Features, Interviews, MusicApril 12, 2023<April 30, 2023 Interview: After Years of Uplifting Others, Feel-Good Superstar Self Esteem Knows She’s Gonna Be Okay Herself by Sam Franzini
Features, Music, Reviews, RoundtableApril 11, 2023<June 29, 2024 Roundtable Discussion: A Review of Lana Del Rey’s ‘Did you know that there’s a tunnel under Ocean Blvd’ by Atwood Magazine Staff
Features, Interviews, MusicApril 4, 2023<April 30, 2023 Protecting Her Peace: Wallice on Coming of Age in the Music Industry and What Defines ‘Success’ by Sophie Severs
Debut, Features, Music, Reviews, RoundtableMarch 31, 2023<June 29, 2024 Roundtable Discussion: A Review of boygenius’ ‘the record’ by Atwood Magazine Staff
Columns, Editor's Picks, Features, MusicMarch 29, 2023<March 29, 2023 Editor’s Picks 94: Hana Eid, Raia Was, Kate Davis, Robyn Froese, Jealous of the Birds, & Why Bonnie! by Mitch Mosk
Features, Interviews, MusicMarch 29, 2023<March 2, 2025 Interview: Noah Kahan on Third LP ‘Stick Season’, Embracing His Roots, & Finding Happiness in Being Himself by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackMarch 24, 2023<April 30, 2023 “Harmonically Charged Tragicomedy”: Matt Pond Finds His Voice (Again) on The Natural Lines’ Soaring & Spirited Debut by Mitch Mosk
Columns, Editor's Picks, Features, MusicMarch 23, 2023<March 29, 2023 Editor’s Picks 93: Cafuné, Kay Young, Eliott, tinyumbrellas, Siena Streiber, & Aáyanna! by Mitch Mosk
Music, PremieresMarch 22, 2023<April 30, 2023 Premiere: Transviolet Bask in the Light of Life on Euphoric “How Lucky” Off Third LP, ‘BODY’ by Mitch Mosk
Music, ReviewsMarch 22, 2023<April 30, 2023 Surrender to the Music and the Call of U2 by Brianna Corrine
Features, Interviews, MusicMarch 21, 2023<April 30, 2023 Interview: Black Honey’s Izzy Bee Phillips Talks Mental Health, Vulnerability, & New Album ‘A Fistful of Peaches’ by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackMarch 20, 2023<April 30, 2023 “If you can take the fall, how high do you wanna be?”: Joesef’s Stunning, Soul-Soaked Debut Album ‘Permanent Damage’ by Mitch Mosk
Columns, Editor's Picks, Features, MusicMarch 17, 2023<March 17, 2023 Editor’s Picks 92: Gordi, Under the Rug, Tash Sultana, Karson., Stolen Jars, & girlhouse! by Mitch Mosk
Columns, Editor's Picks, Features, MusicMarch 8, 2023<March 10, 2023 Editor’s Picks 91: Marlene Oak, Aistè, Alaska Reid, Joy Oladokun, Bleach Lab, & BEL! by Mitch Mosk
Features, Music, Playlists, Women's History MonthMarch 8, 2023<March 8, 2023 Celebrating Women in Music for International Women’s Day 2023! by Atwood Magazine Staff
Debut, Features, Interviews, Music, Track-by-TrackMarch 3, 2023<April 30, 2023 Interview: Ruel Breaks the ‘4TH WALL’ with His Cinematic Debut Album by Mitch Mosk
Debut, Features, Interviews, MusicJanuary 26, 2023<January 26, 2023 Interview: Frank Iero & Tucker Rule Are “Reborn” in Emo Punk Group L.S. Dunes by Mitch Mosk
Features, Interviews, MusicNovember 1, 2022<February 22, 2023 American Bollywood: Young the Giant’s Epic & Intimate Fifth Album Unpacks Identity, Belonging, Home, & the Immigrant Story by Mitch Mosk
Features, Interviews, MusicOctober 19, 2022<October 19, 2022 Interview: The Killers’ Ronnie Vannucci Jr. Talks Springsteen, Pressure Machine, Legacy, Tour, & More by Mitch Mosk
