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KIANJA © 2023
Artist to Watch, Music, PremieresMarch 1, 2023<April 30, 2023

Artist to Watch: London’s KIANJA Spills Her Heart & Soul in “Ever Since You Went Away,” an Instant Classic

by Mitch Mosk
Brotherkenzie © Brit O’Brien
Columns, Music, Today's SongMarch 1, 2023<April 30, 2023

Today’s Song: Brotherkenzie’s Hopeful “SPRING PEELS” Is an Ode to the Relief That Comes from Breaking Off Toxic Relationships

by Claire Meyer
Bec Stevens © Ian Laidlaw
Interviews, MusicFebruary 28, 2023<April 30, 2023

“Finding the glimmer of hope”: Bec Stevens Opens Up About “James’ Song,” Her Anthemic Ode to a Lost Loved One

by Mitch Mosk
Bilk © Liam Maxwell
Artist to Watch, Debut, Features, Interviews, Music, Track-by-TrackFebruary 28, 2023<April 30, 2023

Feature: Bilk Carry the Punk Torch Forward with Raw Indie Rock and an Unapologetic Attitude

by Mitch Mosk
Boys Club for Girls © Keturah Rae Bishop
Columns, Music, Today's SongFebruary 28, 2023<February 28, 2023

Nashville’s Boys Club for Girls Debut with Passion & Pain on “Bad Luck Baby,” a Soulful Song of Self-Sabotage

by Mitch Mosk
Inhaler © Lewis Evans
Features, Interviews, MusicFebruary 28, 2023<March 11, 2023

“An honest reflection of where we’re at”: Inhaler Reveal the Cuts and Bruises Behind ‘Cuts & Bruises’

by Isabella Le
Shayna Steele © Shervin Lainez
Black History Month, Essays, Music, Music Videos, PremieresFebruary 28, 2023<February 28, 2023

“The Bloodline”: An Essay on How Through Trauma, We Somehow Find Joy by Shayna Steele

by Guest Writer
O. Wake's Ofer Shouval © 2023
Music, PremieresFebruary 28, 2023<February 28, 2023

Premiere: O. Wake Examine Human Dependency of the Virtual World in “Head in the Cloud”

by Lauren Turner
The Slow Readers Club © Trust A Fox
Features, Interviews, Music, Track-by-TrackFebruary 27, 2023<March 1, 2023

Knowledge Freedom Power: The Slow Readers Club Shine on Uplifting, Melodic, & Danceable New LP

by Mitch Mosk
"Wendy" - Holly Henderson © Joey Bullet & Emleigh
Music, Music Videos, PremieresFebruary 27, 2023<February 28, 2023

Premiere: Holly Henderson Dwells in Doggy Daydreams on “Wendy,” a Loving Lullaby for a Pet

by Mitch Mosk
Dave Okumu & The 7 Generations © Nicolas Premier
Black History Month, Essays, MusicFebruary 27, 2023<February 11, 2025

“Black History & Collaboration”: An Essay by Dave Okumu

by Guest Writer
Big K.O. © 2023
Interviews, MusicFebruary 27, 2023<February 27, 2023

Interview: Big K.O. Talks Working with Run-DMC, Learning from Billy Gibbons, & the Guitar’s Place in Hip-Hop

by Andrew Daly
Begonia © Calvin Lee Joseph
Features, Interviews, MusicFebruary 27, 2023<February 27, 2023

Interview: Begonia on Chasing Truth & Finding Calm in the Chaos in ‘Powder Blue’

by Rachel Leong
Blondshell © Daniel Topete
Artist to Watch, Columns, Music, Today's SongFebruary 27, 2023<June 16, 2023

Artist to Watch: Blondshell’s “Veronica Mars” Evokes a Cathartic Rage

by Kylie Gurewitz
Spencer Thomas Smith © 2023
Columns, Music, Today's SongFebruary 24, 2023<August 21, 2023

Today’s Song: Spencer Thomas Smith Lives in the Rhythm of Life in His “Little Apartment”

by Mitch Mosk
Posts pagination
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Brand New

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem

:: discover something new ::

Recent Posts

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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