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Swindle 2019
Columns, Music, Today's SongFebruary 22, 2019<February 22, 2019

Swindle & Kojey Radical’s “Coming Home” Is a Euphoric Triumph (and it Sounds Like One, Too)

by Matthew Dunn
Josie Dunne © Bree Marie Fish
Music, Music Videos, PremieresFebruary 22, 2019<March 1, 2019

Premiere: Get It on with Josie Dunne’s Catchy Make Out Anthem “Mute”

by Mitch Mosk
Crushing by Julia Jacklin
Music, Our Take, ReviewsFebruary 22, 2019<February 22, 2019

Our Take: Julia Jacklin’s ‘Crushing’ Is an Outstanding Example of Personal and Musical Growth

by Adrian Vargas
Change of Scenery - Buddie
Debut, Music, ReviewsFebruary 21, 2019<February 21, 2019

EP Review: The Raw Rock Punch of Buddie’s Debut ‘Change of Scenery’

by Mitch Mosk
RKCB - Shores EP artwork
Music, ReviewsFebruary 21, 2019<February 21, 2019

EP Review: The Dreamy, Dazzling Beauty of RKCB’s Intimate ‘Shores’

by Mitch Mosk
Manatee Commune © Allen Daniel
Music, PremieresFebruary 21, 2019<February 21, 2019

Premiere: The Joy and Trappings of Being “Famous” with Manatee Commune

by Alex Killian
The Last Internationale © 2019
Columns, Music, Tunes & TumblersFebruary 21, 2019<December 29, 2024

Tunes & Tumblers: Knock Back a Rusty Nail with The Last Internationale

by Anthony Kozlowski
Marina City © 2019
Music, PremieresFebruary 21, 2019<February 21, 2019

Premiere: Marina City’s Seductively Sweet “Addicted”

by Mitch Mosk
2012–2017 Against All Logic
Columns, Music, Music You Should KnowFebruary 21, 2019<February 21, 2019

Music You Should Know: Against All Logic, a Jaar by Another Name is Ever More Sweet

by Ben Niesen
Julia Michaels © Clare Gillen
Columns, Music, Today's SongFebruary 21, 2019<February 20, 2019

Today’s Song: Julia Michaels & Selena Gomez Open Up a Conversation About Mental Health with “Anxiety”

by Alicia Bugallo
A.U.R.A © Albert Mikolaj Williams
Debut, Music, PremieresFebruary 20, 2019<February 20, 2019

Premiere: Reverie, Rebirth & Reflection in A.U.R.A’s Enchanting “Immensely I”

by Mitch Mosk
Bruiser & Bicycle © Ariel Einbinder
Features, Music, PremieresFebruary 20, 2019<February 20, 2019

Album Premiere: Bruiser & Bicycle’s Delightfully Alternative ‘Woods Come Find Me’

by Mitch Mosk
American Football © Atiba Jefferson
Columns, Music, Today's SongFebruary 20, 2019<February 20, 2019

Today’s Song: Taking Off the Rose-Colored Glasses of Youth with American Football’s “Uncomfortably Numb”

by Adrian Vargas
Bendigo Fletcher © Josh Kranich
Features, Music, PremieresFebruary 19, 2019<February 19, 2019

EP Premiere: Bendigo Fletcher’s ‘Terminally Wild’ is an Immersive Tale of Hope and Hopelessness

by Frankie Rose
Dayna Ghiraldi-Travers of Big Picture Media
Features, Interviews, MusicFebruary 19, 2019<February 20, 2019

Full Circle Moments: An Interview with Big Picture Media’s Dayna Ghiraldi-Travers

by James Crowley
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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