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NYA © 2018
Debut, Music, PremieresAugust 7, 2018<August 7, 2018

EP Premiere: NYA Finds Her Voice in Dreamy, Soulful ‘Southland’

by Mitch Mosk
Galapaghost © Elisa Tron
Music, PremieresAugust 7, 2018<January 22, 2019

Album Premiere: Galapaghost Goes Electronic in ‘Sootie’ with Grace & Charm

by Mitch Mosk
Tia Gostelow © 2018
Features, Interviews, Music, PremieresAugust 7, 2018<November 14, 2018

Loss, Closure, and Intimacy: Dwelling in Tia Gostelow’s “Hey Friends”

by Mitch Mosk
Water and Man © Bryan Trindade
Music, PremieresAugust 6, 2018<August 6, 2018

Premiere: Water and Man’s Catchy “When It Comes to Life,” a Psych-Rock Search for Meaning

by Mitch Mosk
Black Honey © Lauren Maccabee
Music, Reviews, This Just InAugust 6, 2018<August 6, 2018

This Just In: Disco Lives Forever in Black Honey’s “Midnight”

by Lindsay Call
The Demos © Jeremiah O'Reilly
Music, PremieresAugust 6, 2018<August 6, 2018

Premiere: The Demos’ “Make It Better” Rocks Us Through the Hazy Ether of Love

by Ilana Kalish
Millie Turner © Mike Massaro
Columns, Music, Music Videos, Today's SongAugust 6, 2018<August 6, 2018

Today’s Song: Millie Turner Engrosses with Infectious Energy on “She Was a Dancer”

by Luke Pettican
Atwood Magazine's Weekly Roundup 08-03-2018
Columns, Features, Music, Weekly RoundupAugust 3, 2018<August 3, 2018

Atwood Magazine’s Weekly Roundup: August 3, 2018

by Atwood Magazine Staff
Microscope - Emily Blue art
Features, Music, Music Videos, PremieresAugust 3, 2018<November 25, 2022

Get Under the “Microscope” with Emily Blue’s Provocative, Unapologetic Allure

by Mitch Mosk
Tom Grennan © Olivia Rose
Debut, Features, Interviews, MusicAugust 3, 2018<August 3, 2018

Lighting Matches and Catching Fire: Interview with Tom Grennan

by Luke Pettican
Pocket Hole © Jenna Gould
Debut, Music, PremieresAugust 3, 2018<August 2, 2018

Premiere: Pocket Hole Wrestle for Release in Beachy “Marine Layer”

by Mitch Mosk
Do You Work Out? - Sazzie
Debut, Music, Music Videos, PremieresAugust 3, 2018<August 2, 2018

Premiere: Get Loose with Sazzie’s Sexy, Flirty, Feelgood “Do You Work Out?”

by Mitch Mosk
Sad, but True - Sara Marie Barron
Features, Music, PremieresAugust 2, 2018<August 2, 2018

Album Premiere: Sara Marie Barron Sets the Stage with Heartfelt Debut ‘Sad, but True’

by Mitch Mosk
the bluest star - free cake for every creature
Features, Music, Our Take, ReviewsAugust 2, 2018<April 16, 2020

Our Take: Free Cake for Every Creature Find Their Footing with ‘The Bluest Star’

by Carolyn Fasone
Keith Wallen © 2018
Debut, Music, PremieresAugust 2, 2018<August 2, 2018

Premiere: Keith Wallen Breaks into Intimate Pop with “Summer Sunday”

by Mitch Mosk
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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