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Get a Job - Games We Play
Columns, Music, Today's SongSeptember 5, 2022<May 24, 2024

Today’s Song: Games We Play Delivers a Rebel Anthem with “Get a Job”

by Kelly McCafferty Dorogy
Kira McSpice © Mika Lungulov-Klotz
Columns, Music, Today's SongSeptember 2, 2022<September 1, 2022

Today’s Song: Kira McSpice Gives Herself Over to “Mirth”

by Sophie Prettyman-Beauchamp
Atwood Magazine's Weekly Roundup | September 2, 2022
Columns, Features, Music, Weekly RoundupSeptember 2, 2022<September 1, 2022

Atwood Magazine’s Weekly Roundup: September 2, 2022

by Atwood Magazine Staff
Älskar - Nina Nesbitt
Features, Interviews, MusicSeptember 2, 2022<March 11, 2023

Interview: Nina Nesbitt Finds Her Love Language on Third LP ‘Älskar’

by Mitch Mosk
Darcy Lane © Tara Johnson
Debut, Music, PremieresSeptember 1, 2022<September 1, 2022

EP Premiere: Sydney’s Darcy Lane Debuts with ‘Heartquakes,’ a Record of Young Love’s Turmoil

by Mitch Mosk
Editors © Rahi Rezvani
Columns, Music, Today's SongSeptember 1, 2022<September 1, 2022

Today’s Song: The Intense Empowerment of Editors’ “Kiss”

by David Buyze
Features, Interviews, Music, Track-by-TrackAugust 31, 2022<August 31, 2022

The Best She Can: Savannah Conley’s New EP is Eleven Minutes of Beautifully Charged Unapologetic Upheaval

by Mitch Mosk
SEVENTEEN © PLEDIS Entertainment
Concerts, Music, ReviewsAugust 31, 2022<August 31, 2022

Live Review: Rocking with SEVENTEEN at ‘BE THE SUN’ in Los Angeles

by Isabella Le
Motel Radio © Michael Tucker
Features, Interviews, MusicAugust 31, 2022<August 31, 2022

Feature: Coming Full Circle with Motel Radio

by Guest Writer
MisterWives © Matty Vogel
Columns, Music, Today's SongAugust 31, 2022<August 31, 2022

Today’s Song: Reveling in MisterWives’ Cathartic and Catchy “Wrongside”

by Kelly McCafferty Dorogy
Nataly Dawn © 2022
Features, Interviews, Music, Track-by-TrackAugust 30, 2022<August 31, 2022

“Pretty Damn Hopeful”: Pomplamoose’s Nataly Dawn Soars & Stirs on Beautifully Intimate ‘Gardenview’

by Mitch Mosk
2030 Revolution - Dylan Fraser © Ho Hai Tran
Features, Interviews, Music, Track-by-TrackAugust 30, 2022<August 30, 2022

“Swirly, Distorted, Ambience”: Basking in the Throes of Dylan Fraser’s Urgent & Unapologetic ‘2030 Revolution’

by Mitch Mosk
Christie Huff © Hazel Choo
Music, ReviewsAugust 30, 2022<August 30, 2022

Review: Christie Huff Peels Back Every Layer of Emotion in ‘Favorites Collection’

by Chloe Robinson
Freakscene - The Story of Dinosaur Jr.
A Casual Ramble, Columns, MusicAugust 30, 2022<March 2, 2025

A Casual Ramble: Mumbling Through a Freak Scene

by Ben Niesen
Indigo De Souza © Charlie Boss
Columns, Music, Today's SongAugust 30, 2022<August 30, 2022

Today’s Song: Indigo De Souza Finds Her Own Balance in “Hold U”

by Nic Nichols
Posts pagination
1 … 242 243 244 245 246 … 737

Brand New

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters

:: discover something new ::

Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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