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Melody's Echo Chamber © Diane Sagnier
Music, ReviewsFebruary 26, 2019<February 26, 2019

Review: Melody’s Echo Chamber’s ‘Bon Voyage’, a Psychedelic Journey of Human Struggle & Self Reflection

by Hermione Kellow
Editor's Picks 02-25-2019
Columns, Editor's Picks, Features, MusicFebruary 25, 2019<March 20, 2019

Editor’s Picks: February 25, 2019

by Mitch Mosk
Good Air - Nap League
Music, Music Videos, PremieresFebruary 25, 2019<February 25, 2019

Premiere: Good Air’s Hazy, Intimate “Nap League” Embraces the Beauty in Simplicity

by Mitch Mosk
J.S. Ondara © Josh Cheuse
Debut, Music, ReviewsFebruary 25, 2019<February 25, 2019

Review: J.S. Ondara Understands America Way Better Than We Do on Debut ‘Tales of America’

by Oliver Crook
Broken Social Scene 2019 1
Columns, Music, Today's SongFebruary 25, 2019<August 1, 2023

Today’s Song: Broken Social Scene Are Enchantingly Chaotic with Lovelorn Jam “Boyfriends”

by Abby Jones
Ariana Grande - thank u, next
Features, Music, Reviews, RoundtableFebruary 22, 2019<June 29, 2024

Roundtable Discussion: A Review of Ariana Grande’s ‘thank u, next’

by Atwood Magazine Staff
Atwood Magazine's Weekly Roundup 2-22-2019
Columns, Features, Music, Weekly RoundupFebruary 22, 2019<March 1, 2019

Atwood Magazine’s Weekly Roundup: February 22, 2019

by Atwood Magazine Staff
Swindle 2019
Columns, Music, Today's SongFebruary 22, 2019<February 22, 2019

Swindle & Kojey Radical’s “Coming Home” Is a Euphoric Triumph (and it Sounds Like One, Too)

by Matthew Dunn
Josie Dunne © Bree Marie Fish
Music, Music Videos, PremieresFebruary 22, 2019<March 1, 2019

Premiere: Get It on with Josie Dunne’s Catchy Make Out Anthem “Mute”

by Mitch Mosk
Crushing by Julia Jacklin
Music, Our Take, ReviewsFebruary 22, 2019<February 22, 2019

Our Take: Julia Jacklin’s ‘Crushing’ Is an Outstanding Example of Personal and Musical Growth

by Adrian Vargas
Change of Scenery - Buddie
Debut, Music, ReviewsFebruary 21, 2019<February 21, 2019

EP Review: The Raw Rock Punch of Buddie’s Debut ‘Change of Scenery’

by Mitch Mosk
RKCB - Shores EP artwork
Music, ReviewsFebruary 21, 2019<February 21, 2019

EP Review: The Dreamy, Dazzling Beauty of RKCB’s Intimate ‘Shores’

by Mitch Mosk
Manatee Commune © Allen Daniel
Music, PremieresFebruary 21, 2019<February 21, 2019

Premiere: The Joy and Trappings of Being “Famous” with Manatee Commune

by Alex Killian
The Last Internationale © 2019
Columns, Music, Tunes & TumblersFebruary 21, 2019<December 29, 2024

Tunes & Tumblers: Knock Back a Rusty Nail with The Last Internationale

by Anthony Kozlowski
Marina City © 2019
Music, PremieresFebruary 21, 2019<February 21, 2019

Premiere: Marina City’s Seductively Sweet “Addicted”

by Mitch Mosk
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Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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