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Dizzy © Boy Wonder
Columns, Music, Today's SongNovember 11, 2022<May 18, 2023

Today’s Song: The Raw Vulnerability of Dizzy’s “Barking Dog”

by Frankie Rose
Suki Waterhouse © Émilie Richard-Froozan
Features, Interviews, MusicNovember 10, 2022<November 10, 2022

Coolest Girl in the World: Suki Waterhouse Talks Nostalgia, Tour, and Her ‘Milk Teeth’ EP

by Nic Nichols
Inhaler © Lewis Evans
Columns, Music, Today's SongNovember 10, 2022<November 3, 2022

Today’s Song: “Love Will Get You There” in Inhaler’s Latest Track

by Isabella Le
Jagwar Twin © Josh Hubberman
Features, Interviews, MusicNovember 9, 2022<November 5, 2022

Interview: LA’s Own Jagwar Twin Breaks New Ground on Sophomore Album ‘33’

by Michael Greco
Atwood Magazine's Editor's Picks 79
Columns, Editor's Picks, Features, MusicNovember 9, 2022<March 11, 2023

Editor’s Picks 79: Overcoats, The Coronas, First Aid Kit, Liv.e, props, & Rocky Votolato!

by Mitch Mosk
Greyson Chance 'Palladium' © Broderick Baumann
Features, Interviews, MusicNovember 9, 2022<May 16, 2023

Interview: Greyson Chance Shows All His Layers on ‘Palladium,’ a Record of Growth, Pride, & Realization

by Lauren Hicks
Jaws of Love. © Joey Wasilewski
Columns, Music, Today's SongNovember 8, 2022<November 1, 2022

Today’s Song: Local Natives’ Kelcey Ayer Returns as Jaws of Love with Heartbreakingly Beautiful “Rainbow Baby”

by Beau Hayhoe
Emei © Ryan Clemens
Debut, Features, Interviews, MusicNovember 8, 2022<November 2, 2022

Interview: Emei Releases Debut EP, ‘End of an Era’ — But This Is Just the Beginning

by Sophie Severs
Goo Goo Dolls © Claire Marie Vogel
Features, Interviews, MusicNovember 7, 2022<March 11, 2023

“Just Keep At It, Man”: Goo Goo Dolls’ Robby Takac on Donuts, New York, & New Album ‘Chaos in Bloom’

by Madeleine Eggen
Waste My Time - Linebeck
Columns, Music, Today's SongNovember 7, 2022<October 30, 2022

Today’s Song: Linebeck’s Catchy “Waste My Time” Is a Cinematic & Hazy Dream Pop Tempest

by Mitch Mosk
B-Drop
Features, Music, PremieresNovember 4, 2022<November 4, 2022

Premiere: B-Drop Worldwide Showcases KTJ & Carly and Stephanie Hatzinikolis

by Mitch Mosk
Teeyago © Jared Robinson
Interviews, Music, PremieresNovember 4, 2022<March 21, 2023

Premiere: Teeyago’s Unfiltered Visuals for His ‘D.R.U.G.S’ EP Construct a Crazy High

by Chloe Robinson
blink-182 © Jack Bridgland
Columns, Music, Today's SongNovember 4, 2022<November 3, 2022

Today’s Song: blink-182’s “EDGING” Kickstarts a New Era with High Spirits

by Isabella Le
Bleach Lab © Rory Dunn
Features, Interviews, Music, Track-by-TrackNovember 4, 2022<March 11, 2023

If You Only Feel It Once: London’s Bleach Lab Seduce the Heart with Hauntingly Beautiful, Nostalgic, & Brutally Raw Third EP

by Mitch Mosk
Atwood Magazine's Weekly Roundup | November 4, 2022
Columns, Features, Music, Weekly RoundupNovember 4, 2022<November 3, 2022

Atwood Magazine’s Weekly Roundup: November 4, 2022

by Atwood Magazine Staff
Posts pagination
1 … 205 206 207 208 209 … 712

Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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