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Debut, Music, PremieresJune 3, 2019<June 3, 2019

Premiere: Jack M. Senff Ruminates Gorgeously on Life’s Ripples with Latest Single “Old Days”

by Adrian Vargas
Royal Canoe © Sam Katz
Features, Interviews, MusicJune 3, 2019<June 3, 2019

Music and Art as a Coping Mechanism for Mental Health: A Conversation with Royal Canoe

by Jesse Herb
Tove Lo © Moni Haworth
Columns, Music, Today's SongJune 3, 2019<June 5, 2019

Today’s Song: In “Glad He’s Gone” Tove Lo is the Perfect BFF

by Nicole Almeida
Columns, Features, Music, Weekly RoundupMay 31, 2019<May 31, 2019

Atwood Magazine’s Weekly Roundup: May 31, 2019

by Atwood Magazine Staff
Tommy Ashby © Fraser Taylor
Features, MusicMay 31, 2019<May 30, 2019

Interview: Tommy Ashby Stuns with his Illuminating Golden Arrow EP

by Luke Pettican
Great Good Fine Ok © Shervin Lainez
Features, Interviews, Music, PremieresMay 31, 2019<May 31, 2019

First Look: Great Good Fine Ok and Transviolet are Transcendent with “Gone”

by Caitlin Ison
Alec Chambers © Phil Silverberg
Music, PremieresMay 30, 2019<May 30, 2019

Premiere: Alec Chambers’ “Boston” Finds Bittersweet Beauty in Closure

by Mitch Mosk
Sub-Radio © Sub-Radio 2019
Music, PremieresMay 30, 2019<May 30, 2019

Premiere: Sub-Radio Let Memories Rush in with “Room For You”

by James Crowley
CatB The Balance Artwork
Music, ReviewsMay 30, 2019<May 30, 2019

Our Take: Catfish and the Bottlemen Have Found Their Success Formula, and Stick to It on ‘The Balance’

by Alicia Bugallo
Nora Rothman © Emily Knecht
Music, PremieresMay 30, 2019<May 31, 2019

Premiere: Nora Rothman Shines in the Rain with Dreamy Folk-Pop Single “fifteen / feet”

by Nick Baron
Disintegration - The Cure Album Art
Features, Music, ReviewsMay 30, 2019<May 30, 2019

Ruminations in the Abyss: A Look Back On The Cure’s ‘Disintegration’ Thirty Years On

by Kareem Ghezawi
Jack Gray © Allegra Messina
Debut, Features, Interviews, Music, PremieresMay 29, 2019<July 3, 2019

EP Premiere: Jack Gray’s Debut ‘Nights Like This’ Navigates Life with an Open & Honest Lens

by Atwood Magazine Staff
Blossom © Ashley Walt
Features, Music, PremieresMay 29, 2019<April 16, 2020

Album Premiere: Blossom Shares Restless Nights and Fever Dreams on ‘Maybe’

by Anthony Kozlowski
Bailen © Shervin Lainez
Features, Interviews, MusicMay 29, 2019<July 3, 2019

All About Connecting: A Conversation with BAILEN

by Maggie McHale
Amelie Patterson © Sebastian Buzzalino
Music, PremieresMay 29, 2019<May 29, 2019

Premiere: Amelie Patterson’s “The Patient Kind” Is a Sparkly Encapsulation of Fate

by Frankie Rose
Posts pagination
1 … 515 516 517 518 519 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
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