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The Desert Bitterness still
Music, Music Videos, PremieresFebruary 27, 2019<February 27, 2019

Premiere: The Desert Find Strength in Sadness with “Bitterness”

by Luke Pettican
Travis Hayes 2019
Music, PremieresFebruary 27, 2019<February 27, 2019

Premiere: The Stirring Nostalgia of Travis Hayes’ Rich “Empty Orchestra”

by Mitch Mosk
Tiny Hueman © 2019
Columns, Music, Today's SongFebruary 27, 2019<February 27, 2019

Creative Democracy: A Conversation with Tiny Hueman

by Danny Vagnoni
Meadowlark © Felix Russel Shaw
Columns, Music, Today's SongFebruary 27, 2019<February 26, 2019

Today’s Song: Meadowlark Embark on an Introspective Journey with “H.I.T.H.”

by Alicia Bugallo
As It Is © Ian Coulson
Features, Interviews, MusicFebruary 26, 2019<July 19, 2021

Emotionally Intelligent Songs: A Conversation with Patty Walters of As It Is

by James Crowley
Paper Jackets © 2019
Interviews, Music, Music Videos, PremieresFebruary 26, 2019<February 26, 2019

Video Premiere: Paper Jackets Set Off in Impassioned Anthem “Trigger”

by Mitch Mosk
Lost Leaders 2019
Music, Music Videos, PremieresFebruary 26, 2019<February 26, 2019

Premiere: Satisfy Yourself with Lost Leaders’ Catchy Critique, “People Like Us”

by Mitch Mosk
Gold Connections 2019
Music, PremieresFebruary 26, 2019<February 26, 2019

Premiere: Gold Connections’ “Locust Days” Is a Pace Through the Whirlwind of Life

by Frankie Rose
Melody's Echo Chamber © Diane Sagnier
Music, ReviewsFebruary 26, 2019<February 26, 2019

Review: Melody’s Echo Chamber’s ‘Bon Voyage’, a Psychedelic Journey of Human Struggle & Self Reflection

by Hermione Kellow
Editor's Picks 02-25-2019
Columns, Editor's Picks, Features, MusicFebruary 25, 2019<March 20, 2019

Editor’s Picks: February 25, 2019

by Mitch Mosk
Good Air - Nap League
Music, Music Videos, PremieresFebruary 25, 2019<February 25, 2019

Premiere: Good Air’s Hazy, Intimate “Nap League” Embraces the Beauty in Simplicity

by Mitch Mosk
J.S. Ondara © Josh Cheuse
Debut, Music, ReviewsFebruary 25, 2019<February 25, 2019

Review: J.S. Ondara Understands America Way Better Than We Do on Debut ‘Tales of America’

by Oliver Crook
Broken Social Scene 2019 1
Columns, Music, Today's SongFebruary 25, 2019<August 1, 2023

Today’s Song: Broken Social Scene Are Enchantingly Chaotic with Lovelorn Jam “Boyfriends”

by Abby Jones
Ariana Grande - thank u, next
Features, Music, Reviews, RoundtableFebruary 22, 2019<June 29, 2024

Roundtable Discussion: A Review of Ariana Grande’s ‘thank u, next’

by Atwood Magazine Staff
Atwood Magazine's Weekly Roundup 2-22-2019
Columns, Features, Music, Weekly RoundupFebruary 22, 2019<March 1, 2019

Atwood Magazine’s Weekly Roundup: February 22, 2019

by Atwood Magazine Staff
Posts pagination
1 … 537 538 539 540 541 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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