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Gold Panda © Laura Lewis
Music, ReviewsNovember 21, 2022<November 21, 2022

Review: Gold Panda’s ‘The Work’ Is a Glistening, Nervy Place Where Joy & Sadness Collide

by Kevin Krein
The Mars Volta © Fat Bob
Music, ReviewsNovember 21, 2022<November 21, 2022

Review: Revitalised with a Fresh Start, The Mars Volta Clean the Slate with First Album in a Decade

by Adam Davidson
Crumbs - Rebecca Black
Columns, Music, Today's SongNovember 21, 2022<November 21, 2022

Today’s Song: Rebecca Black Fiercely Enters the Future with “Crumbs”

by Frankie Rose
Connie Constance © Phoebe Fox
Features, Interviews, Music, Track-by-TrackNovember 18, 2022<March 11, 2023

“The power in you, it won’t go unnoticed”: Connie Constance Dives Inside Her Empowering, Cathartic & Catchy Sophomore LP, ‘Miss Power’

by Mitch Mosk
NEFFY © 2022
Features, Interviews, MusicNovember 18, 2022<November 18, 2022

Interview: With Head Held High, Neffy Confidently Loses Her Nerve

by Sophie Severs
Atwood Magazine's Weekly Roundup | November 18, 2022
Columns, Features, Music, Weekly RoundupNovember 18, 2022<November 18, 2022

Atwood Magazine’s Weekly Roundup: November 18, 2022

by Atwood Magazine Staff
Francesca Blanchard © 2022
Columns, Music, Music Videos, Today's SongNovember 18, 2022<November 18, 2022

Today’s Song: Francesca Blanchard’s “Je sais plus quoi te dire” Is a Caricatural, Playful Take on Rejection

by Frankie Rose
Taryn Faye Randall © Jen Trahan
Music, PremieresNovember 17, 2022<November 18, 2022

Premiere: Taryn Faye Randall’s Beautiful Song “Stride for Stride” Aches with the Strain of Love Out of Sync

by Mitch Mosk
Fontaines DC © Filmawi
Features, Interviews, MusicNovember 17, 2022<November 17, 2022

Interview: Fontaines D.C.’s ‘Skinty Fia’ Is a Tremendously Needed Album, and Here’s Why

by Dimitra Gurduiala
Last Dinosaurs © GAKU
Features, Interviews, Music, Track-by-TrackNovember 17, 2022<November 17, 2022

From Mexico with Love: Last Dinosaurs’ 4th Album Is a Post-Lockdown Era Celebration of Life

by Mitch Mosk
Natural Brown Prom Queen - Sudan Archives 9.4
Music, Our Take, ReviewsNovember 16, 2022<November 16, 2022

Our Take: Sudan Archives’ ‘Natural Brown Prom Queen’ Never Fails to Surprise

by Sam Franzini
Christian Leave © Zamar Velez
Features, Interviews, MusicNovember 15, 2022<November 15, 2022

Making Space for Gratitude: How Christian Leave Navigates Life, Remaining a ‘Superstar’ All the While

by Sophie Severs
TJ Stafford © Rowan Daly
Columns, Music, Today's SongNovember 15, 2022<November 15, 2022

Today’s Song: Singer/Songwriter TJ Stafford Displays a Sensitive Side in “The World’s Gonna Love Me”

by Chloe Robinson
Julie Aubé © JD Cool
Features, Interviews, MusicNovember 11, 2022<November 8, 2022

Interview: ’60s Nostalgia, Preservation, & Projecting Identity with Julie Aubé

by Frankie Rose
John Oates © Sean Hagwell
Features, Interviews, MusicNovember 11, 2022<November 6, 2022

Pushin’ That Rock: A Casual Conversation with John Oates

by Ben Niesen
Posts pagination
1 … 204 205 206 207 208 … 712

Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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