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How To Be Human - Amber Run
Features, Interviews, Music, Track-by-TrackFebruary 24, 2023<February 25, 2023

“Just to breathe and to bleed”: Amber Run Explore ‘How to Be Human’ on Their Breathtakingly Beautiful Fourth LP

by Mitch Mosk
Sun Room © Kelly Hammond
Features, Interviews, MusicFebruary 24, 2023<February 24, 2023

It Takes a Village: Sun Room Are ‘Outta Their Minds’ on New EP

by Lilly Eason
Natisa Gogol © 2023
Features, Interviews, MusicFebruary 24, 2023<February 24, 2023

Interview: Ukrainian Refugee & Pop Artist Natisa Gogol Opens Up About Fleeing Her War-Torn Home, Song Inspirations, & More

by Julius Robinson
Rolling Up the Welcome Mat - Kelsea Ballerini
Music, ReviewsFebruary 24, 2023<February 24, 2023

Rolling Up the Welcome Mat: Kelsea Ballerini Navigates Marriage & Divorce on Her New EP

by Emily Frances Algar
Atwood Magazine's Weekly Roundup | Black History Month 2023
Black History Month, Columns, Features, Music, Weekly RoundupFebruary 24, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: Black History Month 2023

by Atwood Magazine Staff
Atwood Magazine's Editor's Picks 89
Columns, Editor's Picks, Features, MusicFebruary 23, 2023<March 11, 2023

Editor’s Picks 89: Alexz Johnson, The Aces, Mouraine, Big Words, Mychelle, & DEVORA!

by Mitch Mosk
Capo Corleone & Kuba Więcek © Anna Azarov Photography
Music, Premieres, ReviewsFebruary 23, 2023<February 23, 2023

Premiere: Capo Corleone & Kuba Więcek Drop Gratitude EP ‘Thank Myself’

by Joe Beer
Ben Strawn © Willis Norman
Columns, Music, Today's SongFebruary 23, 2023<April 27, 2023

Ben Strawn Looks Up in “One of These Days,” a Softly Stirring Song of Renewal & Resolve

by Mitch Mosk
Malina Moye © Isaiah Mays
Black History Month, Essays, MusicFebruary 23, 2023<February 23, 2023

“The Fight for Freedom & Equality from Grandma’s Front Porch”: An Essay by Malina Moye

by Guest Writer
The Cure © Alexander Trienitz, 2022
Columns, Features, MusicFebruary 23, 2023<February 23, 2023

Living The Cure, Pt. 3

by David Buyze
Sam Hollander © Danny Clinch
Books, InterviewsFebruary 23, 2023<February 22, 2023

Interview: Sam Hollander Proves Persistence Pays Off in New Book ‘21 Hit Wonder’

by Chloe Robinson
Mica Millar © courtesy of the artist
Artist to Watch, Music, PremieresFebruary 23, 2023<February 23, 2023

Artist to Watch: Mica Millar Premieres Her Cinematic “Trouble” Video with Searing Passion & Stunning Soul

by Mitch Mosk
MAITA © Anna Larina
Features, Interviews, Music, Track-by-TrackFebruary 22, 2023<February 22, 2023

Feature: MAITA Is Transformed on Her Raw, Alive, & Vulnerable Acoustic Album, ‘Loneliness’

by Mitch Mosk
Girl Scout © Martyna Bannister
Debut, Features, Interviews, Music, Track-by-TrackFebruary 22, 2023<February 22, 2023

Nostalgic, Anxious, & Exhilarating: Stockholm’s Girl Scout Celebrate the Struggle in Debut EP ‘Real Life Human Garbage’

by Mitch Mosk
Elanor Moss © Mon Levchenkova
Features, Interviews, MusicFebruary 22, 2023<February 22, 2023

Feature: Elanor Moss & the Universe of ‘Cosmic,’ Where Playful Honesty Meets Creative Experimentation

by Rachel Leong
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Brand New

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem

:: discover something new ::

Recent Posts

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
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