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Rebel Revolution - Sizzy Rocket
Columns, Essays, Music, Pride MonthJune 23, 2022<June 22, 2022

“Let’s Get Wild”: A Pride Month Essay by Sizzy Rocket

by Guest Writer
Tornsey © 2022
Columns, Essays, Music, Pride MonthJune 22, 2022<June 22, 2022

Pride Month Essay: Alternative Pop Artist Tornsey Embraces Change & Honesty for Pride ’22

by Guest Writer
Atwood Magazine's Editor's Picks 68
Columns, Editor's Picks, Features, MusicJune 22, 2022<September 29, 2022

Editor’s Picks 68: Young the Giant, Daulton Hopkins, Cecilia Castleman, Juliana Madrid, FELIVAND, & altopalo!

by Mitch Mosk
Fantastic Cat © Shervin Lainez
Music, Music Videos, PremieresJune 22, 2022<August 12, 2022

Premiere: Fantastic Cat Commandeer the Staten Island Ferry for New Single “The Gig,” a Song of Passion, Dreams, & Unrelenting Ambition

by Mitch Mosk
mxmtoon 'rising' © Lissyelle Laricchia
Features, Interviews, MusicJune 22, 2022<June 27, 2022

“I wanted ‘rising’ to feel like a project about loving yourself”: mxmtoon Shines Bright on Her “Fun Existential Crisis” of a Sophomore Album

by Mitch Mosk
Jaguar Jonze © she is aphrodite
Debut, Features, Interviews, Music, Track-by-TrackJune 22, 2022<June 22, 2022

“Powerful, Vulnerable, & Ferocious”: The Trauma & Triumph of Jaguar Jonze’s Debut Album, ‘BUNNY MODE’

by Mitch Mosk
Paul Thomas Saunders © Ali Painter
Columns, Music, Today's SongJune 22, 2022<June 22, 2022

Today’s Song: Paul Thomas Saunders Is Soaring High in New Single, “Heartlands” After 8-Year Hiatus

by Rachel Leong
Tamino "Fascination" © Herman Selleslags
Music, Music Videos, PremieresJune 22, 2022<June 21, 2022

Premiere: The Quiet Nuance of Tamino’s “Fascination” Music Video

by Lilly Eason
Tunes & Tumblers x Hoodie Allen 2022
Columns, Music, Podcast, Tunes & TumblersJune 21, 2022<April 30, 2023

Podcast: Tunes & Tumblers Features Hoodie Allen and a Heartbreak Hoodie

by Atwood Magazine Staff
Wy © Lamia Karic
Features, Interviews, Music, Track-by-TrackJune 21, 2022<June 21, 2022

Interview: Wy Deliver ‘Something Amazing,’ a Beautifully Raw EP of Darkness, Light, & Life

by Mitch Mosk
Imogen Clark © Jess Gleeson
Music, PremieresJune 21, 2022<June 21, 2022

“You know I love in absolutes”: Imogen Clark Soars on “Nonchalant,” a Spirited Indie Rock Release

by Mitch Mosk
Peter Rowan © Frank Serio
Music, Music Videos, PremieresJune 21, 2022<June 20, 2022

Born in Dreams: Bluegrass Legend Peter Rowan Premieres His Music Video for “The Song That Made Hank Williams Dance”

by Guest Writer
Courtney Govan © 2022
Columns, Essays, Music, Pride MonthJune 21, 2022<June 20, 2022

“Finding Love for Yourself This Pride”: An Essay by Courtney Govan

by Guest Writer
Roisin O’Hagan © Laura Allard-Fleischl
Columns, Music, Today's SongJune 21, 2022<June 21, 2022

Today’s Song: Roisin O’Hagan Takes You to “Sunset Valley” in Sentimental New Single

by Joe Beer
Alex Porat © Patrick Ryder
Columns, Music, Today's SongJune 20, 2022<June 20, 2022

“I don’t know why I get so sad”: Alex Porat’s Intimate & Achingly Vulnerable “Sensitive”

by Mitch Mosk
Posts pagination
1 … 241 242 243 244 245 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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