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Primo the Alien © NaStacia Ellis
Features, Interviews, Music, Track-by-TrackOctober 2, 2023<October 2, 2023

Feature: Primo the Alien Traverses a New Sonic Landscape in ‘We All Hate Ourselves Sometimes’

by Marissa DeLeon
Animal Collective © Hisham Akira Bharoocha 7.9
Music, Our Take, ReviewsOctober 2, 2023<October 2, 2023

Our Take: Animal Collective’s ‘Isn’t It Now?’ Is Sonically Divine While Remaining Thematically Human

by Sofia Sar
blink-182 © Rory Kramer
Columns, Music, Today's SongOctober 2, 2023<October 2, 2023

Today’s Song: blink-182 Get Candid With “ONE MORE TIME,” a Ballad of Brotherhood & Reunion

by Laurent Chavannes
Molly Burch © Tonje Thilesen
Features, Interviews, MusicSeptember 29, 2023<September 29, 2023

Interview: Peering into the Past with Molly Burch on ‘Daydreamer’

by Marissa DeLeon
Doris Club © Jasmine Rutledge
Essays, Interviews, Music, ReviewsSeptember 29, 2023<September 29, 2023

Doris Club Channels Her “Intuitive, Irrational, Melancholic” Self Within Stunning Ode to Her Mother, ‘There’s Still Time (Side A)’

by Sophie Severs
Genesis Owusu © Bec Parsons
Features, Interviews, MusicSeptember 28, 2023<September 28, 2023

Interview: Genesis Owusu Seeks New Meaning from an Unjust World on ‘STRUGGLER’

by Leo Culp
Dark Horse - Maria Wilman
Music, Reviews, Track-by-TrackSeptember 28, 2023<September 26, 2023

Track-by-Track: Maria Wilman Goes on a Journey to Explore the Unknown in ‘Dark Horse’

by Joe Beer
Nothing But Thieves © Beatriz Oliveira
Features, Interviews, MusicSeptember 27, 2023<September 27, 2023

Interview: Nothing But Thieves’ Upward Trajectory Is Without Limits

by Michael Greco
Greta Van Fleet © Neil Krug 7.6
Music, Our Take, ReviewsSeptember 27, 2023<September 25, 2023

Our Take: Greta Van Fleet’s ‘Starcatcher’ Embarks Upon the Hero’s Journey

by Audrey Connelly
Levitation Room © Ivan Trejo
Columns, Interviews, Music, Today's SongSeptember 27, 2023<September 27, 2023

Interview: Levitation Room Tackle Climate Change With Fresh Single “Cool It, Baby”

by Miles Campbell
Wild Nothing's Jack Tatum © Ethan Hickerson
Columns, Music, Today's SongSeptember 26, 2023<September 26, 2023

Today’s Song: Wild Nothing Return With Vibrant, ‘80s-Esque Earworm “Suburban Solutions”

by Beau Hayhoe
Reneé Rapp's debut album 'Snow Angel,' released in August 2023 via Interscope Records
Concerts, Music, ReviewsSeptember 26, 2023<September 26, 2023

Live Review: Reneé Rapp Proves the Hype Is Right on ‘Snow Hard Feelings’ Tour, Night 1

by Kelly McCafferty Dorogy
Faye Webster © Michelle Mercado
Columns, Music, Today's SongSeptember 25, 2023<September 25, 2023

Today’s Song: Faye Webster Matures With Romantic New Single “Lifetime”

by Julia Dzurillay
nobody likes you pat © Sawyer Brice
Features, Interviews, Music, Track-by-TrackSeptember 25, 2023<September 25, 2023

“Bittersweet, but Beautiful”: nobody likes you pat Sings Six Letters to Loved Ones in ‘dear…’ EP

by Mitch Mosk
Soda Blonde © Patricio Cassinoni
Features, Interviews, Music, Track-by-TrackSeptember 25, 2023<October 23, 2024

Feature: Soda Blonde ‘Dream Big’ and Win Big on Ambitious, Empowered, & Liberating Sophomore Album

by Mitch Mosk
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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