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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Columns, Music, Today's SongJanuary 8, 2020<January 8, 2020

Today’s Song: Love Is Still So Hard for The Millennial Club on “Coffee in the Morning”

Love you later
Columns, Music, Today's SongDecember 17, 2019<December 17, 2019

Today’s Song: On “Said That You’d Be There,” Love You Later Makes the Most of Past Misfortunes

Cellar Door Moon Crow
Music, ReviewsDecember 4, 2019<December 4, 2019

Northern England’s Rock Scene Proudly Repp’ed by Cellar Door Moon Crow

Sara Diamond 2019
Columns, Music, Today's SongNovember 27, 2019<November 22, 2019

Today’s Song: Sara Diamond Is Loved By the NHL, Less So By the “Baby” She Desires

Asher Knight
Interviews, MusicNovember 21, 2019<November 21, 2019

Interview: UK’s Asher Knight Steps Back to Reflect on a Year of Many Firsts

Surf Rock Is Dead © Shamshawan Scott
Features, Interviews, MusicNovember 12, 2019<November 12, 2019

Interview with Surf Rock Is Dead: How to Put “Surfgaze” on the Indie Map

Jesus Is King - Kanye West 7.3
Music, Our Take, ReviewsNovember 8, 2019<December 15, 2020

Our Take: Kanye West Combines Hip-Hop and Gospel Surprisingly Well on ‘Jesus Is King’

Kaleb Mitchell
Interviews, MusicOctober 24, 2019<October 24, 2019

Patience and Internet-Savviness Rewarded: A Conversation with Kaleb Mitchell

Rosie O’Sullivan
Interviews, MusicOctober 4, 2019<October 4, 2019

Singing Soul and Striving for Acceptance: A Conversation with Rosie O’Sullivan

Denis Coleman 2019
Columns, Music, Today's SongSeptember 27, 2019<September 27, 2019

Today’s Song: “Imperfect” Is an Anti-Bullying, Pro-Young Love Hit for Denis Coleman

DJ ST. THOMAS
Interviews, MusicSeptember 20, 2019<September 20, 2019

A Conversation with DJ ST. THOMAS: A Fresh Psychedelic Slice of Electronic with Some Persian Flavoring

The Big Day - Chance the Rapper album art 7.1
Debut, Music, Our Take, ReviewsAugust 19, 2019<December 15, 2020

Our Take: Five Months After ‘The Big Day’, Chance the Rapper Is Still a Joyful, Skillful Young Man

The Lost Tapes II - Nas 7.1
Music, Our Take, ReviewsAugust 6, 2019<December 15, 2020

Our Take: Nas Salvages Solid Compilation from Formerly-Discarded Tracks in ‘The Lost Tapes 2’

Let's Rock - The Black Keys 8.2
Music, Our Take, ReviewsJuly 9, 2019<December 15, 2020

Our Take: “Let’s Rock” Is a Comeback to Admire for Long-Dormant The Black Keys

Delena © 2019
Music, PremieresJune 27, 2019<June 27, 2019

Premiere: No Rearview Mirror Needed as Delena Drives Off on “One Night”

Posts pagination
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Recent Posts

  • “Funhouse Mirror Rock”: Theophobia Restore Possibility to Rock with Their Gleefully Theatrical Self-Titled Debut August 5, 2026
  • “Caught Somewhere Between Numbness and Clarity”: Larlin Capture the Dreamlike Drift of Chronic Dissociation on “Sondheim,” an Intoxicating Alt-Rock Exorcism August 5, 2026
  • “The World Often Feels Loud Enough Already”: Brighton’s Memorial Find Power in Softness on ‘Jera,’ a Breathtakingly Beautiful Alt-Folk Triumph August 5, 2026
  • “I Feel Like There Are Infinite Possibilities in Music”: Ora Cogan Follows the Pull Toward Tenderness on ‘Hard Hearted Woman’ August 4, 2026
  • “Some Bridges Are Meant to Be Burned”: BAILEN Break Free with “SWIM!!!” – Roaring Back Fiercer, Freer, & on Their Own Terms August 4, 2026
  • “Re-Membering My Skin”: Bad Tiger Reawakens the Body on “Spin,” a Kaleidoscopic Rush of Rupture & Renewal August 4, 2026
  • In Memoriam: Glen Hansard, the Dublin Busker Who Made the World Feel Less Alone August 3, 2026
  • “Our Sounds and Energy Just Blend”: Ginger Winn and Lost Leaders Bring Songs & Shared Spirit to Woodstock’s Third Annual Waterfall Sessions July 31, 2026
  • Mad Cool Festival 2026: Ten Years of Music and World Community July 31, 2026
  • Atwood Magazine’s Weekly Roundup: July 31, 2026 July 31, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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