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MisterWives © Matty Vogel
Columns, Music, Today's SongMarch 30, 2023<April 30, 2023

Today’s Song: MisterWives Enter a New Era with Punk Rock Rager, “Out of Your Mind”

by Kelly McCafferty Dorogy
B-Drop
Features, Music, PremieresMarch 29, 2023<April 30, 2023

Premiere: B-Drop Worldwide Showcases Coline Creuzot & Lucius Arthur

by Mitch Mosk
Atwood Magazine's Editor's Picks 94
Columns, Editor's Picks, Features, MusicMarch 29, 2023<March 29, 2023

Editor’s Picks 94: Hana Eid, Raia Was, Kate Davis, Robyn Froese, Jealous of the Birds, & Why Bonnie!

by Mitch Mosk
Tunes & Tumblers x mazie 2023
Music, Podcast, Tunes & TumblersMarch 29, 2023<April 30, 2023

Podcast: Tunes & Tumblers Features Mazie and a Kaleidoscopic Journey

by Atwood Magazine Staff
Gracie Abrams live © Joey Brodnax
Concerts, Music, ReviewsMarch 29, 2023<April 30, 2023

Lightning in a Bottle: Gracie Abrams, Live from Austin

by Kelly McCafferty Dorogy
Noah Kahan © Patrick McCormack
Features, Interviews, MusicMarch 29, 2023<March 2, 2025

Interview: Noah Kahan on Third LP ‘Stick Season’, Embracing His Roots, & Finding Happiness in Being Himself

by Mitch Mosk
Wednesday © Zachary Chick
Columns, Music, Today's SongMarch 29, 2023<April 30, 2023

Wednesday’s “TV in the Gas Pump” Paints an Honest, Irreverent Picture of Life on the Road

by Kylie Gurewitz
ISHAN © Marcello Anthony
Columns, Music, Today's SongMarch 28, 2023<April 30, 2023

Today’s Song: Melbourne Singer/Songwriter ISHAN Sings His “Apologies” with an Intimate, Buoyant Bounce

by Mitch Mosk
DAMOYEE "phobia" © courtesy of the artist
Music, Music Videos, PremieresMarch 28, 2023<April 30, 2023

Premiere: DAMOYEE Faces Fear & Love in “Phobia,” Her Beautifully Vulnerable, Achingly Raw Ethereal Folk Song

by Mitch Mosk
Becca Bowen © Artisan Imagery
Essays, Music, Women's History MonthMarch 28, 2023<April 30, 2023

“The Importance of Empowering Young Women & Girls”: An Essay by Becca Bowen for Women’s History Month

by Guest Writer
Au Gres © Bryan Hugo Iglesias
Music, PremieresMarch 28, 2023<April 30, 2023

Premiere: Au Gres Explores the Struggle Between Personal & Material Identity in “Leaving”

by Isabella Le
Mary Anne's Polar Rig © Ebba Ågren
Features, Interviews, Music, Track-by-TrackMarch 27, 2023<April 30, 2023

“A Beautiful Mess”: Mary Anne’s Polar Rig Dive into the Unapologetic Fever Dream of ‘Makes You Wonder’

by Mitch Mosk
Darren Jessee © Dustin Condren
Features, Interviews, Music, Track-by-TrackMarch 27, 2023<April 30, 2023

“Connection with Everything”: Darren Jessee Shines on ‘Central Bridge’, His Lyrical, Tuneful, & Captivating Third LP

by Mitch Mosk
Tow’rs © 2023
Features, Interviews, Music, Track-by-TrackMarch 27, 2023<April 30, 2023

“There isn’t a world you aren’t creating”: Tow’rs Explore Life Through an Intimate Lens on ‘Joy Alchemy’

by Mitch Mosk
LØLØ © 2023
Columns, Music, Today's SongMarch 27, 2023<April 30, 2023

Today’s Song: LØLØ’s “5,6,7,8” (ft. girlfriends) Fills the Gaps of Nostalgia and Desire

by Rachel Leong
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Brand New

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

:: discover something new ::

Recent Posts

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
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© Atwood Magazine 2024 For the Love of Music
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