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Death of a Cloud - Mereki
Essays, Music, Women's History MonthMarch 16, 2023<April 30, 2023

“On Never Allowing ‘Tall Poppy Syndrome’ to Hold a Woman Back”: An Essay by Mereki for Women’s History Month

by Guest Writer
Pam Risourié © Cédric Tessonneau
Debut, Features, Interviews, Music, Track-by-TrackMarch 16, 2023<April 30, 2023

‘days of distortion’: Parisian Band Pam Risourié Premiere Their Immersive, Hypersensitive, & Ambient Debut Album

by Mitch Mosk
'Inner Child Work Pt. 2' EP art - Alicia Blue
Features, Interviews, Music, Track-by-TrackMarch 16, 2023<April 30, 2023

Feature: Alicia Blue Delves into the Soul-Stirring Depths of Her Beautifully Cathartic ‘Inner Child Work’

by Mitch Mosk
JOSEPH © Shervin Lainez
Music, Reviews, This Just InMarch 16, 2023<April 30, 2023

“Feeling good doesn’t feel bad anymore”: JOSEPH Shine Like “The Sun” in Radiant & Empowering New Single

by Mitch Mosk
KTJ & CARLY © Joseph Lee
Columns, Music, Today's SongMarch 16, 2023<April 30, 2023

KTJ & CARLY Remind Us to Stop Stressing Over “Shitty People” in Lush, Haunting New Single

by Chloe Robinson
Bertie Newman © Anna Lowry
Columns, Music, Today's SongMarch 15, 2023<April 30, 2023

London’s Bertie Newman Spills His Worried Mind in “Wasted on Me,” an Achingly Intimate Indie Folk Confessional

by Mitch Mosk
Tonia © 2023
Debut, Features, Interviews, Music, Track-by-TrackMarch 15, 2023<April 30, 2023

“Dreamy, Cathartic, & Truthful”: Liverpool’s Tonia Stuns & Stirs on Soul-Soaked Debut EP ‘Afloat’

by Mitch Mosk
Bedroom © Alex Berger
Music, PremieresMarch 15, 2023<April 30, 2023

Premiere: Bedroom Finds a Beautiful Home in “Better Friends,” His Brutally Honest & Achingly Raw New Single

by Mitch Mosk
A Different Kitchen © Felix Jordan
Debut, Music, PremieresMarch 15, 2023<April 30, 2023

Premiere: A Different Kitchen Serve Up Alternative Catharsis on Seismic Debut Single “I’m Fine I’m Fine”

by Mitch Mosk
Two Trains Left © Alexis Fontaine
Music, Music Videos, PremieresMarch 15, 2023<April 30, 2023

Premiere: Two Trains Left Ruminate on the Pursuit of Peace and Quietude in “Lack of Sleep”

by Isabella Le
Tunes & Tumblers x Quarters of Change 2023
Music, Podcast, Tunes & TumblersMarch 14, 2023<April 30, 2023

Podcast: Tunes & Tumblers Features Quarters of Change and a Tortured Heart

by Atwood Magazine Staff
Scott Matthews © Adam Bulley
Music, PremieresMarch 14, 2023<April 30, 2023

Premiere: The Fragile, Breathtaking Raw Beauty of Scott Matthews’ “My Selfless Moon” (Acoustic)

by Mitch Mosk
SUPERGLUE - Ella Vos
Features, Interviews, MusicMarch 14, 2023<April 30, 2023

Interview: Ella Vos Shines with Feminine Reclamation in Third Album, ‘SUPERGLUE’

by Rachel Leong
Beach Fossils © Sinna Nasseri
Columns, Music, Today's SongMarch 14, 2023<April 30, 2023

Today’s Song: Beach Fossils Return From Hiatus with Surf Rock Track, “Don’t Fade Away”

by Minna Abdel-Gawad
Royel Otis © Alex Wall
Columns, Music, Today's SongMarch 13, 2023<April 30, 2023

Today’s Song: “Sofa Kings” Is Royel Otis’ Gorgeous, Euphoric & Sunny Ode to Couch Royalty

by Mitch Mosk
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Brand New

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

:: discover something new ::

Recent Posts

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
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© Atwood Magazine 2024 For the Love of Music
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