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Elijah Wolf © Elle McLogan
Music, PremieresAugust 22, 2022<August 22, 2022

“Pain and Perspective”: Brooklyn’s Elijah Wolf Premieres Emotionally Charged New Single, “Holding This In”

by Mitch Mosk
Me Like Bees © 2022
Columns, Music, Today's SongAugust 19, 2022<August 18, 2022

Today’s Song: Me Like Bees Turn Up the Volume with Energetic Indie Rocker “Radio”

by Beau Hayhoe
Maisie Peters © Sonny McCartney
Columns, Music, Today's SongAugust 18, 2022<September 29, 2022

Conflict Breeds Confidence with Maisie Peters’ “Good Enough” & “Blonde”

by Kelly McCafferty Dorogy
Pertinence © Isaiah Mirigian
Features, Interviews, MusicAugust 18, 2022<August 17, 2022

The Newest “Waterboy”: An Introduction to Rising Arizona Rapper Pertinence

by Lauren Hicks
Steven Malcolm © 2022
Columns, Music, Today's SongAugust 17, 2022<August 19, 2022

Today’s Song: How to Achieve a Scintillating “Summertime” with Steven Malcolm & Two Inspiring Guests

by Josh Weiner
Jukebox the Ghost © Shervin Lainez
Features, Interviews, MusicAugust 17, 2022<September 29, 2022

“We’re a Little Bit Ridiculous”: Jukebox the Ghost’s Ben Thornewill Talks Band’s Early Years, His Love for Chaos, & New Album ‘Cheers’

by Madeleine Eggen
Sean Marshall © 2022
Music, PremieresAugust 16, 2022<August 16, 2022

Premiere: The Charm, Charge, & Churn of Sean Marshall’s “Glucose”

by Mitch Mosk
Plastic Picnic © Bronson Snelling
Debut, Features, Interviews, Music, Track-by-TrackAugust 16, 2022<August 16, 2022

“Sunsets, Pain, Relinquish”: Brooklyn’s Plastic Picnic Uplift & Inspire on Debut LP ‘As Long As You Need’

by Mitch Mosk
Imaad Wasif © Sharon Lockhart, Alex Slade
Features, Interviews, Music, Track-by-TrackAugust 15, 2022<August 15, 2022

“I want to create magic”: Imaad Wasif Unveils His Intimate, Soothing & Regenerative Album, ‘So Long Mr. Fear’

by Mitch Mosk
Nick Leng © 2022
Features, Interviews, MusicAugust 15, 2022<August 15, 2022

Interview: Falling in Love with Nick Leng

by Nasim Elyasi
In My Car - Rat Tally
Debut, Features, Interviews, Music, Track-by-TrackAugust 15, 2022<September 29, 2022

“Anxiety, Nostalgia, & Failure”: Rat Tally Digs Through Trauma & Soars on Debut Album, ‘In My Car’

by Mitch Mosk
'Renaissance' Beyoncé © Carlijn Jacobs 9.3
Music, Our Take, ReviewsAugust 15, 2022<August 15, 2022

Our Take: The Queen Bee Beyoncé Stings Again on the Dazzling ‘Renaissance’

by Josh Weiner
Fantastic Cat © Shervin Lainez
Artist to Watch, Debut, Features, Interviews, Music, Track-by-TrackAugust 12, 2022<January 30, 2025

Folk Rock Supergroup Fantastic Cat Soar on Fun, Loose, & Honest Debut Album, ‘The Very Best of Fantastic Cat’

by Mitch Mosk
Cheekface © Miriam Brummel
Music, ReviewsAugust 12, 2022<August 12, 2022

Review: Cheekface Light It All Up with Irony & Fury On ‘Too Much To Ask’

by James Crowley
Kevin Holliday © Kisanet Bezabih
Interviews, MusicAugust 12, 2022<August 12, 2022

Interview: Brooklyn’s Kevin Holliday Pulls Musical Genres in & Pushes Romantic Feelings Out on New Single, “Out of Me”

by Josh Weiner
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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