Columns, Editor's Picks, Features, MusicFebruary 13, 2026<February 13, 2026 Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! by Mitch Mosk
Music, ReviewsFebruary 13, 2026<February 13, 2026 Lucy Kruger & The Lost Boys Traverse Sticky-Sweet Sonics on ‘Pale Bloom’ by Marissa DeLeon
Music, ReviewsFebruary 13, 2026<February 13, 2026 Angel Du$t Harken Back to Their Hardcore Roots on Ripping New Album ‘COLD 2 THE TOUCH’ by James Crowley
Columns, Music, Today's SongFebruary 13, 2026<February 12, 2026 “You’re Only Human, Honey”: Holly Humberstone Embraces Love’s Highest Highs & Hardest Truths on “To Love Somebody,” a Glistening, Gut-Punch Anthem by Mitch Mosk
Music, PremieresFebruary 12, 2026<February 12, 2026 “I Can’t Heal Myself”: Toronto Darkwave Duo TRAITRS Descend into Looping Nightmares and Identity Erosion on “Dream Drowning” by Mitch Mosk
Columns, Music, Today's SongFebruary 12, 2026<February 12, 2026 Don’t Take Their “Love to Go”: Edgehill Declare Their Hearts Aren’t Disposable on Fan Favorite Anthem by Miranda Urbanczyk
Artist to Watch, Features, Lists, MusicFebruary 12, 2026<February 12, 2026 Atwood Magazine’s 2026 Artists to Watch by Atwood Magazine Staff
Concerts, Music, ReviewsFebruary 11, 2026<February 11, 2026 Live Review: Stepping Inside Def Leppard’s Monumental Caesars Palace Residency by Emma Schoors
Music, PremieresFebruary 11, 2026<February 11, 2026 “I’m Not Waiting to Die Next to Some Boring Guy Ever Again”: Tinsley Turns Post-Breakup Freedom into Playful Petty Power on “Bad Enough” by Mitch Mosk
Essays, MusicFebruary 11, 2026<February 11, 2026 “Writing a Song to Meet the Moment”: An Essay by Boy Golden by Guest Writer
Music, Music Videos, PremieresFebruary 11, 2026<February 11, 2026 Video Premiere: Tommy Emmanuel Reimagines “You Needed Me” with Acoustic Warmth and Grace for Valentine’s Day by Ashley Littlefield
Interviews, Music, Today's SongFebruary 11, 2026<February 16, 2026 “This Is the Eleventh Hour”: Lia Pappas-Kemps Fires the Flare on “Towers,” a Smoldering Reckoning at the Breaking Point by Mitch Mosk
Interviews, Music, PremieresFebruary 10, 2026<February 10, 2026 “I Choose to Love You”: Happy Just To See You Turn Self-Loathing into Catharsis on “Last Week’s Horse,” a Bruised Break-Up Song With Yourself by Mitch Mosk
Interviews, Music, Today's SongFebruary 10, 2026<February 10, 2026 “Kill More Monsters”: MX LONELY Banish Their Demons on “Return to Sender,” an Unflinching Alt-Rock Exorcism by Mitch Mosk
Debut, Interviews, Music, PremieresFebruary 9, 2026<February 9, 2026 “Will we ever return?”: SLC’s Anthony Pena Returns Home on His Dreamy, Soulful Debut Single “H.T.S.” by Mitch Mosk
For the Love of Music
For the Love of Music
