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Jack, Mikey, LØREN, June & Leeoh (left to right) on Austin's iconic 6th Street after closing out their first ever American shows © Freya Rinaldi, March 2023
Concerts, Music, ReviewsMarch 21, 2023<April 30, 2023

Live Review: LØREN Makes a Mark with First Stateside Performances at SXSW 2023!

by Freya Rinaldi
Black Honey's Izzy Bee Phillips © Lauren Maccabee
Features, Interviews, MusicMarch 21, 2023<April 30, 2023

Interview: Black Honey’s Izzy Bee Phillips Talks Mental Health, Vulnerability, & New Album ‘A Fistful of Peaches’

by Mitch Mosk
Freshcakes - Banji
Debut, Features, Interviews, Music, Track-by-TrackMarch 21, 2023<April 30, 2023

Fun, Feverish, & Freeing: Banji Take a Bite out of Life on Zesty Debut Album ‘Freshcakes’

by Mitch Mosk
girlhouse © Shervin Lainez
Columns, Music, Today's SongMarch 21, 2023<April 30, 2023

Today’s Song: girlhouse’s Lauren Luiz Shares an Intimate Look into Relationships and Proves She’s “worth it”

by Brianna Corrine
Joesef © Nathan Dunphy
Debut, Features, Interviews, Music, Track-by-TrackMarch 20, 2023<April 30, 2023

“If you can take the fall, how high do you wanna be?”: Joesef’s Stunning, Soul-Soaked Debut Album ‘Permanent Damage’

by Mitch Mosk
Meadowlark © 2023
Music, Music Videos, PremieresMarch 20, 2023<April 30, 2023

Premiere: Meadowlark’s “What’s It Like to Love Me” Is an Intimate, Vulnerable Song for the Anxiously Attached

by Mitch Mosk
Nina Mučibabić (aka DJ Pink Palindrome) © Tajana Dedić-Starović
Interviews, MusicMarch 20, 2023<April 30, 2023

Interview: DJ Pink Palindrome Amidst the Sarajevo Music Scene

by David Buyze
Ollella © Kendall Rock
Essays, Music, Women's History MonthMarch 20, 2023<April 30, 2023

“I’m not going to sleep with you”: An Essay by Ollella for Women’s History Month

by Guest Writer
Hippo Campus © Shervin Lainez
Columns, Music, Today's SongMarch 20, 2023<April 30, 2023

Sweet & Twangy, “Kick in the Teeth” Marks a New, Simpler Era of Music for Hippo Campus

by Claire Meyer
Atwood Magazine's Weekly Roundup | March 17, 2023
Columns, Features, Music, Weekly RoundupMarch 17, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: March 17, 2023

by Atwood Magazine Staff
Natalia Damini & Tito Jackson © 2023
Columns, Interviews, Music, Today's SongMarch 17, 2023<April 30, 2023

Natalia Damini Displays Her “Attitude” with Music Legend Tito Jackson (The Jackson 5)

by Julius Robinson
Cracker Island - Gorillaz 8.6
Music, Our Take, ReviewsMarch 17, 2023<April 30, 2023

Our Take: On ‘Cracker Island,’ Gorillaz’ Chest-Thumping Causes Major Waves 

by Josh Weiner
Atwood Magazine's Editor's Picks 92
Columns, Editor's Picks, Features, MusicMarch 17, 2023<March 17, 2023

Editor’s Picks 92: Gordi, Under the Rug, Tash Sultana, Karson., Stolen Jars, & girlhouse!

by Mitch Mosk
Hannah Jadagu © Axel Kabundji
Debut, Interviews, MusicMarch 16, 2023<April 30, 2023

“I want kids who grew up like me to see that you can make music”: An Interview with Hannah Jadagu

by Mitch Mosk
Jake Huffman © 2023
Interviews, MusicMarch 16, 2023<April 30, 2023

Interview: Singing Drummer Jake Huffman Speaks on New Single “Martyr” & Upcoming EP ‘Younger’

by Joe Beer
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Brand New

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

:: discover something new ::

Recent Posts

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
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