May 25, 2021<May 25, 2021 “Aggressive. Vulnerable. Honest.”: Racquel Jones Rises with a Fire in Unapologetic Debut ‘IgnoRANT’ by Mitch Mosk
May 25, 2021<August 30, 2021 “Dreamy, Joyful, Synthy”: Chicago’s Course Rise with Fresh, Spirited Debut Album ‘A Late Hour’ by Mitch Mosk
May 24, 2021<May 24, 2021 Eclectic, Messy, & Original: La Femme Go Track-by-Track Through Third LP ‘Paradigmes’ by Mitch Mosk
May 24, 2021<May 24, 2021 “Feelings, feelings, feelings!”: ViVii’s Sophomore LP ‘Mondays’ Soars with Dazzling Dream Pop by Mitch Mosk
May 21, 2021<May 21, 2021 “Emotional, Real, & Raw”: Tyne-James Organ Dives into Debut Album ‘Necessary Evil’ by Mitch Mosk
May 21, 2021<May 21, 2021 Track-by-Track: Dance Your Problems Away with Livingmore’s Sophomore LP ‘Take Me’ by Mitch Mosk
May 20, 2021<May 20, 2021 Litany Tackles Love & Depression in Breathtakingly Bittersweet Song “Cream” by Mitch Mosk
May 20, 2021<May 20, 2021 Artist to Watch: Samm Henshaw Radiates with Rich Sounds in “Still Broke” ft. Keyon Harrold by Mitch Mosk
May 20, 2021<May 20, 2021 “Fun, Vulnerable, & Left-of-Center”: MAUMAUMAU Dives into Soaring Debut EP ‘Meow Meow Meow’ by Mitch Mosk
May 19, 2021<December 30, 2021 Holly Humberstone’s Radiant “The Walls Are Way Too Thin” Reckons with Turmoil & Disarray by Mitch Mosk
May 18, 2021<May 18, 2021 Review: LA’s Laica Soars with Radiantly Seductive Songs “Childish” & “Sanctuary” by Mitch Mosk
May 18, 2021<May 18, 2021 “No. Bull. Sh*t.”: Maya B Goes Track-by-Track Through Her Multidimensional Debut EP, ‘B[1]’ by Mitch Mosk
9.3 May 18, 2021<May 18, 2021 Singer/Songwriter Jake Manzi Spellbinds on Classic Debut Album ‘Whatever My Heart Allows’ by Mitch Mosk
May 17, 2021<May 17, 2021 Charity Children’s Beautifully Bittersweet “We Loved” Celebrates Love Come & Gone by Mitch Mosk
For the Love of Music
For the Love of Music
![B[1] - Maya B](https://cdn-0.atwoodmagazine.com/wp-content/uploads/2021/05/B1-370x247.jpg)
