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Tommy Ashby © Matthew Bowen
Debut, Features, Interviews, Music, Track-by-TrackMarch 13, 2023<April 30, 2023

“Music Connects People”: Indie Folk Artist Tommy Ashby Shines on ‘Lamplighter,’ His Breathtaking Debut Album

by Mitch Mosk
Sophia Marie © Panav Gududuri
Essays, Music, Women's History MonthMarch 13, 2023<January 21, 2024

“Solo Travel Abroad, the Catalyst for a Music Career”: An Essay by Sophia Marie

by Guest Writer
Pax Cultura © Stéfan, The Photographer
Debut, Music, Music Videos, PremieresMarch 13, 2023<April 30, 2023

Premiere: South London’s Pax Cultura Debut with “Heavy Machinery,” a Cinematic & Emotionally Charged Indie Rock Eruption

by Mitch Mosk
Alaska Reid © Audrey Hall
Columns, Music, Today's SongMarch 11, 2023<April 30, 2023

Alaska Reid’s Dreamy “Back to This” Proves an Enchanting First Look at Debut Album, ‘Disenchanter’

by Mitch Mosk
On Fire - Sasha Atlas
Essays, Music, Women's History MonthMarch 10, 2023<April 30, 2023

“I’ve Signed Many NDAs, But None Like This”: An Essay by Sasha Atlas on the Finance & Music Industries for Women’s History Month

by Guest Writer
Daisy Jones & the Six © Pamela Littky
Music, Today's SongMarch 10, 2023<April 30, 2023

Today’s Song: Follow Daisy Jones & The Six Down “The River”

by Brianna Corrine
You'll Live Forever In My Songs - Paige Su
Features, Interviews, Music, Track-by-TrackMarch 9, 2023<April 30, 2023

An Achingly Beautiful Adventure: Paige Su Pours Her Heart & Soul into New LP, ‘You’ll Live Forever in My Songs’

by Mitch Mosk
Annie DiRusso © Neil Shukla
Debut, Music, ReviewsMarch 9, 2023<April 30, 2023

Review: Annie DiRusso’s Debut EP ‘God, I Hate This Place’ Is an Angst-Fueled Exploration of Identity

by Claire Meyer
Sohodolls' Maya Von Doll © Catherine Harder
Music, PremieresMarch 9, 2023<April 30, 2023

Premiere: Sohodolls Re-Write Their Viral “Bang Bang Bang Bang” In a Stand Against Gun Violence

by Mitch Mosk
Akira Galaxy © Noah Witt
Columns, Debut, Music, Today's SongMarch 9, 2023<April 30, 2023

Today’s Song: Akira Galaxy Delivers an Ode to Lost Perspective in Captivating Debut, “Virtual Eyes”

by Rachel Leong
DMA'S © Kalpesh Lathigra
Features, Interviews, MusicMarch 9, 2023<April 30, 2023

“An Evolution of DMA’S”: Aussie Trio Discuss the Making of New Album, ‘How Many Dreams?’

by Guest Writer
[mila] © Hunter Lenoir
Debut, Music, PremieresMarch 9, 2023<April 30, 2023

Premiere: [mila] Defeat Toxic Obstacles with Energized Debut Single “Thuong Qua Is Vietnamese For I Love You”

by Frankie Rose
Atwood Magazine's Editor's Picks 91
Columns, Editor's Picks, Features, MusicMarch 8, 2023<March 10, 2023

Editor’s Picks 91: Marlene Oak, Aistè, Alaska Reid, Joy Oladokun, Bleach Lab, & BEL!

by Mitch Mosk
Tunes & Tumblers x Transviolet 2023
Music, Podcast, Tunes & TumblersMarch 8, 2023<April 30, 2023

Podcast: Tunes & Tumblers Features Transviolet and a Crashed Breath of Fresh Air

by Atwood Magazine Staff
Svetlana © 2023
Essays, Music, Women's History MonthMarch 8, 2023<April 30, 2023

“Overcoming Mountains as a Woman in Music”: An Essay by Svetlana for International Women’s Day

by Guest Writer
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Brand New

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

:: discover something new ::

Recent Posts

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
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