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Nobody's Home Art d'Ecco 2018
Music, Music Videos, PremieresSeptember 6, 2018<September 6, 2018

Premiere: See & Be Seen in Art D’Ecco’s Magically Indulgent “Nobody’s Home”

by Mitch Mosk
Trevor James Tillery © Cobey Arner
Music, PremieresSeptember 6, 2018<September 6, 2018

Premiere: The Dark Allure of Trevor James Tillery’s “Resolve (In Cold Blood)”

by Mitch Mosk
Seafret © 2018
Features, Interviews, Music, Premieres, ReviewsSeptember 6, 2018<September 6, 2018

Premiere: The Beautiful, Raw Depths of Seafret’s Monsters EP

by Mitch Mosk
The Sofas © 2018
Music, PremieresSeptember 6, 2018<September 6, 2018

Premiere: How We Try to Suppress Anxiety & Fear in The Sofas’ “Nothing Major”

by Aaron Scobie
DOLLS © Gabrielle Hall
Music, PremieresSeptember 6, 2018<September 6, 2018

Premiere: DOLLS Bring Post-Apocalyptic Nostalgia to “Pink Bones”

by James Crowley
Just Seconds Apart © Zee Peralta
Music, PremieresSeptember 5, 2018<October 3, 2018

Premiere: Just Seconds Apart Erupt with Catchy & Intimate “Good to Know”

by Mitch Mosk
Tomten © A Francis Vilendrer
Music, PremieresSeptember 5, 2018<September 5, 2018

Premiere: Turning Over Tomten’s Rollicking “New Leaf”

by Mitch Mosk
Brett Altman © Phil Silverberg
Music, PremieresSeptember 5, 2018<September 5, 2018

Premiere: “Is He Thinking of You,” Brett Altman’s Non-Traditional Breakup Song

by Mitch Mosk
Arts Fishing Club © Alex Justice
Music, PremieresSeptember 5, 2018<December 13, 2022

Premiere: Deflating Egos with Arts Fishing Club’s Wily “Icarus”

by Mitch Mosk
Royal Teeth © Jakob Wandel
Features, Interviews, Music, ReviewsSeptember 5, 2018<October 10, 2018

Royal Teeth Are Never Gonna Quit: An Interview about Perseverance & Change

by Mitch Mosk
Loveclub © Alec Moore
Music, PremieresSeptember 5, 2018<September 5, 2018

Premiere: Hesitation and Hope in Loveclub’s “Don’t Put My Heart on Hold”

by Luke Pettican
The Vernes © 2018
Features, Interviews, Music, PremieresSeptember 5, 2018<September 5, 2018

Interview: Nostalgia, Growth, and Brotherhood in The Vernes’ “1994”

by Sara Santora
TREY © 2018
Music, PremieresSeptember 4, 2018<September 4, 2018

Premiere: Ambience & Acceptance in TREY’s Intimate “Outofline”

by Mitch Mosk
Salim Nourallah © Casey Pinckard
Music, PremieresSeptember 4, 2018<September 4, 2018

Premiere: Salim Nourallah’s Hopelessly Romantic “Rainbow Dolphins”

by Mitch Mosk
Pink Skies © Shabnam Ferdowsi
Music, Music Videos, PremieresSeptember 4, 2018<September 4, 2018

Premiere: Social Media, Addiction, and Zombies in Pink Skies’ “Just to Get By”

by Mitch Mosk
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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