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The Lovely Sparrows © Jamaica Cole
Music, Music Videos, PremieresFebruary 19, 2019<February 19, 2019

Premiere: The Lovely Sparrows’ Magically Abstract “Shake the Shadow”

by Mitch Mosk
Aron Blom 2019
Debut, Music, Music Videos, PremieresFebruary 19, 2019<February 19, 2019

Premiere: Aron Blom’s Breathtaking Live Performance of Intimate Debut “Low Low Low”

by Mitch Mosk
Shelley Segal © 2019
Music, PremieresFebruary 19, 2019<February 19, 2019

Premiere: Basking in the Presence of Love with Shelley Segal’s “Here”

by Mitch Mosk
The Weird Years © Shervin Lainez
Debut, Music, PremieresFebruary 19, 2019<February 19, 2019

Premiere: Indie Supergroup The Weird Years’ Haunting Debut “Stranger”

by Mitch Mosk
Bencoolen © Ari Strauss
Music, PremieresFebruary 19, 2019<February 19, 2019

Premiere: Savour the Burn with Bencoolen’s “When You Look Back”

by Ben Niesen
Allie Crow Buckley © Annabel Mehran
Features, Interviews, MusicFebruary 18, 2019<February 20, 2019

From Sea to Stage: A Conversation with Allie Crow Buckley

by Frankie Rose
Picture This © Katia Temkin
Features, Interviews, MusicFebruary 18, 2019<February 15, 2019

Tales of Modern Romance: An Interview with Picture This

by Luke Pettican
First & Foremost - Plested
Debut, Music, Reviews, Track-by-TrackFebruary 16, 2019<February 16, 2019

Plested’s First & Foremost: A Track-By-Track Review

by Luke Pettican
Atwood Magazine's Weekly Roundup 2-15-2019
Columns, Features, Music, Weekly RoundupFebruary 15, 2019<February 19, 2019

Atwood Magazine’s Weekly Roundup: February 15, 2019

by Atwood Magazine Staff
Sigrid © 2019
Columns, Music, Today's SongFebruary 15, 2019<February 15, 2019

Today’s Song: Sigrid Reinvents the Heartbreak Song with “Don’t Feel Like Crying”

by Alicia Bugallo
Parcels by Antoine Henault
Features, Interviews, MusicFebruary 15, 2019<March 1, 2019

Eclectic, Groovy, Retro, and Current: A Conversation with Parcels

by Mitch Mosk
Preston Lovinggood © Jay Gunning
Music, Music Videos, PremieresFebruary 15, 2019<February 15, 2019

Premiere: Preston Lovinggood’s Hauntingly Optimistic “Everything Will Be Okay” Video

by Mitch Mosk
Growing Pain II - Tesha
Music, Premieres, ReviewsFebruary 14, 2019<February 18, 2019

EP Premiere: Embracing Ethereal Intimacy & Grief in TESHA’s ‘Growing Pain II’

by Mitch Mosk
Mallrat © Michelle Pitris
Features, Interviews, MusicFebruary 14, 2019<February 14, 2019

On UFOs and Trusting Your Instinct: A Conversation with Mallrat

by Nicole Almeida
Some Good Lives - Shook Twins
Music, Premieres, ReviewsFebruary 14, 2019<February 15, 2019

Album Premiere: Shook Twins Embrace Love & Life in Moving ‘Some Good Lives’

by Mitch Mosk
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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