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Assume Form - James Blake
Features, Music, Reviews, RoundtableJanuary 25, 2019<June 29, 2024

Roundtable Discussion: A Review of James Blake’s ‘Assume Form’

by Atwood Magazine Staff
Craig Stickland © 2019
Music, PremieresJanuary 25, 2019<January 25, 2019

Premiere: Get High on Craig Stickland’s Fiery Celebration “Burn It Down”

by Mitch Mosk
Birch music 2019
Columns, Music, Today's SongJanuary 25, 2019<February 1, 2019

Today’s Song: Birch’s Hopeful, Empowered Protest “Spelling Lessons”

by Carolyn Fasone
Lowland Hum © Serena Jae
Music, Music Videos, PremieresJanuary 25, 2019<January 26, 2019

Premiere: Lowland Hum Address Existential Ennui in “Slow” Video

by James Crowley
Somebody’s Child
Music, Music Videos, PremieresJanuary 25, 2019<January 24, 2019

Premiere: Seclusion, Struggle, and Sanguineness in Somebody’s Child’s “Toes” Video

by Luke Pettican
D'Angelo
Columns, Music, Today's SongJanuary 24, 2019<May 14, 2024

Today’s Song: D’Angelo’s “Unshaken” is the Guarded Knock on a Hidden Door

by Ilana Kalish
Ta-ku 2019
Columns, Music, Music You Should KnowJanuary 24, 2019<January 24, 2019

Music You Should Know: Ta-ku’s ‘25 Nights for Nujabes’ Is an Emotive, Harmonious Ode to a Lost Talent

by Adrian Vargas
Jon Bryant © Carly Dame
Music, Music Videos, PremieresJanuary 24, 2019<January 24, 2019

Premiere: Assuming Responsibility with Jon Bryant’s Poignant “Did What I Did”

by Mitch Mosk
The National Lights
Music, PremieresJanuary 24, 2019<January 24, 2019

Premiere: “Lantern and Whalebone,” The National Lights’ Nautical Reflection

by Mitch Mosk
Hannie © 2019
Music, Premieres, ReviewsJanuary 24, 2019<January 24, 2019

Premiere: Sing Your Heart Out to HANNIE’s “Drama”

by Mitch Mosk
The Weight of Melted Snow - French For Rabbits
Features, Music, PremieresJanuary 24, 2019<October 17, 2019

Album Premiere: Heartbreak & Mending in French for Rabbits’ Achingly Beautiful ‘The Weight of Melted Snow’

by Mitch Mosk
Chain Wallet © Øyvind Halsøy
Music, PremieresJanuary 24, 2019<January 23, 2019

Premiere: Chain Wallet Hypnotize with “World I Used to Call Mine”

by Luke Pettican
mike war in my pen
Music, ReviewsJanuary 23, 2019<August 5, 2021

Review: On ‘War in My Pen’ MIKE Dares Listeners to Embrace the Dread Beneath the Surface

by Atwood Magazine Staff
Raquel Bell Who Gets To Name The Name still
Columns, Music, PremieresJanuary 23, 2019<January 23, 2019

Premiere: Hopes, Dreams, and Strawberries in Raquel Bell’s Waltz “Who Gets to Name the Name”

by Mitch Mosk
Brillboard 2019-01-22
Brillboard, Music, PlaylistsJanuary 23, 2019<January 23, 2019

The Brillboard: Cozy, 01/23/2019

by Jason Brillon
Posts pagination
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Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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