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Bad Bunny at Coachella 2023 © Courtesy of Coachella
Concerts, Music, ReviewsApril 19, 2023<April 30, 2023

Bad Bunny Returns to His Gulf Gas Station Roots at Coachella ’23

by Julia Dzurillay
NEWSKI © Kelly Bolter
Features, Interviews, Music, Track-by-TrackApril 18, 2023<April 30, 2023

Fun Times with Friends: NEWSKI’s Spirited ‘Friend Rock’ Embraces Music’s Human Element

by Mitch Mosk
Chappaqua Wrestling © Henry Dean
Debut, Features, Interviews, MusicApril 18, 2023<April 30, 2023

“We love ‘90s dreamy rock”: Chappaqua Wrestling Talk Through the Release of Their Debut Album ‘Plus Ultra’

by Guest Writer
BAYEM © Anna Powell Denton
Columns, Music, Today's SongApril 18, 2023<April 30, 2023

Today’s Song: Basking in BAYEM’s Upbeat and Enamored “Starstruck”

by Mitch Mosk
Brian Dunne © Alana Urcia
Features, Interviews, MusicApril 18, 2023<May 17, 2023

“A Celebration of Failure”: Brian Dunne Shines on New Album ‘Loser on the Ropes’

by Mitch Mosk
MUNA "One That Got Away" © Sam Muller
Columns, Music, This Just In, Today's SongApril 17, 2023<April 30, 2023

Today’s Song: MUNA Return with a Vengeance in Irresistible Single “One That Got Away”

by Freya Rinaldi
Abraham Alexander © Molly Dickson
Features, Interviews, MusicApril 17, 2023<April 30, 2023

“It’s more important to be open than it is to be ready”: Abraham Alexander on His Reflective & Powerful Debut Album ‘SEA/SONS’

by Rachel Leong
Atwood Magazine's Weekly Roundup | April 14, 2023
Columns, Features, Music, Weekly RoundupApril 14, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: April 14, 2023

by Atwood Magazine Staff
Bodywash © Kristina Pedersen
Features, Interviews, Music, Track-by-TrackApril 14, 2023<April 30, 2023

Decay, Renewal, & Release: Inside Bodywash’s Dark, Cathartic Fever Dream ‘I Held the Shape While I Could’

by Mitch Mosk
Fruit Bats © Chantal Anderson
Features, Interviews, MusicApril 14, 2023<April 30, 2023

Fruit Bats’ ‘A River Running to Your Heart’: A Journey of Geographical Emotion

by Miles Campbell
Eloise © Charlotte Patmore
Features, Interviews, MusicApril 14, 2023<April 30, 2023

“I feel bang on path”: Eloise Beams at the Heights She’s Reached on Debut Album, ‘Drunk on a Flight’

by Brianna Corrine
High & Low - Caitlyn Smith
Music, ReviewsApril 14, 2023<April 30, 2023

‘High & Low’ and Everything In-Between: Caitlyn Smith Journeys Through Darkness & Light on Self-Produced Third Album

by Emily Frances Algar
Atwood Magazine's Editor's Picks 95
Columns, Editor's Picks, Features, MusicApril 13, 2023<April 13, 2023

Editor’s Picks 95: boygenius, BAILEN, The Beths, spill tab, Nuovo Testamento, & Chessa Rich!

by Mitch Mosk
Andrew McMahon in the Wilderness © Lindsey Byrnes
Features, Interviews, MusicApril 13, 2023<April 30, 2023

Interview: Andrew McMahon Sets the Bar for Musical Storytelling with ‘Tilt At The Wind No More’

by Michael Greco
Alexz Johnson 'Seasons' © Jen Squires
Features, Interviews, MusicApril 13, 2023<April 30, 2023

Interview: Alexz Johnson Embraces the ‘Seasons’ of Life on Her Hopeful & Healing 5th Album

by Mitch Mosk
Posts pagination
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Brand New

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP

:: discover something new ::

Recent Posts

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
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