Features, Interviews, MusicSeptember 28, 2022<September 29, 2022 “Honoring the Past, But Not Bound By It”: An Interview with Death Cab for Cutie by Mitch Mosk
Features, Interviews, MusicJune 24, 2022<April 24, 2025 “All Killer, No Filler”: MUNA Discuss Joy & Desire on Their Self-Titled Third Album by Nasim Elyasi
Interviews, Music, Today's SongDecember 14, 2025<December 12, 2025 “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession by Mitch Mosk
Columns, Music, Today's SongDecember 13, 2025<December 12, 2025 “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’ by Ashley Littlefield
Editorials, Features, MusicDecember 12, 2025<December 12, 2025 Tales from the Garden: Seven Lions Is Making and Breaking the Formula by Guest Writer
Concerts, Features, Lists, MusicDecember 12, 2025<December 12, 2025 Atwood Magazine’s Best Concerts of 2025! by Atwood Magazine Staff
Debut, Interviews, MusicDecember 12, 2025<December 13, 2025 Interview: Clover County on the ‘Finer Things,’ Romanticising Life, and Rediscovering Her Whimsy by Kelly McCafferty Dorogy
Columns, Interviews, Music, Today's SongDecember 12, 2025<December 12, 2025 “Rev It, Brake It, Love Ya, Mean It”: Savannah Conley Cuts Loose on “Love You Mean It,” a Fun, Feverish Indie Rock Rebirth by Mitch Mosk
Music, PremieresDecember 11, 2025<December 11, 2025 “I Haven’t Heard That Sound Yet”: Copenhagen’s Barbro Premieres “What Men Do,” a Softly Smoldering Indie Folk Reckoning of Unlearning & Quiet Resistance by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackDecember 11, 2025<December 11, 2025 “Dark, Romantic, & Disorienting”: Dead Gowns Channels Desire and Grief into an Indie Folk Storm on Debut Album ‘It’s Summer, I Love You, and I’m Surrounded by Snow’ by Mitch Mosk
Features, Interviews, Music, Track-by-TrackDecember 11, 2025<December 11, 2025 “Fragile, Euphoric, & True”: Nick & June Craft a Cinematic Rebirth on ‘New Year’s Face,’ an Intimate Meditation on Who We Were, Who We Are, and Who We Might Become by Mitch Mosk
Debut, Music, ReviewsDecember 11, 2025<December 11, 2025 Review: Underbrook Burst onto the Scene with Explosive Pop-Punk Debut EP ‘Was Happiness Too Boring for You?’ by Kaiana Lee
Interviews, Music, Today's SongDecember 11, 2025<December 11, 2025 “Sit Back Baby, Let It Go”: néomí Embraces the Art of Release in a Soul-Stirring Mantra of Softness, Surrender, & Self-Love by Mitch Mosk
Features, Interviews, MusicDecember 10, 2025<December 12, 2025 “I’ve Been Trying to Have a Good Life”: Brian Dunne Reckons Through His 30s on ‘Clams Casino,’ a Radiant Rock Record of Dreams, Disillusionment, & the Cost of Wanting More by Mitch Mosk
Features, Interviews, MusicDecember 10, 2025<December 10, 2025 Coming Home: Hannah Jadagu’s ‘Describe’ Is a Sanctuary for Growing Pains by Kayleigh Schweiker
Columns, Interviews, Music, Today's SongDecember 10, 2025<December 10, 2025 “I Wanna Be Closer to Me”: JOSEPH Turn Pain into Power as They Step into a Bold, Raw, & Reflective New Era with ‘Closer to Happy’ by Mitch Mosk
Columns, Editor's Picks, Features, MusicDecember 9, 2025<December 9, 2025 Editor’s Picks 139: Bartees Strange, Spanish Love Songs, Dijon, Deadbeat Girl, Dutch Interior, & mildred! by Mitch Mosk
For the Love of Music
For the Love of Music
