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The Burma @ Ciara O'Toole
Features, Interviews, Music, Track-by-TrackDecember 6, 2022<December 6, 2022

Sucker for Stars: Ireland’s The Burma Soar with Cinematic & Sweltering Indie Rock Debut

by Mitch Mosk
Gable Price & Friends © 2022
Features, Interviews, MusicDecember 6, 2022<December 6, 2022

“Everything is contrast, and I find that beautiful”: Gable Price and Friends on ‘The Consequence of Being Alive’

by Rachel Leong
Entergalactic - Kid Cudi © 2022
Columns, Music, Today's SongDecember 6, 2022<December 6, 2022

Today’s Song: Kid Cudi Explores Heartbreak, Love, & Hope in “Willing to Trust,” a Journey Through an Anxious Mind

by Nick Polak
Atwood Magazine's Mistletones 2022, Pt. 1
Features, Interviews, Lists, Mistletones, MusicDecember 5, 2022<December 17, 2023

Atwood Magazine Presents Mistletones: 2022’s Best New Holiday Songs, Pt. 1

by Atwood Magazine Staff
Palaye Royale’s Remington Leith © Steven Rose
Concerts, Music, ReviewsDecember 5, 2022<December 5, 2022

Live Review: Palaye Royale’s North American Tour Finale Was All But a ‘Fever Dream’

by Isabella Le
Honey Moon © Andreia Lemos
Columns, Music, Today's SongDecember 5, 2022<March 2, 2025

Married to the Mob: Honey Moon’s Rendezvous with Bossa in “Amour Fou”

by Minna Abdel-Gawad
Atwood Magazine's Weekly Roundup | December 2, 2022
Columns, Features, Music, Weekly RoundupDecember 2, 2022<December 2, 2022

Atwood Magazine’s Weekly Roundup: December 2, 2022

by Atwood Magazine Staff
Atwood Magazine's Editor's Picks 81
Columns, Editor's Picks, Features, MusicDecember 1, 2022<March 11, 2023

Editor’s Picks 81: Julie Kuhl, Tancred, two blinks, i love you, Pomme, Angelo De Augustine, & Bad Posture Club!

by Mitch Mosk
Surf Curse © Julien Sage
Columns, Music, Today's SongDecember 1, 2022<November 30, 2022

Today’s Song: Surf Curse’s “Self Portrait” Elevates the Beautifully Painful State of the Unknown

by Miles Campbell
The Mysterines © Steve Gullick
Debut, Features, Interviews, Music, Track-by-TrackNovember 30, 2022<December 19, 2022

Reeling You In: Liverpool’s The Mysterines Erupt with Raw Passion on Feverish & Unapologetic Debut Album

by Mitch Mosk
Tom Odell © Rory Langdon-Down
Columns, Music, Today's SongNovember 30, 2022<November 29, 2022

Today’s Song: Tom Odell’s “Just Another Thing We Don’t Talk About” Captures the Eerie Feeling of Silence in a Relationship

by Lauren Turner
The Real Zebos © 2022
Features, Interviews, Music, Track-by-TrackNovember 29, 2022<December 1, 2022

Feature: The Real Zebos Have ‘no style’, and They Wear It Well on Fun n’ Feverish Sophomore LP

by Mitch Mosk
Kevin Ross © 2022
Columns, Music, Today's SongNovember 29, 2022<November 29, 2022

Today’s Song: Kevin Ross’ Seductive “Sweet Release” Strips Back Layers to Unveil Passionate Vulnerability

by Chloe Robinson
Atwood Magazine Editor's Picks 80
Columns, Editor's Picks, Features, MusicNovember 23, 2022<March 11, 2023

Editor’s Picks 80: Rachel Chinouriri, Green Rays, Mary Middlefield, Joesef, The Okay Lakes, & Razorlight!

by Mitch Mosk
Wolf Alice Performing at The Wiltern in Los Angeles © Nic Nichols
Concerts, Music, ReviewsNovember 23, 2022<November 23, 2022

Live Review: Wolf Alice Close Their North American ’22 Tour in Los Angeles

by Nic Nichols
Posts pagination
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Brand New

  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through

:: discover something new ::

Recent Posts

  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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