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Noah Kahan 'The Great Divide' © Patrick McCormack
Features, Music, ReviewsApril 24, 2026<April 26, 2026

“It Gets Harder to See Me the Closer You Try to Look”: Noah Kahan Turns Distance, Identity, & Time into His Most Defining Statement Yet on ‘The Great Divide’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | April 24, 2026
Columns, Features, Music, Weekly RoundupApril 24, 2026<May 1, 2026

Atwood Magazine’s Weekly Roundup: April 24, 2026

by Atwood Magazine Staff
Jena Malone © Elias Tahan
Interviews, Music, Music Videos, PremieresApril 23, 2026<April 25, 2026

“You’ve Been Everything I’ve Been Craving”: Jena Malone Makes Desire Feel Dangerous, Dreamy, & Utterly Irresistible in “You’ve Been on My Mind”

by Mitch Mosk
Pleasure Pill © Sydney Lemons
Features, Interviews, Music, PremieresApril 23, 2026<April 23, 2026

“Rock ‘n’ Roll Is Something We Believe In”: Pleasure Pill Come ‘Alive’ with Infectious Britpop Charm & Churn on Electrifying EP

by Mitch Mosk
Abby Nissenbaum © Hannah Kik
Music, PremieresApril 23, 2026<April 23, 2026

“Is It That I’m Not Your Type?”: Abby Nissenbaum Burns with Longing on “Naomi,” a Soulful & Smoldering Torch Song

by Mitch Mosk
Curls Ultra © 2026
Columns, Music, Today's SongApril 23, 2026<April 23, 2026

Today’s Song: Curls Ultra’s “Vegas (Mandalay Bay)” Is More Than Love and Yearning

by Annaliese Baker
Eugene McGuinness © Robin Clewley
Features, Interviews, Music, Track-by-TrackApril 22, 2026<April 23, 2026

“Elemental, Subliminal, Gazebo”: Eugene McGuinness Comes Alive on ‘Eugene McGuinness Versus the Universe,’ a Radiant Reawakening Through Song

by Mitch Mosk
Il Volo's Piero Barone, Gianluca Ginoble and Ignazio Boschetto circa their Christmas performance, December 2025 © Aidan Moyer
Features, Interviews, MusicApril 22, 2026<April 22, 2026

“For One Night Only, Bring Them to Italy”: A Conversation with Il Volo

by Aidan Moyer
SKORTS © Jackilyn Cooper
Debut, Music, ReviewsApril 22, 2026<April 22, 2026

“Eat Your Heart Out”: A Vivisection of SKORTS’ Unrelenting Debut Album ‘Incompletement’

by Dusty Hayes
Ross Newhouse © Nick Collingwood
Features, Interviews, Music, Today's SongApril 22, 2026<April 22, 2026

“Why Can’t You See What I See?”: Ross Newhouse Lays Bare Self-Doubt & Love on “Words I’d Use,” a Lush Indie Folk Duet with Grace Gardner

by Mitch Mosk
Irish Goodbye - Nora Kelly Band
Music, Music Videos, PremieresApril 21, 2026<April 21, 2026

“It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom

by Mitch Mosk
sundayclub "Camera Shy" © Evie Maynes
Interviews, Music, PremieresApril 21, 2026<April 22, 2026

“Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness

by Mitch Mosk
LIFE "The Dollywaggon" © Luke Hallett
Interviews, Music, Today's SongApril 20, 2026<April 20, 2026

“Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown

by Mitch Mosk
moondoggy © 2026
Music, ReviewsApril 20, 2026<April 20, 2026

Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told

by Miranda Urbanczyk
Samara Joy © AB + DM
Concerts, Music, ReviewsApril 20, 2026<April 20, 2026

The Sound of Stillness: Samara Joy in Palo Alto

by Ankita Bhanot
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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