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Christina Perri © Lauren Dunn
Features, Interviews, MusicAugust 23, 2022<August 23, 2022

“My Heartbreak Just Looks Different Now”: Christina Perri on How Her New Album Turned Her ‘A Lighter Shade of Blue’

by Emily Frances Algar
Elijah Wolf © Elle McLogan
Music, PremieresAugust 22, 2022<August 22, 2022

“Pain and Perspective”: Brooklyn’s Elijah Wolf Premieres Emotionally Charged New Single, “Holding This In”

by Mitch Mosk
Me Like Bees © 2022
Columns, Music, Today's SongAugust 19, 2022<August 18, 2022

Today’s Song: Me Like Bees Turn Up the Volume with Energetic Indie Rocker “Radio”

by Beau Hayhoe
Maisie Peters © Sonny McCartney
Columns, Music, Today's SongAugust 18, 2022<September 29, 2022

Conflict Breeds Confidence with Maisie Peters’ “Good Enough” & “Blonde”

by Kelly McCafferty Dorogy
Pertinence © Isaiah Mirigian
Features, Interviews, MusicAugust 18, 2022<August 17, 2022

The Newest “Waterboy”: An Introduction to Rising Arizona Rapper Pertinence

by Lauren Hicks
Steven Malcolm © 2022
Columns, Music, Today's SongAugust 17, 2022<August 19, 2022

Today’s Song: How to Achieve a Scintillating “Summertime” with Steven Malcolm & Two Inspiring Guests

by Josh Weiner
Jukebox the Ghost © Shervin Lainez
Features, Interviews, MusicAugust 17, 2022<September 29, 2022

“We’re a Little Bit Ridiculous”: Jukebox the Ghost’s Ben Thornewill Talks Band’s Early Years, His Love for Chaos, & New Album ‘Cheers’

by Madeleine Eggen
Sean Marshall © 2022
Music, PremieresAugust 16, 2022<August 16, 2022

Premiere: The Charm, Charge, & Churn of Sean Marshall’s “Glucose”

by Mitch Mosk
Plastic Picnic © Bronson Snelling
Debut, Features, Interviews, Music, Track-by-TrackAugust 16, 2022<August 16, 2022

“Sunsets, Pain, Relinquish”: Brooklyn’s Plastic Picnic Uplift & Inspire on Debut LP ‘As Long As You Need’

by Mitch Mosk
Imaad Wasif © Sharon Lockhart, Alex Slade
Features, Interviews, Music, Track-by-TrackAugust 15, 2022<August 15, 2022

“I want to create magic”: Imaad Wasif Unveils His Intimate, Soothing & Regenerative Album, ‘So Long Mr. Fear’

by Mitch Mosk
Nick Leng © 2022
Features, Interviews, MusicAugust 15, 2022<August 15, 2022

Interview: Falling in Love with Nick Leng

by Nasim Elyasi
In My Car - Rat Tally
Debut, Features, Interviews, Music, Track-by-TrackAugust 15, 2022<September 29, 2022

“Anxiety, Nostalgia, & Failure”: Rat Tally Digs Through Trauma & Soars on Debut Album, ‘In My Car’

by Mitch Mosk
'Renaissance' Beyoncé © Carlijn Jacobs 9.3
Music, Our Take, ReviewsAugust 15, 2022<August 15, 2022

Our Take: The Queen Bee Beyoncé Stings Again on the Dazzling ‘Renaissance’

by Josh Weiner
Fantastic Cat © Shervin Lainez
Artist to Watch, Debut, Features, Interviews, Music, Track-by-TrackAugust 12, 2022<January 30, 2025

Folk Rock Supergroup Fantastic Cat Soar on Fun, Loose, & Honest Debut Album, ‘The Very Best of Fantastic Cat’

by Mitch Mosk
Cheekface © Miriam Brummel
Music, ReviewsAugust 12, 2022<August 12, 2022

Review: Cheekface Light It All Up with Irony & Fury On ‘Too Much To Ask’

by James Crowley
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Brand New

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters

:: discover something new ::

Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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