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Atwood Magazine Celebrates International Women's Day 2023!
Features, Music, Playlists, Women's History MonthMarch 8, 2023<March 8, 2023

Celebrating Women in Music for International Women’s Day 2023!

by Atwood Magazine Staff
"Nothing But Mine" - Billie Marten © Katie Silvester
Columns, Music, Today's SongMarch 8, 2023<April 30, 2023

Today’s Song: Billie Marten’s “Nothing But Mine” Is Wistful, Nostalgic, And Somehow, Hopeful

by Kylie Gurewitz
Handsome Ghost © Seb Keefe
Features, Interviews, Music, Track-by-TrackMarch 7, 2023<April 30, 2023

Track-by-Track: Handsome Ghost Find the Beauty in the Cracks on ‘To the Place Where We Met Last,’ a Hauntingly Human EP

by Mitch Mosk
The National Parks © Noah Tidmore
Features, Interviews, Music, Track-by-TrackMarch 7, 2023<April 30, 2023

A Soundtrack to Adventure: The National Parks’ ‘8th Wonder’ Is a Cinematic Road Trip Through Life, Love, & Nature

by Mitch Mosk
Tove Lo "Borderline" © 2023
Columns, Music, Today's SongMarch 7, 2023<April 30, 2023

Today’s Song: Tove Lo Sings About an Extreme Love in New Single “Borderline”

by Dimitra Gurduiala
Dr. Ushūu © 2023
Interviews, MusicMarch 6, 2023<April 30, 2023

Interview: Dr. Ushūu’s EDM Universe Knows No Bounds

by Josh Weiner
Lauren Lakis "Take My Hand" © 2023
Columns, Music, Today's SongMarch 6, 2023<April 30, 2023

Today’s Song: Lauren Lakis Reaches Out Through the Darkness with Lush Single, “Take My Hand”

by Beau Hayhoe
Lotus Glow - Adi Oasis
Debut, Features, Interviews, Music, Track-by-TrackMarch 3, 2023<August 16, 2024

“Being fearless pays off”: Adi Oasis Blooms on Empowering, Soul-Soaked & Seductive Debut Album ‘Lotus Glow’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | March 3, 2023
Columns, Features, Music, Weekly RoundupMarch 3, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: March 3, 2023

by Atwood Magazine Staff
Ruel '4th Wall' © Michelle Grace Hunder
Debut, Features, Interviews, Music, Track-by-TrackMarch 3, 2023<April 30, 2023

Interview: Ruel Breaks the ‘4TH WALL’ with His Cinematic Debut Album

by Mitch Mosk
Ging © Aska Matsumiya
Columns, Music, Today's SongMarch 2, 2023<April 30, 2023

Ging Aches, Cries, & Dwells in the Depths of “Grief,” a Painful Song of Love, Loss, and Letting Go

by Mitch Mosk
Derealised - Jadu Heart
Features, Interviews, Music, Track-by-TrackMarch 2, 2023<April 30, 2023

Chaos, Fuzz, & Magic: Jadu Heart’s Third LP ‘Derealised’ Is a Cathartic Dream Pop Journey From “Hopelessness to Hopefulness”

by Mitch Mosk
The Cure © Jan-Erik Eriksen 2022
Columns, Features, MusicMarch 2, 2023<April 30, 2023

Living The Cure, Pt. 4

by David Buyze
This Is Why - Paramore album art
Features, Music, Reviews, RoundtableMarch 2, 2023<June 29, 2024

Roundtable Discussion: A Review of Paramore’s ‘This Is Why’

by Atwood Magazine Staff
Abington Grove - Billy Lockett
Debut, Features, Interviews, MusicMarch 2, 2023<April 30, 2023

Interview: Billy Lockett’s Debut Album ‘Abington Grove’ Is a Liberating Release Letting Go of Past Mistakes & Worry

by Chloe Robinson
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Brand New

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

:: discover something new ::

Recent Posts

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
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© Atwood Magazine 2024 For the Love of Music
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