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My Love Bye Love
Music, PremieresMay 7, 2019<May 7, 2019

Premiere: Jane Holiday’s Coming-of-Age Love Story “My Love, Bye Love”

by Mitch Mosk
Albert Kass
Music, PremieresMay 7, 2019<May 7, 2019

Premiere: Dwelling in Depths of Albert Kass’ “Shallow Sea”

by Mitch Mosk
SPINN © Sam Crowston
Debut, Interviews, Music, PremieresMay 7, 2019<May 7, 2019

Interview: Believe It or Not, SPINN Inject Sunshine into Therapeutic Indie Pop

by Mitch Mosk
The Mountain Goats © Jeremy Lange
Columns, Music, Today's SongMay 7, 2019<June 5, 2019

Today’s Song: The Mountain Goats Mystify Ozzy Osbourne in “Passaic 1975”

by James Crowley
LANTA © 2019
Debut, Interviews, MusicMay 7, 2019<May 8, 2019

Interview: LANTA Astonishes with the Poignantly Touching “Worthy”

by Luke Pettican
The Drums © Nicholas Moore
Features, Interviews, MusicMay 6, 2019<May 6, 2019

Marching to Your Own Beat: A Conversation with The Drums

by Matthew Dunn
Nico Pop Kyan Palmer © 2019
Columns, Music, Today's SongMay 6, 2019<May 6, 2019

Today’s Song: Kyan Palmer & nicopop.’s “Headcase” Is the Summer Anthem You’ve Been Looking For

by Luke Pettican
Atwood Weekly Roundup 030519
Features, Music, Weekly RoundupMay 3, 2019<May 3, 2019

Atwood Magazine’s Weekly Roundup: May 3, 2019

by Atwood Magazine Staff
Fever Dolls © Kayhl Cooper
Music, PremieresMay 3, 2019<May 3, 2019

Premiere: Looking Back with Fever Dolls’ Poignant “Mrs. Carver”

by Audrey Steeves
Of Monsters and Men © Meredith Truax
Features, Music, This Just InMay 3, 2019<July 23, 2019

This Just In: Of Monsters and Men’s Fierce Fever Dream “Alligator”

by Mitch Mosk
Sara Bareilles - Amidst the Chaos Album Art
Music, Our Take, ReviewsMay 3, 2019<May 3, 2019

Our Take: Sara Bareilles’ ‘Amidst the Chaos’ is an Alluring Journey of Personal Growth & Empowerment

by Alicia Bugallo
IYVES © Lissyelle Laricchia
Interviews, Music, ReviewsMay 3, 2019<May 3, 2019

Interview: IYVES Champions Love and Feels Like “Gold”

by Maggie McHale
Phourist and the Photons © Phourist and the Photons 2019
Music, PremieresMay 3, 2019<May 3, 2019

Premiere: Phourist & the Photons Deliver in Full Gear on “Tired of My Medication”

by Josh Weiner
Kevin Garrett © 2019
Debut, Features, Interviews, MusicMay 3, 2019<May 3, 2019

Feature: Getting to the Truth in Kevin Garrett’s ‘HOAX’

by Luke Pettican
Foxtrails © Erina Uemura
Music, PremieresMay 2, 2019<May 2, 2019

Premiere: Sink Your Soul into Foxtrails’ Entrancing “Gemini”

by Mitch Mosk
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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