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Tunes & Tumblers x Anna of the North 2023
Music, Podcast, Tunes & TumblersFebruary 14, 2023<April 30, 2023

Podcast: Tunes & Tumblers Features Anna of the North and a Crazy Sour

by Atwood Magazine Staff
Valentine's Day 2023 | Atwood Magazine
Features, Music, PlaylistsFebruary 14, 2023<January 17, 2024

Our Favorite New Love Songs: A Valentine’s Day Music Celebration!

by Atwood Magazine Staff
Grant Gordy © Jacob Blickenstaff
Interviews, MusicFebruary 14, 2023<February 14, 2023

Interview: Guitar Extraordinaire Grant Gordy Discusses His Genre-Breaking Album, ‘Peripheral Visions’

by Guest Writer
Nite Bjuti © Candice Hoyes
Columns, Debut, Music, Today's SongFebruary 14, 2023<February 14, 2023

Today’s Song: Afro Caribbean Trio Nite Bjuti Examine a Collective Life Cycle in Debut Single “Mood (Liberation Walk)”

by Chloe Robinson
Hot Moms Club © Jonah Reenders
Music, PremieresFebruary 13, 2023<February 13, 2023

“You loved me all way”: Hot Moms Club Premieres “i love you, mom,” a Beautiful, Dreamy Ode to Mothers

by Mitch Mosk
Dror © Nikoli Partiyeli
Features, Interviews, MusicFebruary 13, 2023<February 14, 2023

Feature: Indie Pop Artist Dror Embraces Change in the New Year

by Ankita Bhanot
Brian Dunne © Lukasz Palka
Columns, Music, Today's SongFebruary 13, 2023<February 13, 2023

Artist to Watch: Brian Dunne Accepts “Bad Luck” in His Liberating & Lively New Anthem

by Mitch Mosk
Pearla © Tonje Thilesen
Debut, Features, Interviews, MusicFebruary 13, 2023<February 19, 2023

Feature: Traveling into the Imaginary Universe of Pearla with Her Debut Album, ‘Oh Glistening Onion, The Nighttime Is Coming’

by Frankie Rose
Ghosts Again - Depeche Mode
Columns, Music, Today's SongFebruary 11, 2023<February 10, 2023

Today’s Song: The Sublime Reveal of Depeche Mode’s Joyfully Melancholic “Ghosts Again”

by David Buyze
WILSN © She Is Aphrodite
Debut, Features, Interviews, Music, Track-by-TrackFebruary 10, 2023<February 18, 2023

Feature: WILSN Is Unleashed on ‘Those Days Are Over,’ a Debut Full of Confidence, Raw Energy, & Smoldering Soul

by Mitch Mosk
Jasmine Jethwa © Daniel A Harris
Artist to Watch, Columns, Music, Today's SongFebruary 10, 2023<April 2, 2023

Artist to Watch: South London’s Jasmine Jethwa Lights a Fire Inside with “Money to Burn”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | February 10, 2023
Columns, Features, Music, Weekly RoundupFebruary 10, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: February 10, 2023

by Atwood Magazine Staff
Mathew V © Matthew Miller
Features, Interviews, MusicFebruary 10, 2023<February 10, 2023

Mathew V’s Anything Goes: A Journey via Jazz

by Andrew Daly
Michal Leah © Willie Jane
Artist to Watch, Features, Interviews, MusicFebruary 9, 2023<February 9, 2023

Artist to Watch Michal Leah on the Ups, Downs, & Laughs of Her Journey So Far: A Conversation with an Old Friend

by Nick Polak
Silver Line - Hayden Everett © Ethan Porter
Features, Interviews, Music, Premieres, Track-by-TrackFebruary 9, 2023<March 26, 2024

Coarse, Reflection, Breathe: Hayden Everett Premieres His Beautifully Iridescent & Introspective ‘Silver Line’ EP

by Mitch Mosk
Posts pagination
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Brand New

  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything

:: discover something new ::

Recent Posts

  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
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