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Atwood Magazine's Weekly Roundup 12-09-2017
Columns, Music, Weekly RoundupDecember 11, 2017<December 15, 2017

Atwood Magazine’s Weekly Roundup: December 9, 2017

by Atwood Magazine Staff
CTRL - SZA art
Columns, Music, Today's SongDecember 11, 2017<December 11, 2017

Today’s Song: SZA Soars on “Pretty Little Birds”

by Matthew Tordoff
Empower (We Grow) - Emily Blue
Features, Interviews, MusicDecember 9, 2017<December 20, 2017

Chicago Comes Together in “Empower” Against Violence: An Interview with Emily Blue and Gem Tree

by Mitch Mosk
QTY © Nicole Almeida
Debut, Features, Music, Reviews, This Just InDecember 8, 2017<December 8, 2017

This Just In: QTY’s Self-Titled Debut Is a Joyous Ode to Humanity and Friendship

by Nicole Almeida
Tame Impala © 2017
Columns, Music, Today's SongDecember 8, 2017<December 6, 2017

Today’s Song: The Tactful Delight of Tame Impala’s “List of People (To Try and Forget About)”

by Kendall Graham
CHNNLL © 2017
Music, PremieresDecember 8, 2017<December 6, 2017

Premiere: CHNNLL’s Hauntingly Delicate “Caution Sign”

by Mitch Mosk
Columns, Music, Music You Should KnowDecember 7, 2017<September 13, 2021

Music You Should Know: Bad Bad Hats’ “Psychic Reader” Is Indie Pop Beyond Its Years

by Kelly Wynne
Comfort Food - Jef Maarawi
Debut, Features, Music, PremieresDecember 7, 2017<December 7, 2017

Album Premiere: Chow Down on Jef Maarawi’s Vivid Debut ‘Comfort Food’

by Mitch Mosk
Where I First Found You - Forest Blakk
Debut, Music, Music Videos, PremieresDecember 7, 2017<December 20, 2017

Premiere: A Deeper Love in Forest Blakk’s Moving “Where I First Found You”

by Mitch Mosk
HAWAI © Saamuel Richard
Music, Music Videos, PremieresDecember 7, 2017<December 6, 2017

Premiere: HAWAI Come “Alive” with Electric Energy… and a Vampire!

by Mitch Mosk
Nûrnbear © 2017
Columns, Debut, Music, Today's SongDecember 7, 2017<December 6, 2017

Today’s Song: Nûrnbear Comes Together in Debut “Isolation”

by Lindsay Call
Daniel Caesar © 2016
Columns, Music, Today's SongDecember 6, 2017<September 20, 2023

Today’s Song: Lost Love & Sadness in Daniel Caesar’s “Japanese Denim”

by James Meadows
SAGE © Angelo Kritikos
Debut, Music, PremieresDecember 6, 2017<December 6, 2017

Premiere: SAGE Debuts “Cherries” with Sweet Electropop Seduction

by Mitch Mosk
Madison Margot © 2017
Music, PremieresDecember 6, 2017<December 5, 2017

Premiere: Madison Margot’s “Like This” Explores Love’s Intimate Intricacies

by Mitch Mosk
Atwood Magazine's Weekly Roundup 12-01-2017
Columns, Music, Weekly RoundupDecember 5, 2017<December 11, 2017

Atwood Magazine’s Weekly Roundup: December 1, 2017

by Atwood Magazine Staff
Posts pagination
1 … 625 626 627 628 629 … 737

Brand New

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters

:: discover something new ::

Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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