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Carter Vail © 2022
Columns, Music, Today's SongMarch 25, 2022<March 25, 2022

Today’s Song: Carter Vail Soars on Sun-Soaked & Sweetly Seductive “Nancy Again”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | March 25, 2022
Columns, Features, Music, Weekly RoundupMarch 25, 2022<March 25, 2022

Atwood Magazine’s Weekly Roundup: March 25, 2022

by Atwood Magazine Staff
COIN © XYZ
Features, Interviews, MusicMarch 25, 2022<April 3, 2022

“Emotional Surgery”: COIN Breakdown the Human Experience in Their New Album, ‘Uncanny Valley’

by Lilly Eason
Arctic Lake © Scarlett Casciello
Features, Music, Reviews, Track-by-TrackMarch 24, 2022<May 9, 2022

Longing for Connection: Arctic Lake Dive into Their Stunningly Intimate ‘side by side we lie awake’ EP

by Mitch Mosk
Daddy's Little Lawyer - KTJ & CARLY © 2022
Columns, Music, Today's SongMarch 24, 2022<March 24, 2022

Today’s Song: KTJ & CARLY Tackle Entitlement in Empowering Anthem “Daddy’s Little Lawyer”

by Mitch Mosk
Euan Blackman © Olivia Mayall
Music, PremieresMarch 24, 2022<March 24, 2022

Premiere: Liverpool’s Euan Blackman Channels Anxiety-Fueled Nights in New Song “I’m Not Scared”

by Mitch Mosk
Susan Cattaneo © Jon Cohan
Columns, Music, Women's History MonthMarch 24, 2022<March 24, 2022

“Too Old to Be an Ingenue, Too Young to Be an Icon”: Susan Cattaneo on the Shame Associated with Ageism in the Music Industry

by Guest Writer
Little Quirks © Adam Toole
Columns, Music, Today's SongMarch 23, 2022<March 23, 2022

Today’s Song: Little Quirks’ “The Rain” Is an Exhilarating Chant of Freedom & Joy

by Mitch Mosk
Benji Lewis © Sean Pyke
Music, PremieresMarch 23, 2022<March 23, 2022

Premiere: Benji Lewis Dives Inside His Beautifully Intimate & Vulnerable “Head Rush”

by Mitch Mosk
RAHH © JC Verona
Music, PremieresMarch 23, 2022<March 23, 2022

Premiere: RAHH’s Feverish “Run the Lights” Is an Intoxicating Song of Indulgence & Escape

by Mitch Mosk
Treefort Music Fest 10 © Ben Niesen
Festival, Music, PreviewsMarch 23, 2022<March 23, 2022

10 Things to Look Forward to at Treefort 10

by Atwood Magazine Staff
Spotify Singles - Del Water Gap
Music, ReviewsMarch 23, 2022<March 24, 2022

Del Water Gap Un-“Complicates” Avril in Stripped-Down Spotify Singles

by Guest Writer
Freakout by Treefort Fest 2021
A Casual Ramble, Columns, MusicMarch 22, 2022<March 22, 2022

A Casual Ramble: Freaking Out Before, At, and By Treefort 2022

by Ben Niesen
Bob Vylan © Esmé Surfleet
Columns, Music, Today's SongMarch 22, 2022<June 17, 2023

Today’s Song: Bob Vylan Change Up the Sound But Not Their Message on “Health Is Wealth”

by Oliver Crook
Royal Blood © Dean Martindale
Concerts, Music, PreviewsMarch 21, 2022<March 23, 2022

Royal Blood 2022 UK Tour Preview

by Bethan Harper
Posts pagination
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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