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Gary Clark Jr. © Frank Maddocks
Columns, Music, Today's SongJanuary 23, 2019<January 23, 2019

Today’s Song: Gary Clark Jr. Raises His Fist and His Voice on “This Land”

by Oliver Crook
Editor's Picks 01-21-2019
Columns, Editor's Picks, Features, MusicJanuary 22, 2019<January 30, 2019

Editor’s Picks: January 21, 2019

by Mitch Mosk
Star Rover by Shervin Lainez
Music, Music Videos, PremieresJanuary 22, 2019<January 22, 2019

Watch: Exploring ‘Almost’ in Star Rover’s Glitchy, Beachy “Byron Bay”

by Mitch Mosk
Angelo de Augustine - Tomb Cover Art
Music, ReviewsJanuary 22, 2019<January 22, 2019

Review: Angelo de Augustine Turns Heartbreak & its Collateral Damage into Beauty in ‘Tomb’

by Nicole Almeida
Say Anything 2019
Columns, Music, Today's SongJanuary 22, 2019<January 22, 2019

Today’s Song: The Thrills and Pills of Say Anything’s “Pink Snot”

by James Crowley
The Proud Sons © Francesca Ludikar
Music, Music Videos, PremieresJanuary 21, 2019<January 21, 2019

Premiere: Embracing Heartache in The Proud Sons’ Radiant “Company”

by Mitch Mosk
Rhys Lewis © 2019
Columns, Music, Today's SongJanuary 21, 2019<January 21, 2019

Today’s Song: Rhys Lewis’ “Better Than Today” Finds Reassurance in the Whirlwind of Life

by Luke Pettican
Atwood Magazine's Weekly Roundup 1-18-2019
Columns, Features, Music, Weekly RoundupJanuary 18, 2019<January 18, 2019

Atwood Magazine’s Weekly Roundup: January 18, 2019

by Atwood Magazine Staff
Natalie Shay "Yesterday" © Max Giorgeschi
Music, Music Videos, PremieresJanuary 18, 2019<January 18, 2019

Video Premiere: Natalie Shay Ascends with Stunning Pop Anthem “Yesterday”

by Mitch Mosk
The Blue Winter © 2019
Music, PremieresJanuary 18, 2019<January 18, 2019

Premiere: The Blue Winter’s Beautifully Vulnerable Folk Song “Up on the Stage”

by Mitch Mosk
Maenads - Sarah P.
Music, ReviewsJanuary 18, 2019<April 16, 2020

Alternative Dream-Pop & Greek Mythology Collide in Sarah P.’s Evocative ‘Maenads’ EP

by Ben Beamish
If Looks Could Kill - Lauren Aquilina
Features, Interviews, MusicJanuary 18, 2019<January 18, 2019

Interview: Lauren Aquilina’s Killer Instinct Ignites with “If Looks Could Kill”

by Coco Rich
Heard It In A Past Life - Maggie Rogers Artwork
Debut, Features, Music, ReviewsJanuary 18, 2019<January 29, 2019

Maggie Rogers’ ‘Heard It in a Past Life’: A Track-by-Track Review

by Frankie Rose
Sam Wilde On the Run
Columns, Music, Today's SongJanuary 18, 2019<January 17, 2019

Today’s Song: Sam Wilde Finds Solace in Bewilderment with “On the Run”

by Luke Pettican
MINT - Alice Merton
Debut, Features, Interviews, MusicJanuary 17, 2019<January 30, 2019

‘MINT’, Melody, and Meaning: An Interview with Alice Merton

by Mitch Mosk
Posts pagination
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Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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