December 20, 2021<August 31, 2022 Today’s Song: MisterWives Triumph with Resilient Independent Single “Stepped on a Bee” and The Best Live Show You’ll See by Kelly McCafferty Dorogy
December 17, 2021<December 17, 2021 Today’s Song: The O’My’s & Alex Banin Capture the Heartache of Letting Go in Soulful “Realistic” by Mitch Mosk
December 16, 2021<December 16, 2021 Today’s Song: The Velveteins Paint Color and Light in Hopeful New Track “Make It Through” by Joe Beer
December 15, 2021<December 15, 2021 Today’s Song: rocco, Takes on the Topic of Race & Our Unnecessary Divisions in “grey theory” by Chloe Robinson
December 14, 2021<December 14, 2021 Artist to Watch: BEL’s “mason jar” Dwells in a Moment of Reckoning & Vulnerability by Mitch Mosk
December 13, 2021<December 13, 2021 Today’s Song: MAUMAUMAU’s Bold Try-New-Things Anthem, “Get Your Feet Wet” by Mitch Mosk
December 11, 2021<December 10, 2021 Today’s Song: Bear’s Den Tap into Love’s Bittersweet Depths in “All That You Are” by Mitch Mosk
December 10, 2021<December 10, 2021 Fort Collins Sister Duo Companion Debut with Warm, Intimate & Ethereal “How Could I Have Known” by Mitch Mosk
December 9, 2021<December 9, 2021 Today’s Song: Alex Lahey’s Searing, Stunning “Spike the Punch” Hits Hard and Leaves a Mark by Mitch Mosk
December 8, 2021<December 8, 2021 Artist to Watch: Emily Blue’s “The Afterlove” Is a Radiant Kiss of Intimate Brooding & Pop Magic by Mitch Mosk
December 6, 2021<December 6, 2021 Today’s Song: Dom Dolla and Mansionair Showcase the Finest of Australian EDM on “Strangers.” by Josh Weiner
December 3, 2021<December 1, 2021 Today’s Song: talker Haunt with Sunshine on “Summerlin” by James Crowley
December 2, 2021<December 2, 2021 DEVORA Refreshes Summer Single “Elvis” with an Acoustic, Steel Guitar-Filled Reboot & Western Visualizer by Beau Hayhoe
December 1, 2021<December 1, 2021 Today’s Song: Taloula’s Tender “Find My Way” Is an Achingly Intimate Eruption by Mitch Mosk
November 30, 2021<November 30, 2021 Today’s Song: Love Hits Like a Wrecking Ball in Francis Karel’s “I Don’t Like How Much I Like You” by Mitch Mosk