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Gold Panda © Laura Lewis
Music, ReviewsNovember 21, 2022<November 21, 2022

Review: Gold Panda’s ‘The Work’ Is a Glistening, Nervy Place Where Joy & Sadness Collide

by Kevin Krein
The Mars Volta © Fat Bob
Music, ReviewsNovember 21, 2022<November 21, 2022

Review: Revitalised with a Fresh Start, The Mars Volta Clean the Slate with First Album in a Decade

by Adam Davidson
Crumbs - Rebecca Black
Columns, Music, Today's SongNovember 21, 2022<November 21, 2022

Today’s Song: Rebecca Black Fiercely Enters the Future with “Crumbs”

by Frankie Rose
Connie Constance © Phoebe Fox
Features, Interviews, Music, Track-by-TrackNovember 18, 2022<March 11, 2023

“The power in you, it won’t go unnoticed”: Connie Constance Dives Inside Her Empowering, Cathartic & Catchy Sophomore LP, ‘Miss Power’

by Mitch Mosk
NEFFY © 2022
Features, Interviews, MusicNovember 18, 2022<November 18, 2022

Interview: With Head Held High, Neffy Confidently Loses Her Nerve

by Sophie Severs
Atwood Magazine's Weekly Roundup | November 18, 2022
Columns, Features, Music, Weekly RoundupNovember 18, 2022<November 18, 2022

Atwood Magazine’s Weekly Roundup: November 18, 2022

by Atwood Magazine Staff
Francesca Blanchard © 2022
Columns, Music, Music Videos, Today's SongNovember 18, 2022<November 18, 2022

Today’s Song: Francesca Blanchard’s “Je sais plus quoi te dire” Is a Caricatural, Playful Take on Rejection

by Frankie Rose
Taryn Faye Randall © Jen Trahan
Music, PremieresNovember 17, 2022<November 18, 2022

Premiere: Taryn Faye Randall’s Beautiful Song “Stride for Stride” Aches with the Strain of Love Out of Sync

by Mitch Mosk
Fontaines DC © Filmawi
Features, Interviews, MusicNovember 17, 2022<November 17, 2022

Interview: Fontaines D.C.’s ‘Skinty Fia’ Is a Tremendously Needed Album, and Here’s Why

by Dimitra Gurduiala
Last Dinosaurs © GAKU
Features, Interviews, Music, Track-by-TrackNovember 17, 2022<November 17, 2022

From Mexico with Love: Last Dinosaurs’ 4th Album Is a Post-Lockdown Era Celebration of Life

by Mitch Mosk
Natural Brown Prom Queen - Sudan Archives 9.4
Music, Our Take, ReviewsNovember 16, 2022<November 16, 2022

Our Take: Sudan Archives’ ‘Natural Brown Prom Queen’ Never Fails to Surprise

by Sam Franzini
Christian Leave © Zamar Velez
Features, Interviews, MusicNovember 15, 2022<November 15, 2022

Making Space for Gratitude: How Christian Leave Navigates Life, Remaining a ‘Superstar’ All the While

by Sophie Severs
TJ Stafford © Rowan Daly
Columns, Music, Today's SongNovember 15, 2022<November 15, 2022

Today’s Song: Singer/Songwriter TJ Stafford Displays a Sensitive Side in “The World’s Gonna Love Me”

by Chloe Robinson
Julie Aubé © JD Cool
Features, Interviews, MusicNovember 11, 2022<November 8, 2022

Interview: ’60s Nostalgia, Preservation, & Projecting Identity with Julie Aubé

by Frankie Rose
John Oates © Sean Hagwell
Features, Interviews, MusicNovember 11, 2022<November 6, 2022

Pushin’ That Rock: A Casual Conversation with John Oates

by Ben Niesen
Posts pagination
1 … 219 220 221 222 223 … 727

Brand New

  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction

:: discover something new ::

Recent Posts

  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
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