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Oshima Brothers © Jamie Oshima
Features, Interviews, Music, Track-by-TrackJune 15, 2022<June 15, 2022

“Wilderness Meets Humanity”: Oshima Brothers Capture Life’s Freedom & Beauty in Sophomore LP ‘Dark Nights Golden Days’

by Mitch Mosk
Atwood Magazine's Editor's Picks 67
Columns, Editor's Picks, Features, MusicJune 15, 2022<March 8, 2023

Editor’s Picks 67: The Aces, Tennis Courts, Tunnel, MisterWives, Savannah Conley & Noah Reid!

by Mitch Mosk
Peach Tree Rascals © 2022
Columns, Music, Today's SongJune 15, 2022<June 15, 2022

Today’s Song: Peach Tree Rascals Offer Lots of “Good Advice” and Warmth on Latest Single

by Josh Weiner
Tunes & Tumblers x Sam Fischer 2022
Music, Podcast, Tunes & TumblersJune 14, 2022<April 30, 2023

Podcast: Tunes & Tumblers Features Sam Fischer and a Broken Bow

by Atwood Magazine Staff
JOBIE © 2022
Columns, Music, Today's SongJune 14, 2022<June 16, 2022

Today’s Song: JOBIE’s “All for One,” a Somber Lesson on Loving & Love Lost

by Sophie Severs
Leith © 2022
Features, Interviews, Music, Track-by-TrackJune 14, 2022<August 13, 2022

Track-by-Track: Inside Leith’s Stunning, Cinematic & Unfiltered Debut EP, ‘Birthdays in July’

by Mitch Mosk
Mr Little Jeans 'Better Days' © Nina Jordan
Features, Interviews, Music, Track-by-TrackJune 14, 2022<June 14, 2022

Track-by-Track: Mr Little Jeans Dives into Her Intimate & Ethereal Sophomore LP, ‘Better Days’

by Mitch Mosk
Best Breakfast's Ben Majest © Mike Kellogg
Music, Music Videos, PremieresJune 14, 2022<June 15, 2022

Premiere: Wading Through the Deep End of Best Breakfast’s Wistful & Dreamy “Wave”

by Mitch Mosk
Wet Leg © Hollie Fernando
Essays, Features, Music, ReviewsJune 14, 2022<February 6, 2025

Subverting Expectations: Wet Leg, TikTok, and the Refreshing Originality of a Band Just Having a Bit of Fun

by Lilly Eason
Ben Zaidi © Madeline Holland
Debut, Features, Interviews, Music, Track-by-TrackJune 13, 2022<June 20, 2022

“Quarter Life Crisis”: Inside the Raw Reckoning of Ben Zaidi’s Beautiful Debut Album ‘Acre of Salt.’

by Mitch Mosk
George Perris © Errikos Andreou
Columns, Music, Pride MonthJune 13, 2022<June 13, 2022

Pride Month Essay: George Perris Embraces His Truth with No Armor

by Guest Writer
Richie Quake & Anna Shoemaker "Crawl" © Jesse De Florio
Columns, Music, Today's SongJune 13, 2022<June 13, 2022

Today’s Song: Chasing Highs & Riding Lows with Richie Quake’s Feverish “Crawl” ft. Anna Shoemaker

by Mitch Mosk
Every Single Thing - Will Joseph Cook
Music, ReviewsJune 13, 2022<June 13, 2022

Will Joseph Cook Shines in Most Playful & Spunky Album to Date, ‘Every Single Thing’

by Rachel Leong
Honestly - Jillian Jacqueline 8.2
Debut, Music, Our Take, ReviewsJune 13, 2022<June 13, 2022

Our Take: Jillian Jacqueline Gives Us Our Sad Girl Summer with Debut ‘Honestly’

by Emily Frances Algar
Judah & the Lion © David OD
Features, Interviews, Music, Track-by-TrackJune 10, 2022<July 10, 2022

Reveling in ‘Revival’: Judah & The Lion Dive into the Hope, Light, & Unbridled Optimism of Electric 4th Album

by Mitch Mosk
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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