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Mannywellz © 2019
Features, Interviews, MusicMarch 8, 2019<January 2, 2020

Hope for Something: Meet Mannywellz, an Artist Bigger than His Music

by Guest Writer
Marinho © Marta Olive
Music, Music Videos, PremieresMarch 8, 2019<March 7, 2019

Premiere: Moving on Gracefully with Marinho’s Debut “Ghost Notes”

by Mitch Mosk
Concert Calendar March 2019
Concerts, Events, MusicMarch 7, 2019<March 7, 2019

Concert Calendar: Shows to See in NYC, March 2019

by Atwood Magazine Staff
Jon and Roy © Sierra Lundy
Music, ReviewsMarch 7, 2019<March 7, 2019

Review: Jon and Roy Capture the Moment’s Energy in ‘Here’

by Mitch Mosk
Wolfchild © Kelsey Kundera
Music, PremieresMarch 7, 2019<March 7, 2019

Premiere: Tell Your Lover You Love Her with Wolfchild’s “Blood Moon”

by Mitch Mosk
Outkast Tunes & Tumblers 2019
Columns, Music, Tunes & TumblersMarch 7, 2019<April 30, 2023

Tunes & Tumblers: Double-Fisting Cocktails with Outkast’s Masterpiece

by Anthony Kozlowski
Bluebiird © Emily Osment
Debut, Features, Music, PremieresMarch 7, 2019<October 2, 2019

Emily Osment Takes Flight in Bluebiird’s Debut “Black Coffee Morning”

by Mitch Mosk
SNAFU - Potty Mouth
Music, ReviewsMarch 7, 2019<March 6, 2019

Review: Potty Mouth Share the Enjoyment of Creative Freedom with Pop Punk-Powered ‘SNAFU’

by Frankie Rose
Jack in Water © Jamie Cameron
Music, PremieresMarch 7, 2019<March 6, 2019

Premiere: Jack in Water Pushes Artistic Boundaries with “Gentle Punches”

by Coco Rich
Drew Davies © Georgios Elianos
Debut, Music, Music Videos, PremieresMarch 7, 2019<March 6, 2019

Premiere: Drew Davies Brings Personal Style to Classic Pop Narrative on Debut “Man on the Run”

by Josh Weiner
Brillboard 2019-03-06
Brillboard, Music, PlaylistsMarch 6, 2019<March 6, 2019

The Brillboard: Support, 03/06/2019

by Jason Brillon
Jacob and Fanny
Music, Music Videos, PremieresMarch 6, 2019<March 6, 2019

Premiere: Jacob and Fanny’s Passionate Embrace “Hold on to Me”

by Mitch Mosk
The Harmaleighs by Ruth Chapa
Music, PremieresMarch 6, 2019<March 6, 2019

Premiere: Indie Rock Anxiety in The Harmaleighs’ “Sorry, I’m Busy”

by Mitch Mosk
The Wild State 2019
Debut, Music, PremieresMarch 6, 2019<March 6, 2019

Premiere: The Melancholic Beauty of The Wild State’s Longing “Youth”

by Mitch Mosk
Basement - 2018 - Mitchell Wojcik
Features, Interviews, MusicMarch 6, 2019<March 6, 2019

Feature: Basement’s Journey from VFW Halls to MSG

by Danielle Chelosky
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
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