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King Krule © Frank Lebon
Columns, Today's SongApril 24, 2023<April 30, 2023

King Krule’s “Seaforth” Is an Emotionally Intimate Exploration of the ‘Space Between’

by Miles Campbell
Lilly Eason © Maria Mattingly
Columns, Meet Our WritersApril 22, 2023<April 30, 2023

Meet Our Writers: Nashville’s Lilly Eason!

by Lilly Eason
Atwood Magazine's Editor's Picks 96
Columns, Editor's Picks, Features, MusicApril 21, 2023<April 22, 2023

Editor’s Picks 96: Babygirl, sunbleached, Hollyy, Isaac Stuart, dani mack, & Augustine!

by Mitch Mosk
Rodrigo y Gabriela © Ebru Yildiz
Interviews, Music, ReviewsApril 21, 2023<April 30, 2023

“But At Least We Had Music”: A Conversation with Rodrigo y Gabriela

by Adrian Vargas
Atwood Magazine's Weekly Roundup | April 21, 2023
Columns, Features, Music, Weekly RoundupApril 21, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: April 21, 2023

by Atwood Magazine Staff
Similar Kind © Sam Lockyer
Columns, Music, Today's SongApril 21, 2023<April 30, 2023

Today’s Song: “Face to Face” Is Similar Kind’s Emotionally-Charged Indie Rock Fever Dream

by Mitch Mosk
A Plan To Get Home - SOMOH
Debut, Features, Interviews, Music, Track-by-TrackApril 20, 2023<April 30, 2023

Delicate, Emotional, Punchy: London’s SOMOH Dives into ‘A Plan to Get Home,’ Her Unapologetically Vulnerable Debut EP

by Mitch Mosk
Voice Notes - Yazmin Lacey
Debut, Features, Interviews, Music, Track-by-TrackApril 20, 2023<April 30, 2023

Feature: Yazmin Lacey Delves Deep in ‘Voice Notes,’ Her Beautifully Raw & Diaristic Debut

by Mitch Mosk
Beach Weather © Olivia Smith
Features, Interviews, MusicApril 20, 2023<April 30, 2023

Pineapple Sunrise: Beach Weather’s Catchy, Breezy & Alternative Debut Album Explores Personal Growth

by Lauren Turner
Kim Petras © Byron Spencer, illustration Lucas David
Columns, Music, Music You Should KnowApril 20, 2023<April 30, 2023

Music You Should Know: Turn On (and Turn Up) ‘Turn Off the Light’ by Kim Petras

by Julia Dzurillay
MORGXN © Shervin Lainez
Columns, Music, Today's SongApril 20, 2023<April 30, 2023

Today’s Song: MORGXN Finds Hope in the Darkness on Triumphant Anthem “Beacon”

by Mitch Mosk
You Only Get A Few - Upstate
Features, Interviews, Music, Track-by-TrackApril 19, 2023<April 30, 2023

‘You Only Get a Few’: The Raw Humanity of Upstate’s Beautiful Third Album

by Mitch Mosk
Bekah Bossard © Sequoia Ziff
Artist to Watch, Columns, Debut, Music, Today's SongApril 19, 2023<October 20, 2023

Artist to Watch: “Four Walls” Is Bekah Bossard’s Intimate & Achingly Raw Ode to Their Own Anxiety & Depression

by Mitch Mosk
joan © Jacob Ruth
Debut, Music, ReviewsApril 19, 2023<April 30, 2023

Pop/Rock Duo joan Repair Shattered Emotions with Debut Album ‘superglue’

by Julius Robinson
PJ Frantz © Samuel Fisher
Artist to Watch, Features, Interviews, MusicApril 19, 2023<April 30, 2023

Interview: Artist-to-Watch PJ Frantz Brings Comfort & Candor to a Generation of Kids Trying to Find Happiness

by Nick Polak
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Brand New

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP

:: discover something new ::

Recent Posts

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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