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The Natural Lines © Jesse Dufault
Debut, Features, Interviews, Music, Track-by-TrackMarch 24, 2023<April 30, 2023

“Harmonically Charged Tragicomedy”: Matt Pond Finds His Voice (Again) on The Natural Lines’ Soaring & Spirited Debut

by Mitch Mosk
Atwood Magazine's Weekly Roundup | March 24, 2023
Columns, Features, Music, Weekly RoundupMarch 24, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: March 24, 2023

by Atwood Magazine Staff
Phoneboy © Walter Orellana
Features, Interviews, MusicMarch 24, 2023<April 30, 2023

Interview: NJ’s Phoneboy Are Moving Up & ‘Moving Out’ with Their Sophomore Album

by Minna Abdel-Gawad
Claire Guerreso
Essays, Music, Women's History MonthMarch 24, 2023<April 30, 2023

“The Elephant in the Room”: An Essay by Claire Guerreso for Women’s History Month

by Guest Writer
Yarin Glam © 2023
Columns, Music, Today's SongMarch 24, 2023<April 30, 2023

Today’s Song: Pop Artist Yarin Glam Battles Mental & Emotional Demons in “Side Effects”

by Julius Robinson
Shayla McDaniel © 2023
Columns, Music, Today's SongMarch 23, 2023<April 30, 2023

Today’s Song: Shayla McDaniel’s Invigorating “Awake” Is a Spirited & Rousing Ode to Sleep

by Mitch Mosk
Atwood Magazine's Editor's Picks 93
Columns, Editor's Picks, Features, MusicMarch 23, 2023<March 29, 2023

Editor’s Picks 93: Cafuné, Kay Young, Eliott, tinyumbrellas, Siena Streiber, & Aáyanna!

by Mitch Mosk
Brina Kabler © 2023
Essays, Music, Women's History MonthMarch 23, 2023<April 30, 2023

“Women in Music”: An Essay by Brina Kabler for Women’s History Month

by Guest Writer
Phil Lesh Celebrates His 83rd birthday at The Capitol Theatre, 3.15.23 © Chad Anderson
Concerts, MusicMarch 23, 2023<May 11, 2023

Phil Lesh Celebrates 83rd Birthday & 100th Show at Capitol Theatre During Four-Night Run

by Max Kalnitz
Transviolet © Taylor Lewis
Music, PremieresMarch 22, 2023<April 30, 2023

Premiere: Transviolet Bask in the Light of Life on Euphoric “How Lucky” Off Third LP, ‘BODY’

by Mitch Mosk
Nicole Moudaber © 2023
Essays, Music, Women's History MonthMarch 22, 2023<April 30, 2023

“I’ve Dedicated My Life to Fighting the Patriarchy”: An Essay by Nicole Moudaber for Women’s History Month

by Guest Writer
Tarune © Bellamy Brewster
Music, PremieresMarch 22, 2023<April 30, 2023

Premiere: “baby, get your ticket” Is Tarune’s Tender, Soul-Stirring Mantra of Love & Longing

by Mitch Mosk
U2 © Kurt Iswarienko
Music, ReviewsMarch 22, 2023<April 30, 2023

Surrender to the Music and the Call of U2

by Brianna Corrine
Woz © Cecilia Luque
Music, PremieresMarch 22, 2023<April 30, 2023

Premiere: Woz’s “How I’m Gonna Go” Is a Hauntingly Intimate, Achingly Raw Reckoning in the Dark

by Mitch Mosk
The Japanese House © Max Barnett
Columns, Music, Today's SongMarch 22, 2023<January 30, 2024

Today’s Song: The Japanese House Rewrites History with New Single “Boyhood”

by Nasim Elyasi
Posts pagination
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Brand New

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

:: discover something new ::

Recent Posts

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
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