Music, Reviews, This Just InAugust 3, 2020<August 3, 2020 This Just In: Billie Eilish Leads Us to Self-Love with Intimate Single “my future” by Coco Rich
8 Music, Our Take, ReviewsJuly 31, 2020<December 15, 2020 Our Take: Ganser Are in Good Form on Sophomore Album ‘Just Look At That Sky’ by Nick Matthopoulos
Music, Reviews, This Just InJuly 30, 2020<August 23, 2020 This Just In: Bastille Shock Us Out of Our Phone Screen Daze with “WHAT YOU GONNA DO???” by Anthony Kozlowski
Interviews, Music, Music VideosJuly 30, 2020<July 29, 2020 Interview: Opus Orange Discuss Isolation, Intimacy, “The Lucky Ones” & Creating in Quarantine by Guest Writer
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Columns, Editor's Picks, MusicJuly 28, 2020<July 28, 2020 Editor’s Picks 37: Ric Wilson, Loviet, Zaia, Aquilo, Erez Zobary & theMIND by Mitch Mosk
Features, Music, Reviews, RoundtableJuly 28, 2020<June 29, 2024 Roundtable Discussion: A Review of Taylor Swift’s ‘folklore’ by Atwood Magazine Staff
Features, Music, Reviews, Track-by-TrackJuly 28, 2020<July 28, 2020 Fracture & Fragility: Inside Haux’s Breathtaking Debut Album ‘Violence in a Quiet Mind’ by Mitch Mosk
Debut, Music, ReviewsJuly 28, 2020<July 28, 2020 Feature: Dad Bod’s ‘Precursor’ EP Is a Raw, Intimate, & Exciting Prelude by Mitch Mosk
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Music, ReviewsJuly 24, 2020<July 24, 2020 Review: MisterWives Deliver with Soul Replenishing, Funk-Filled Third Album ‘SUPERBLOOM’ by Kelly McCafferty Dorogy
Music, ReviewsJuly 22, 2020<July 22, 2020 Review: Tom Speight Echoes Love & Tender Beauty in ‘Sunset Sound’ EP by Mitch Mosk
Music, ReviewsJuly 22, 2020<July 22, 2020 Review: Protomartyr Refine Their Old Sound with New Instruments on ‘Ultimate Success Today’ by Oliver Crook
Music, ReviewsJuly 20, 2020<July 20, 2020 Review: Blackness, Queerness, and Belonging on Dua Saleh’s ‘ROSETTA’ by Urooj Ali Rizvi
Interviews, MusicJuly 20, 2020<July 20, 2020 Interview: British Art Rock Artist Katie Wood Gives It to Us Straight in “Uh Huh Yeah” by Joe Beer