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Buku Love - Rubycon © 2017
Music, Music Videos, PremieresNovember 29, 2017<November 29, 2017

Premiere: Clouds & Rainbows Color Rubycon’s Dazzling “Buku Love”

by Mitch Mosk
Live & Circle © 2017
Features, Music, Premieres, ReviewsNovember 29, 2017<November 29, 2017

EP Premiere: Line & Circle’s ‘Vicious Folly’ Balances Raw Energy with Restless Emotion

by Mitch Mosk
Cassandra Violet © Polly Barrowman
Music, PremieresNovember 29, 2017<November 29, 2017

Premiere: The Catchy Critique of Cassandra Violet’s “Pretty”

by Mitch Mosk
Clara Strauch © 2017
Music, PremieresNovember 29, 2017<November 29, 2017

Premiere: The Hopeful Darkness of Clara Strauch’s “Islands”

by Mitch Mosk
Lloyd Llewellyn © 2017
Debut, Music, Music Videos, PremieresNovember 29, 2017<November 29, 2017

Premiere: Lloyd Llewellyn’s “Run” is a Somber & Soulful Goodbye

by Mitch Mosk
The Fear – Georgia Reed © 2017
Columns, Music, Today's SongNovember 29, 2017<December 11, 2017

Today’s Song: Flashback to Fast-Track Forward with Georgia Reed’s “The Fear”

by Hannah Maire
Surf the Pines © Crystal Hoeveler
Debut, Music, PremieresNovember 28, 2017<November 28, 2017

Premiere: Surf the Pines Debut with Experience & Honesty in “The Runaround”

by Christine Costello
Carl Hauck © Dylan Fischer
Music, PremieresNovember 28, 2017<November 28, 2017

Premiere: Carl Hauck’s Glowing “Refraction” Sparks a Warm Light

by Mitch Mosk
The Opener - Camp Cope
Columns, Music, Today's SongNovember 28, 2017<November 28, 2017

Today’s Song: Camp Cope Expose the Closeted Misogyny of the Punk Scene in “The Opener”

by James Crowley
Jordan Mackampa © 2017
Music, Music Videos, PremieresNovember 28, 2017<December 11, 2017

Premiere: Jordan Mackampa’s Inspiring Anthem Is a “Battlecry” to Stand Up

by Mitch Mosk
Caroline Grace © 2017
Debut, Features, Music, PremieresNovember 27, 2017<November 27, 2017

Premiere: Caroline Grace Is Raw & Exposed on Acoustic Pop Anthem “Cheers to the Night”

by Mitch Mosk
Walk on Water - Eminem
Columns, Music, Reviews, Today's SongNovember 27, 2017<November 27, 2017

Today’s Song: Eminem and Beyoncé’s “Walk on Water” Is Not Miraculous, but Still a Heartfelt Effort

by Josh Weiner
Sulene © 2017
Features, Interviews, MusicNovember 27, 2017<November 29, 2017

Composition, Style, and “Something New”: A Conversation with Sulene

by Kelly Wynne
CAVERNS © 2017
Music, PremieresNovember 24, 2017<November 27, 2017

Premiere: CAVERNS’ “Times Is Hard” Explodes with Raucous Energy

by Mitch Mosk
Columns, Music, Weekly RoundupNovember 24, 2017<December 11, 2017

Atwood Magazine’s Weekly Roundup: November 24, 2017

by Atwood Magazine Staff
Posts pagination
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Brand New

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters

:: discover something new ::

Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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