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Good Night Gold Dust © Dan Dinsmore
Music, PremieresOctober 24, 2018<October 24, 2018

A Rush of Feeling: Good Night Gold Dust Return with “Thieves”

by Mitch Mosk
GEMS - Do Ra cover
Debut, Music, PremieresOctober 23, 2018<October 23, 2018

EP Premiere: Symmetry, Elegance, and Intent in Do Ra’s Debut ‘GEMS’

by Mitch Mosk
InAbell © 2018
Music, Music Videos, PremieresOctober 23, 2018<October 23, 2018

Video Premiere: InAbell’s Bittersweet, Touching “Nightgown” and the Vibrance of Memory

by Mitch Mosk
Alexandra Stréliski © Le Petit Russe
Music, Our Take, ReviewsOctober 23, 2018<October 23, 2018

Our Take: Alexandra Stréliski’s ‘INSCAPE’ Is a Melancholic, Bright Step Towards Finding Hope

by Adrian Vargas
Let's Go Out Tonight - The Active Set
Music, Music Videos, PremieresOctober 22, 2018<October 22, 2018

Video Premiere: Energy & Excitement Course Through The Active Set’s “Let’s Go Out Tonight”

by Mitch Mosk
Beach House - ASL Age.Sex.Location
Music, Music Videos, PremieresOctober 22, 2018<October 6, 2020

Premiere: Age.Sex.Location’s Intimate “Cinnamon Girl” Evokes the Sweet Taste of Connection

by Mitch Mosk
Fucking Great - S P A C E © 2018
Debut, Music, PremieresOctober 22, 2018<October 23, 2018

Premiere: Feeling “Fucking Great” with S P A C E’s Debut Dance Anthem

by Adrian Vargas
IMOGEN © Ruth Kilpatrick
Debut, Music, Premieres, ReviewsOctober 22, 2018<October 22, 2018

EP Premiere: The Poetic Vulnerability of IMOGEN’s Breathtaking Debut ‘Faze Green’

by Mitch Mosk
Equador © 2018
Music, Music Videos, PremieresOctober 19, 2018<October 19, 2018

Premiere: Urgency & Unrest in Equador’s Immersive “Treble Oh”

by Mitch Mosk
Kramies © Jérôme Sevrette
Interviews, Music, ReviewsOctober 19, 2018<October 19, 2018

Venture into Kramies’ Abstract Personal Diary, ‘Of All the Places Been & Everything the End’

by Mitch Mosk
Saski © 2018
Music, Music Videos, PremieresOctober 19, 2018<October 19, 2018

Premiere: Saski’s “Set Fire” Mesmerizes with Vulnerability & Whimsical Energy

by Baylee Less
Mitski © Bao Ngo
Editorials, Features, Music, ReviewsOctober 19, 2018<October 19, 2018

From ‘Lush’ to ‘Be the Cowboy’: Along for the Ride of Mitski’s Evolution

by Jesse Herb
Arkells © Matt Barnes
Features, Interviews, MusicOctober 19, 2018<October 18, 2018

A Rally Cry for Arkells: The People’s Band

by Natalie Harmsen
Slaves © 2018
Features, Interviews, MusicOctober 19, 2018<October 11, 2019

Some Meditations on Punk: Hanging in the Basement with Slaves

by Nick Baron
Palmas © 2018
Music, PremieresOctober 18, 2018<October 18, 2018

Premiere: Palmas Dazzle with Warm Wonder in “Where Are You Going?”

by Mitch Mosk
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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