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Jackie Charles © Knut Åserud
Music, PremieresFebruary 6, 2019<February 6, 2019

Premiere: Jackie Charles Ponder the Past with “Time Travel”

by Luke Pettican
Late Riser - Frances Cone
Features, Interviews, MusicFebruary 6, 2019<February 24, 2025

Interview: Frances Cone Breathe New Life into a Suffocating World with ‘Late Riser’

by Coco Rich
Brillboard 2019-02-06
Brillboard, Music, PlaylistsFebruary 6, 2019<February 6, 2019

The Brillboard: Communication, 02/06/2019

by Jason Brillon
Oh God There Is So Much Love In Me - Kelso
Music, Reviews, This Just InFebruary 6, 2019<February 5, 2019

This Just In: Oh God, There Is So Much Love in Kelso’s New Single

by James Crowley
Sharon Van Etten © Ryan Pfluger
Music, Our Take, ReviewsFebruary 5, 2019<February 17, 2019

Our Take: Sharon Van Etten’s ‘Remind Me Tomorrow’ Is a Fearless Step into a Bold New Sound

by Adrian Vargas
Variety Hour - Deidre & The Dark art
Debut, Music, Premieres, ReviewsFebruary 5, 2019<February 5, 2019

Album Premiere: Deidre & The Dark’s Debut ‘Variety Hour’ Is Free, Fun, and Classic

by Mitch Mosk
VC Pines © Betty Oxlade Martin
Columns, Music, Today's SongFebruary 5, 2019<February 5, 2019

Today’s Song: The Sultry Vocals & Sounds of VC Pines’ “Vixen”

by Caitlin Ison
Earthquake Lights © Shervin Lainez
Music, PremieresFebruary 4, 2019<February 4, 2019

Premiere: Earthquake Lights’ Sweet, Smooth, and Emotionally Raw “May Day”

by Mitch Mosk
Atwood Magazine's Artists to Watch 2019
Features, MusicFebruary 4, 2019<January 10, 2020

Atwood Magazine’s 2019 Artists to Watch

by Atwood Magazine Staff
Loose Wing © Doug Arney
Music, PremieresFebruary 4, 2019<February 4, 2019

Premiere: Loose Wing’s “Beverly” Captures Emotional Distress with Poignant Grace

by Mitch Mosk
Blaenavon © Luke Farley
Columns, Music, Today's SongFebruary 4, 2019<February 5, 2019

Today’s Song: Blaenavon’s “Catatonic Skinbag” Is a Self-Deprecative Triumph

by Nicole Almeida
Broods © Dana Trippe
Features, Interviews, Music, ReviewsFebruary 4, 2019<February 19, 2019

Confident Vulnerability: An Interview with Broods

by Mitch Mosk
Atwood Magazine's Weekly Roundup 2-01-2019
Columns, Features, Music, Weekly RoundupFebruary 1, 2019<February 19, 2019

Atwood Magazine’s Weekly Roundup: February 02, 2019

by Atwood Magazine Staff
Gabriella Rose - Lost In Translation EP 2019
Debut, Features, Music, ReviewsFebruary 1, 2019<February 1, 2019

Review: The Stirring Vulnerability of Gabriella Rose’s Intimate Debut EP ‘Lost in Translation’

by Mitch Mosk
Sophia Danai © Beau Partlow
Music, PremieresFebruary 1, 2019<February 1, 2019

Premiere: Breaking the Cycle of Abuse with Sophia Danai’s “Daughter”

by Mitch Mosk
Posts pagination
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Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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