Columns, Music, Today's SongMarch 15, 2022<March 15, 2022 Today’s Song: Giift’s Tenderly Acoustic Debut Single “Fed Up” Reckons with Vulnerability & Intimacy by Mitch Mosk
Music, ReviewsMarch 15, 2022<March 15, 2022 Album Review: Khruangbin and Leon Bridges Team Up in the Most Experimental and Melodic Way on ‘Texas Moon’ by Oliver Crook
Debut, Features, Music, Reviews, Track-by-TrackMarch 14, 2022<March 14, 2022 Track-by-Track: Toronto’s Luna Li Dives into the Dreamy Depths of ‘Duality’ by Mitch Mosk
Columns, Music, Women's History MonthMarch 14, 2022<March 14, 2022 “You Can Keep Your Seat at The Table”: Lou Ridley’s Love Letter to the Real Power by Guest Writer
Columns, Music, Today's SongMarch 14, 2022<March 14, 2022 Today’s Song: Ex-Poets Go Deep with New Single “Bay of Pigs” by Beau Hayhoe
Features, Interviews, MusicMarch 14, 2022<September 29, 2022 Interview: Shamir on Why ‘Heterosexuality’ Is His Most Vulnerable Record Yet by Sophie Prettyman-Beauchamp
Debut, Features, Music, Reviews, Track-by-TrackMarch 11, 2022<March 11, 2022 Feature: Young Rising Sons Shine on Long-Awaited Debut Album ‘Still Point in a Turning World’ by Mitch Mosk
Columns, Features, Music, Weekly RoundupMarch 11, 2022<March 11, 2022 Atwood Magazine’s Weekly Roundup: March 11, 2022 by Atwood Magazine Staff
Columns, Interviews, Music, Today's SongMarch 11, 2022<March 11, 2022 Interview: Digging Deep with Avi Kaplan & Joy Williams on “All Is Well” by Emily Frances Algar
Columns, Editor's Picks, Features, MusicMarch 10, 2022<September 29, 2022 Editor’s Picks 57: Ego Ella May, Memorial, Stars, Bear’s Den, Linqua Franqa, & John Mark Nelson by Mitch Mosk
Columns, Music, Women's History MonthMarch 10, 2022<March 10, 2022 Women to the Front: The Elephant Trees’ Martha Phillips on Inclusivity & Creating Spaces in the Music Industry by Guest Writer
Debut, Interviews, MusicMarch 10, 2022<May 28, 2022 “Just Do Whatever You Want:” A Conversation with Uèle Lamore by Ben Niesen
Columns, Music, Today's SongMarch 10, 2022<March 10, 2022 Griff Clawson’s Dynamic “Haircut” Is a Song of Heartache & Emotional Split Ends by Mitch Mosk
Debut, Interviews, Music, PremieresMarch 10, 2022<March 11, 2022 “Transcending pain into something beautiful”: Phebe Starr Shines Raw & Radiant on Debut Album ‘Heavy Metal Flower Petal’ by Mitch Mosk
Music, PremieresMarch 10, 2022<March 10, 2022 Premiere: Jay Johnson’s Smooth & Soulful “Enough to Eat” Is a Heartfelt Musical Scrapbook by Mitch Mosk
For the Love of Music
For the Love of Music
