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Revival - Eminem
Music, Our Take, ReviewsJanuary 8, 2018<January 8, 2018

Our Take: Eminem’s ‘Revival’ Is Low on Highlights, High on Dubious Decisions

by Josh Weiner
The Hold Steady © Rich Tarbell
Columns, Music, Today's SongJanuary 8, 2018<January 8, 2018

Today’s Song: The Hold Steady Capture the Nostalgia of Partying with Old Friends on “Entitlement Crew”

by James Crowley
Adam Barnes © 2018
Music, PremieresJanuary 5, 2018<January 5, 2018

Premiere: Adam Barnes’ “Hopeful” Dances with Intimate Emotions

by Mitch Mosk
Ásgeir © One Little Indian Records
Columns, Music, Today's SongJanuary 5, 2018<January 5, 2018

Today’s Song: Ásgeir’s “In the Silence” Resonates with Heartfelt Grace

by Ilana Kalish
Gem Tree © 2018
Music, PremieresJanuary 5, 2018<January 5, 2018

Premiere: The Inspiring Ease of Gem Tree’s Free-“Floatin” New Year’s Single

by Mitch Mosk
Saturation III - BROCKHAMPTON
Music, Our Take, ReviewsJanuary 5, 2018<February 20, 2018

Our Take: BROCKHAMPTON’s ‘Saturation III’ Refines Their All-Caps Ethos of DIY Creativity

by James Meadows
Crying © 2016
Columns, Music, Nostalgia TracksJanuary 4, 2018<January 4, 2018

Nostalgia Tracks: Rediscovering Crying’s “Wool in the Wash”

by Olivia Perry
Just for Us - Francis and the Lights
Music, Our Take, ReviewsJanuary 4, 2018<January 4, 2018

Our Take: Francis and the Lights Ushers in the New Year with Something ‘Just for Us’

by Sara Santora
lauv © Jennica Mae
Columns, Music, Today's SongJanuary 4, 2018<January 4, 2018

Today’s Song: Take a Honeymoon to France with Lauv’s “Paris in the Rain”

by Ethan Germann
MJ Cole © 2017
Features, Interviews, MusicJanuary 4, 2018<January 4, 2018

Pictures (And Songs) in His Head: A Conversation with MJ Cole

by Nicole Almeida
ash.ØK © Dan Drufovka
Music, PremieresJanuary 4, 2018<January 4, 2018

Premiere: ash.ØK’s “Chained Rebellion” Dreams with Sadness and Solitude

by Mitch Mosk
End the Silence x Atwood Magazine
Features, MusicJanuary 3, 2018<January 3, 2018

Atwood Magazine Ends the Silence

by Atwood Magazine Staff
Dark Side of the Gym - The National
Columns, Music, Today's SongJanuary 3, 2018<January 3, 2018

Today’s Song: The National Dance Away with “Dark Side of the Gym”

by Natalie Harmsen
The 1975
Features, MusicJanuary 2, 2018<January 19, 2018

The Sound of Somebody Else: How The 1975 Are Changing Music

by Kelly Wynne
Atwood Magazine's 2017 Albums of the Year
Features, Music, News, ReviewsDecember 29, 2017<January 25, 2018

Atwood Magazine’s 2017 Albums of the Year

by Atwood Magazine Staff
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Brand New

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters

:: discover something new ::

Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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