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Agender © Lindsey Byrnes
Columns, Music, Women's History MonthMarch 31, 2022<March 31, 2022

Essay: Agender’s Romy on Creating Sustainable Change within the Feminist Movement Through Solidarity & Empathy for All Women

by Guest Writer
The Accidentals (L to R): Katie Larson Sav Buist, & Michael Dause
Columns, Music, Women's History MonthMarch 30, 2022<March 30, 2022

“Respect is a Well From Which Everyone Can Drink”: The Accidentals’ Sav Buist on Sexism in the Music Industry

by Guest Writer
Christina Wheeler © Shervin Lainez
Columns, Music, Women's History MonthMarch 30, 2022<March 30, 2022

Essay: Christina Wheeler on Intersectionality in the Music Industry & Beyond

by Guest Writer
LACES © Shari Hoffman
Columns, Music, Women's History MonthMarch 30, 2022<March 30, 2022

“Adventures of a Super Weirdo”: LACES’ Jessica Vaughn on Being a Woman in Music

by Guest Writer
Kris Angelis © Lee Holbrook
Interviews, MusicMarch 30, 2022<March 30, 2022

Interview: Kris Angelis Finds Solace From the Night in “Run”

by Chloe Robinson
Bestfriend © Mackenzie Walker
Music, PremieresMarch 29, 2022<March 30, 2022

Premiere: Bestfriend’s Beautifully Warm & Wistful Summer Song, “Someplace Else”

by Mitch Mosk
Jack Van Cleaf © Jacob Ruth
Debut, Features, Music, Premieres, Track-by-TrackMarch 29, 2022<March 30, 2022

“Colorful, Nostalgic, & Spacious”: Jack Van Cleaf Premieres His Radiantly Raw Debut Album, ‘Fruit from the Trees’

by Mitch Mosk
Methyl Ethel © Xan Thorrhhoea
Features, Interviews, Music, ReviewsMarch 29, 2022<March 31, 2022

Methyl Ethel’s Challenging, Neo-Romantic Question, ‘Are You Haunted?’

by Ben Niesen
Louien © Julia Marie Naglestad
Columns, Music, Women's History MonthMarch 29, 2022<March 29, 2022

Even Women in the Most Progressive Countries Are Fighting for Equality: Norway’s Live Miranda Solberg Reflects on Women’s History Month

by Guest Writer
Margot Jezerc © Zian Meng
Columns, Music, Women's History MonthMarch 29, 2022<March 29, 2022

“Radical Acceptance”: Buffalo Rose’s Margot Jezerc on Youth & Womanhood

by Guest Writer
lostboy © 2022
Columns, Music, Today's SongMarch 28, 2022<March 28, 2022

Today’s Song: Sheffield’s lostboy Ditch the “Weight” in Soaring & Cinematic Anthem

by Mitch Mosk
Gabriel Kahane © Jason Quigley
Features, Interviews, MusicMarch 28, 2022<March 2, 2025

Between Ecstasy and Grief: Gabriel Kahane Discusses ‘Magnificent Bird,’ Gift Economies, & Generosity

by Mariel Fechik
Secret Emchy Society © Margo Duane
Columns, Music, Women's History MonthMarch 25, 2022<March 25, 2022

“Put Her Name in Your Mouth”: Cindy Emch on the Importance of Recognizing & Honoring Women in Music & Beyond

by Guest Writer
'Lessons From Earth Part 1' - Sonia Stein
Features, Music, Reviews, Track-by-TrackMarch 25, 2022<March 31, 2022

Track-By-Track: Sonia Stein Dives into Her “Spiritual, Grooving, & Blooming” ‘Lessons From Earth, Pt. 1’

by Mitch Mosk
elkyn © Stewart Baxter
Debut, Features, Music, Reviews, Track-by-TrackMarch 25, 2022<April 3, 2022

“Hopeful, Sad, & Reminiscent”: Inside the Warm Wonder of elkyn’s Debut Album ‘holy spirit social club’

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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