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Kevin Holliday © Kisanet Bezabih
Interviews, MusicAugust 12, 2022<August 12, 2022

Interview: Brooklyn’s Kevin Holliday Pulls Musical Genres in & Pushes Romantic Feelings Out on New Single, “Out of Me”

by Josh Weiner
McCall © Ren Shelborne
Artist to Watch, Debut, Features, Interviews, Music, Track-by-TrackAugust 10, 2022<August 10, 2022

Lush, Gritty, & Confessional: McCall Captivates on Charged & Churning Debut Album, ‘…to be a dream…’

by Mitch Mosk
Rudy Lyle, The Unsung Hero of the Five-String Banjo - Max Wareham
Books, Music, ReviewsAugust 10, 2022<August 10, 2022

Review: Max Wareham’s Debut Book, “Rudy Lyle: The Unsung Hero of the Five-String Banjo”

by Guest Writer
Emei © 2022
Columns, Music, Today's SongAugust 10, 2022<August 10, 2022

The Never-Ending Pursuit of Perfection with Emei’s “That Girl”

by Sophie Severs
Nightlands (Dave Hartley) © Charlie Boss
Features, Interviews, MusicAugust 9, 2022<August 9, 2022

Interview: Dave Hartley of The War On Drugs Talks Solo Project Nightlands, Building His Own Recording Studio & The Miracle of Songwriting

by Beau Hayhoe
Dreamcastmoe © 2022
Music, ReviewsAugust 9, 2022<December 6, 2022

Dreamcastmoe Thrives in the Space Where Genre Lines Blur on ‘Sound Is Like Water – Part 1’

by Kevin Krein
Heavy Gus © Lauren Jacobson
Debut, Features, Music, Track-by-TrackAugust 5, 2022<March 2, 2025

“Hodge-Podge Desert Collage”: Heavy Gus’ Sunny, Dusky, & Dusty Debut Album ‘Notions’

by Mitch Mosk
Odesza live © Ben Niesen
A Casual Ramble, Columns, MusicAugust 4, 2022<August 4, 2022

A Casual Ramble: Meandering Towards the Last Goodbye in Seattle… Or Was It?

by Ben Niesen
FloydFest 2022, Turnpike Troubadours crowd shot © Bob Adamek
Festival, Music, ReviewsAugust 4, 2022<August 5, 2022

FloydFest 2022: Made for These Times

by Guest Writer
Launder © Cameron McCool
Debut, Features, Interviews, MusicAugust 4, 2022<August 4, 2022

Bewitching, Elaborate, and Nostalgic: Diving into ‘Happening’ with Launder

by Isabella Le
EDEN © Alex Waespi
Features, Interviews, MusicAugust 4, 2022<August 4, 2022

Balling and Bruised: The Road to EDEN’s Third Full-Length Album

by Coco Rich
Arlie's Nathaniel Banks © Gabe Drechsler
Debut, Features, Interviews, Music, Track-by-TrackAugust 3, 2022<August 4, 2022

BREAK(ING) THE CURSE: Arlie’s Dreamy, Dramatic, Dynamic & Vulnerable Debut Album

by Mitch Mosk
Madison Cunningham © Claire Marie Vogel
Features, Interviews, MusicAugust 3, 2022<September 29, 2022

“No One’s Holding You Back Now”: Madison Cunningham Surrenders to the Process, Welcoming Discomfort with Open Arms

by Sophie Severs
Harrison Whitford "Secret Garden" still © Michael Erik Nikolla
Music, Music Videos, PremieresAugust 3, 2022<August 3, 2022

Video Premiere: The Tender Turbulence of Harrison Whitford’s “Secret Garden”

by Mitch Mosk
Analog Party © Joshua Kern (left to right: Charles Horin, Animaan Pathak)
Music, PremieresAugust 3, 2022<August 3, 2022

Premiere: LA’s Analog Party Dwell in Visceral Grunge Depths on Dark, Dynamic Single “Riptide” ft. Final Child

by Mitch Mosk
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Brand New

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters

:: discover something new ::

Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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