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exes x jome press photo
Music, Premieres, ReviewsJanuary 30, 2019<February 19, 2019

Premiere: Coping with Grief in EXES & JOME’s Poignant “Stay Still”

by Mitch Mosk
Beirut © Olga Baczynska
Music, Today's SongJanuary 30, 2019<January 30, 2019

Today’s Song: Beirut Delivers a Tense, Expansive Musical Journey with “Landslide”

by Adrian Vargas
Brillboard 1/30/2019
Brillboard, Music, PlaylistsJanuary 30, 2019<February 5, 2019

The Brillboard: Blue, 01/30/2019

by Jason Brillon
Gypsy Temple by Travis Trautt
Music, Music Videos, PremieresJanuary 29, 2019<January 29, 2019

Premiere: Majesty and Passion in Gypsy Temple’s Uplifting “Pick a Number”

by Mitch Mosk
Catharine Daddario stars in Wyland's "Nowhere Now" video
Music, Music Videos, PremieresJanuary 29, 2019<January 29, 2019

Premiere: Discovery & Transformation in Wyland’s Cinematic “Nowhere Now” Video

by Mitch Mosk
Margot © Ben Andrewes
Music, Music Videos, PremieresJanuary 29, 2019<January 29, 2019

Premiere: Margot’s Driving “Coffee Stained Scars” Evokes Isolation, Disconnect, & Alone Time

by Mitch Mosk
Foals © Alex Knowles
Columns, Music, Today's SongJanuary 29, 2019<January 29, 2019

Today’s Song: Swagger & Spiritual Claustrophobia in Foals’ “Exits”

by Danny Vagnoni
why hasn't everything already disappeared - deerhunter
Music, Our Take, ReviewsJanuary 28, 2019<January 28, 2019

Our Take: Deerhunter Dissolve the Formula in ‘Why Hasn’t Everything Already Disappeared?’ but the Elements Are Still There

by Ben Niesen
Everything by Yellow Shoots
Music, Music Videos, PremieresJanuary 28, 2019<January 28, 2019

Video Premiere: Yellow Shoots’ “Everything” Is a Bold, Trippy Homecoming

by Mitch Mosk
Gnash © Jimmy Fontaine
Debut, Features, Interviews, MusicJanuary 28, 2019<February 1, 2019

Music for Feeling Better: An Interview with gnash

by Mitch Mosk
Sam Fender © Jack Whitefield
Columns, Music, Today's SongJanuary 28, 2019<January 25, 2019

Today’s Song: Sam Fender Hits a Lyrically Poignant Sweet Spot in “Poundshop Kardashians”

by Hermione Kellow
Sunflower Bean © Andy De Luca
Music, Reviews, This Just InJanuary 25, 2019<January 28, 2019

Review: ‘King of the Dudes’ Will Make Sunflower Bean Live Forever

by Nicole Almeida
Trigger Warning - Killer Mike
Reviews, VideoJanuary 25, 2019<January 26, 2019

Review: ‘Trigger Warning’ with Killer Mike Has a Big Heart Underneath its Pugilistic Attitude

by Danny Vagnoni
Atwood Magazine's Weekly Roundup 1-25-2019
Columns, Features, Music, Weekly RoundupJanuary 25, 2019<January 30, 2019

Atwood Magazine’s Weekly Roundup: January 25, 2019

by Atwood Magazine Staff
Harmony Hall - Vampire Weekend still 1
Features, Music, Reviews, This Just InJanuary 25, 2019<December 18, 2019

Vampire Weekend’s Radiant “Harmony Hall” Shines with Energizing Conviction

by Mitch Mosk
Posts pagination
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Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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