• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Asgeir © Columbia Records
Features, Interviews, MusicMay 24, 2017<May 24, 2017

Intimacy, Intention, and Afterglow: An Interview with Ásgeir

by Erika Kooda
Mr. Byrd © 2017
Debut, Music, PremieresMay 24, 2017<May 23, 2017

Premiere: Finding Solace in Deathless Devotion with Mr. Byrd’s “I’ll Never Let Go”

by Kelly Wynne
The Solars © 2017
Debut, Music, Music Videos, PremieresMay 23, 2017<May 23, 2017

Video Premiere: Home & Away in The Solars’ Dazzling “Goddess of the Suburbs”

by Mitch Mosk
Cutty Flam © 2017
Music, PremieresMay 23, 2017<May 23, 2017

Premiere: The Restless Dance of Cutty Flam’s “Continental Creep”

by Mitch Mosk
Steady Sun © 2017
Interviews, MusicMay 23, 2017<May 23, 2017

Indifferent World, Psychedelic Dream: A Conversation with Steady Sun

by Josh Weiner
James Vincent McMorrow © 2017
Music, Reviews, This Just InMay 23, 2017<May 23, 2017

This Just In: James Vincent McMorrow Finds “True Care”

by Nicole Almeida
Under The Milkyway... Who Cares? - Seasurfer
Music, Music Videos, PremieresMay 23, 2017<May 23, 2017

Video Premiere: The Dark & Dreamy Power of Seasurfer’s “Too Late for Goodbyes”

by Mitch Mosk
CHNNLL © 2017
Music, PremieresMay 22, 2017<May 22, 2017

Premiere: CHNNLL Flows Through Life, Time, & Memory on “The River”

by Mitch Mosk
Chris Cheveyo © 2017
Music, Music Videos, PremieresMay 22, 2017<May 22, 2017

Video Premiere: Chris Cheveyo Dreamily Opens Up in “A Letter”

by Mitch Mosk
BANKS "The Altar" © 2016
Columns, Music, Today's SongMay 22, 2017<May 22, 2017

BANKS Explores Love vs. Success with Aching & Poetic “Crowded Places”

by Kelly McCafferty Dorogy
Harry Styles - Harry Styles
Debut, Features, Music, Reviews, RoundtableMay 19, 2017<June 29, 2024

Roundtable Discussion: A Review of Harry Styles’ Debut Album

by Atwood Magazine Staff
Mabel © Polydor
Debut, Features, Interviews, MusicMay 19, 2017<May 19, 2017

Romance, Storytelling, and the Theory of Forever: A Conversation with Mabel

by Sydney Sweeney
Lucy - Nihla
Music, PremieresMay 19, 2017<May 19, 2017

Premiere: Nihla’s “Lucy” Tells a Story of Hard Life & Haunting in Los Angeles

by Lindsay Call
Feel EP - Dan Crossley
Debut, Features, Music, PremieresMay 19, 2017<May 19, 2017

EP Premiere: The Euphoric Heights of Dan Crossley’s Debut ‘Feel’

by Mitch Mosk
Sugarhouse © Phoebe Fox (SHOT BY PHOX)
Columns, Debut, Music, Music Videos, Today's SongMay 19, 2017<October 1, 2019

Today’s Song: SUGARHOUSE Debut with Ecstasy and Infatuation on “Love Anyone Else”

by Mitch Mosk
Posts pagination
1 … 653 654 655 656 657 … 727

Brand New

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’

:: discover something new ::

Recent Posts

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services