

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’

:: discover something new ::

Recent Posts

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services