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Andy Fletcher
Essays, MusicJune 20, 2022<June 20, 2022

In Memoriam: Tribute & Lament for Andy Fletcher, Depeche Mode

by David Buyze
The Kills © 2022
Concerts, Music, ReviewsJune 20, 2022<June 20, 2022

Veteran Rock Duo The Kills Wow Brooklyn Steel with a Classic Saturday Night Rock Show

by Beau Hayhoe
Brooke Annibale © Shervin Lainez
Columns, Essays, Music, Pride MonthJune 20, 2022<June 20, 2022

Pride Month Essay: Brooke Annibale on Representation & Her Journey to Self-Acceptance

by Guest Writer
Future Teens © Adam Parshall
Columns, Music, Today's SongJune 18, 2022<June 18, 2022

Today’s Song: Future Teens Make Space for You to Sit in Your Uncomfortable Feelings on “Same Difference”

by Kevin Krein
The Big Drink © 2022
Debut, Features, Interviews, Music, Track-by-TrackJune 17, 2022<June 18, 2022

“Honest, Live, & Jangly”: Sippin’ From The Big Drink’s Sun-Kissed Self-Titled Debut

by Mitch Mosk
Bluphoria © 2022
Essays, MusicJune 17, 2022<June 17, 2022

Juneteenth and Black Independence: An Essay by Bluphoria’s Reign LaFreniere

by Guest Writer
Atwood Magazine's Weekly Roundup | June 17, 2022
Columns, Features, Music, Weekly RoundupJune 17, 2022<February 6, 2023

Atwood Magazine’s Weekly Roundup: June 17, 2022

by Atwood Magazine Staff
Alex the Astronaut "Haircut" single art © Giulia McGauran
Columns, Essays, Music, Pride MonthJune 17, 2022<June 17, 2022

“Being Alex”: A Pride Month Essay by Alex the Astronaut

by Guest Writer
Laufey © Gemma Warren
Columns, Music, Today's SongJune 17, 2022<June 17, 2022

Today’s Song: Wistful, Hopeless Romanticism & Jazz Revival in Laufey’s “Fragile”

by Isabella Le
Tom Gallo © 2022
Features, Interviews, Music, Track-by-TrackJune 17, 2022<June 17, 2022

“Dark Slow Dancing”: Tom Gallo Unveils His Cathartic, Intense & Uplifting ‘Vanish and Bloom’

by Mitch Mosk
The Rare Occasions © Kenneth Bauer
Features, Interviews, Music, Track-by-TrackJune 16, 2022<June 16, 2022

“Rock With Your Socks On”: Celebrating The Rare Occasions’ Cinematic & Seductive Sophomore LP ‘Big Whoop’

by Mitch Mosk
KAIRO © Ashley Thompson
Debut, Features, Interviews, Music, Track-by-TrackJune 16, 2022<June 16, 2022

“Love Letters From Houston”: KAIRO Set a Stunning Foundation with Radiant & Sun-Kissed Debut EP

by Mitch Mosk
Haroula Rose © Logan Fahey
Debut, Features, Interviews, Music, Premieres, Track-by-TrackJune 16, 2022<June 16, 2022

“Inner life coming out”: Haroula Rose Premieres Her Naked, Solitary, & Joyful Third Album, ‘Catch the Light’

by Mitch Mosk
HIGH. © 2022
Columns, Today's SongJune 16, 2022<June 16, 2022

Today’s Song: New Jersey Band HIGH. Burst onto the Scene with Debut Single “Dead”

by Beau Hayhoe
Tom Speight © Nat Michele
Music, Music Videos, PremieresJune 16, 2022<June 16, 2022

Premiere: Tom Speight Rolls the Dice Again with a Heartfelt Song of Hope, Life & Love

by Mitch Mosk
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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